THE  UNIVERSITY  UBRART 


UNIVERSITY  or  CALIPORtWA,  SAN  WEGO  (7^0 

LA  lOUA.  CAIIF«RNIA 


Digitized  by  the  Internet  Archive 

in  2008  with  funding  from 

IVIicrosoft  Corporation 


http://www.archive.org/details/bibliographyofsaOOschu 


A   BIBLIOGRAPHY 


SANSKRIT    DRAMA 


COLUMBIA    UNIVERSITY 

INDO-IRANIAN    SERIES 


KDITKn    ){Y 

A.    V.    WILLIAMS    JACKSON 

PROFESSOR    OF    INDO-IRANIAN    LANGUAGES 
IN    COLUMBIA    UNIVERSITY 


VOLUMK    III 


A     BIBLIOGRAPHY 


OF     THE 


SANSKRIT      DRAMA 


WITH     AN 


INTRODUCTORY    SKETCH    OF 
THE    DRAMATIC    LITERATURE    OF    INDIA 


MONTGOMERY    SCHUYLER,    Jr.,    A.M. 

SECKETAKY    OF    LEGATION    AND     CONSUL-GENERAL    OF     THE    UNITED    STATES   TO    SIAM 

SOMETIME    FELLOW    IN    INDO-IRANIAN    LANOIAGES 

IN    COLUMBIA   UNIVERSITY 


AMS  PRESS  INC. 

NEW  YORK 

1965 


Copyright  1906,  Columbia  University  Press,  New  York 


Reprinted  with  Permission  of  the 
Original  Publisher,  1965 


AMS  PRESS  INC. 

New  York,  N.  Y.  10003 


Manufactured  in  the  United  States  of  America 


TO 
PROFESSOR   A.    V.    WILLIAMS    JACKSON 

MY    FRIEND    AND    TEACHER 


To  make  future  editions  of  the  bibliograpny  more 
nearly  complete  and  accurate,  all  persons  observing 
errors  or  omissions  are  requested  to  communicate  them 
to  the  editor  of  this  series,  A.  V.  Williams  Jackson, 
Columbia  University,  New  York,  who  will  gratefully 
acknowledge  all  such  assistance. 


PREFACE 

It  has  long  been  desirable  that  students  of  Sanskrit  literature 
should  have  as  complete  a  catalogue  as  possible  of  all  Hindu 
authors  and  their  writings,  in  order  that  they  might  be  able  to  tell 
at  a  glance  how  many  manuscripts  of  each  work  are  known,  how 
many  editions  and  translations  have  been  made,  and  what  has  been 
written  concerning  them.  It  is  the  purpose  of  the  present  volume 
to  fill  this  need  for  the  Sanskrit  drama.  The  material  here  pre- 
sented has  been  collected  for  several  years,  but  unforeseen  circum- 
stances have  delayed  the  publication  long  beyond  the  time  origi- 
nally proposed,  although  some  portions  of  the  work  have  already 
appeared  in  print.  ^ 

In  a  book  of  this  character  it  is  practically  impossible  to  secure 
absolute  completeness,  and  this  is  especially  true  of  lists  of  manu- 
scripts, since  new  catalogues  of  collections  both  in  India  and  in 
Europe  are  constantly  being  published.^  Many  titles  of  earlier 
editions  and  of  the  older  ancillary  literature,  moreover,  were  acces- 
sible to  me  only  in  catalogues  of  various  descriptions,  frequently 
compiled  with  scant  regard  to  bibliographical  accuracy  and  by  no 
means  complete.  The  conditions  under  which  I  labored  precluded 
the  possibility  of  access  to  all  the  actual  manuscripts  and  editions, 
and  I  was  therefore  obliged  to  cite  a  large  number  of  entries  at 
second  or  even  at  third  hand.  Absolute  fidelity  to  the  original 
titles  has  consequently  been  denied  me,  and  —  a  far  more  serious 
matter  —  it  has  only  too  often  proved  impossible  for  me  to  secure 
the  pagination  and  other  details  of  very  practical  import  for  Sans- 
kritists.      Even  when  the  volumes  were  at  hand,  however,  I  did 

1  In  JAOS.  22  (1901),  pp.  237-248;  23  (■1902),  pp.  93-103  ;  25  (1904),  pp. 
189-196  ;  Verhandlungen  des  13.  internationalen  Orientalisten-Kongresses  (1902), 
Leiden,   1904,  pp.  33-37. 

*In  fact,  Hz.  3  and  10.  7  were  received  while  the  volume  was  passing  through 
the  press,  and  the  references  to  these  were  added  in  the  proofs  by  Mr.  Haas. 

vii 


vm  PREFACE 

not  think  it  necessaiy  to  reproduce  all  the  padding  with  which 
native  scholars  ajdorn  their  title-pages,  so  that  a  long  entry  has 
frequently  been  abridged  in  the  following  pages  to  the  simple 
phrase  '  edited  with  notes  by  ,   .   .' 

The  arrangement  of  names  and  titles  follows  the  order  of  the 
English  alphabet,  and  no  separate  positions  have  been  assigned  to 
the  vowels  and  consonants  distinguished  by  diacritical  marks. 
Heavy-faced  type  is  used  for  the  names  of  playwrights,  ordinary 
Roman  type  for  the  names  of  plays.  Plays  are  inserted  under  the 
author's  name,  when  it  is  known,  and  cross-references  are  given 
under  the  titles  of  his  various  works.  Anonymous  plays  are  listed 
under  the  names  by  which  they  are  known.  Some  titles,  although 
identical  with  those  of  works  by  known  authors,  have  had  to  be 
recorded  in  like  manner  as  anonymous,  merely  because  the  neces- 
sary data  for  a  determination  of  their  authorship  were  not  avail- 
able. For  the  same  reason  no  exact  statement  as  to  the  number 
of  extant  dramas  can  be  made  at  the  present  time. 

Such  honorific  designations  as  '  SrT,'  '  Kavi,'  '  Bhatta,'  '  Pandita,' 
and  '  Raja '  have  usually  been  omitted,  unless  they  form  a 
part  of  the  name  as  commonly  known  or  are  necessary  to  avoid 
confusion  with  some  other  playwright  of  the  same  appellative. 
Editions  and  translations  are  arranged  as  far  as  possible  in  chrono- 
logical order,  critical  works  are  classified  alphabetically  by  authors. 
Volumes  containing  both  text  and  translation  are  listed  under 
text  editions,  and  critical  essays  and  notes  are  not  separately 
recorded  under  critical  works  when  included  in  editions  of  the 
text  or  in  translations.  Criticism  relating  entirely  to  a  single 
author  or  play  is  catalogued  under  that  author  or  play,  but 
general  books  and  papers  are  separately  listed  before  the  main 
body  of  the  bibliography.  A  reference  such  as  '  Amrtodaya,  A  i. 
p.  29 '  indicates  that  Aufrecht  in  his  Catalogus  Catalogorum 
has  listed  on  that  page  one  manuscript  of  a  play  called  Amrto- 
daya. When  more  than  one  manuscript  is  referred  to,  the  num- 
ber is  given.  In  the  case  of  commentaries  the  number  of  manu- 
scripts is  also  stated.  Thus  'Com.  5,  by  Jagaddhara  2'  indi- 
cates that  there  are  five  manuscripts  of  unspecified  or  anonymous 


PREFACE  IX 

commentaries  and  two  manuscripts  of  a  commentary  by  Jagad- 
dhara.  In  this  way  each  entry  shows  the  number  of  extant  manu- 
scripts of  the  work  and  of  the  various  commentaries  on  it,  if 
such  exist.  Some  entries  from  Part  7  of  the  India  Office  Cata- 
logue, however,  duplicate  those  already  given  by  Aufrecht  from 
the  Catalogue  of  the  Mackenzie  Collection  ;  these  were  added 
because  the  early  catalogue  of  Wilson  gives  no  adequate  descrip- 
tion of  the  manuscripts,  and  because  it  seemed  desirable  to  include 
all  material  not  given  by  Aufrecht.  The  same  is  true  of  the 
Catalogue  of  Two  Collections  in  the  India  Office  Library,  by 
Tawney  and  Thomas,  which  includes  manuscripts  recorded  by 
Aufrecht  from  an  old  list  by  Sir  William  Jones.  An  introduc- 
tory sketch  of  the  Sanskrit  drama  has  been  incorporated  in  the 
volume,  in  order  that  students  may  have  a  convenient  epitome  of 
the  whole  subject  readily  accessible  to  them. 

For  the  manuscripts  listed  in  this  bibhography  I  have  relied  in 
the  main  on  the  marvelously  accurate  and  learned  Catalogus 
Catalogorum  of  Aufrecht,  although  I  have  supplemented  it  by 
such  catalogues  as  have  appeared  subsequently.  For  many  titles 
of  editions  of  plays  and  records  of  literature  on  the  drama  of  India 
I  am  indebted  to  the  bibliographies  of  Gildemeister  and  Zenker 
and  to  the  Catalogue  of  Sanskrit  books  in  the  British  Museum, 
although  my  richest  source  has  naturally  been  the  Orientalische 
Bibliographie.  Antiquarian  catalogues,  especially  those  of  Har- 
rassowitz  (Leipzig)  and  Luzac  (London),  have  also  been  consulted 
with  advantage. 

My  thanks  are  due  to  the  librarians  of  the  Royal  Libraries  of 
Copenhagen  and  Stockholm  for  information  in  regard  to  certain 
publications,  while  through  the  kindness  of  Professor  Serge 
Oldenburg  of  St.  Petersburg  I  had  access  to  the  large  collections 
of  the  Russian  Academy  of  Sciences  and  the  Oriental  Seminar  of 
the  University  of  St.  Petersburg,  and  certain  queries  were  answered 
for  me  by  Professor  Carl  Cappeller  of  Jena.  My  friend  and 
former  fellow-student,  Dr.  Louis  H.  Gray,  placed  his  library  at 
my  disposal  and  gave  me  several  additions  and  suggestions,  while 
both  he  and  Mrs.  Gray  most  generously  aided  in  the  correction  of 


X  PREFACE 

the  proofs.  The  main  part  of  this  toilsome  revision,  however, 
which  my  absence  from  America  compelled  me  to  forego,  has 
been  most  kindly  undertaken  for  me  by  Mr.  George  C.  O.  Haas, 
Fellow  in  Indo-Iranian  in  Columbia  University,  who  has  also 
added  the  new  material  from  Hultzsch's  Reports  and  the  India 
Office  Catalogue,  and  made  many  corrections  and  improvements. 
To  my  friend  and  teacher.  Professor  A.  V.  Williams  Jackson, 
who,  from  the  inception  of  the  book  to  its  completion,  has  grudged 
neither  time  nor  pains  to  aid  me,  my  deepest  gratitude  is  due  for 
his  inspiration  and  assistance. 

Montgomery  Schuyler,  Jr. 
United  States  Legation, 
Bangkok,  Siam, 
November  i,    1905. 


CONTENTS 

PAGE 

Introductory  Sketch  of  the  Sanskrit  Drama i 

General  Works  on  the  Sanskrit  Drama  : 

1 .  Hindu  Works  on  Dramatics  1 6 

2 .  Works  of  General  Criticism 1 8 

3.  Chapters  in  Histories  of  Sanskrit  Literature 22 

4.  Collected  Translations  of  Sanskrit  Dramas 22 

Names  of  Authors  and  Titles  of  their  Works 24 

Appendix  I.     Some  Dramas  in  the  Modern  Vernaculars  98 

Appendix  H.     Classification  of  the  Dramas loi 


INTRODUCTORY   SKETCH    OF   THE   SANSKRIT 

DRAMA 

It  is  now  more  than  a  hundred  years  since  Sir  William  Jones 
gave  the  Western  world  its  first  knowledge  of  the  dramatic  liter- 
ature of  the  Hindus  by  the  publication,  in  1789,  of  a  translation 
of  the  Sakiintala  of  Kalidasa.  From  that  time  on,  the  labors  of 
Sanskritists  have  gradually  made  accessible  most  of  the  chief 
works  of  the  Sanskrit  drama,  and  a  large  number  of  editions, 
translations,  and  commentaries  are  now  available  for  the  general 
student  of  literature. 

The  earliest  manifestations  of  a  dramatic  idea  in  India  are  to  be 
found  in  the  hymns  of  the  Rig  Veda.  Certain  of  these  hymns 
are  in  the  form  of  dialogues  between  various  per- 
sonages of  the  Vedic  pantheon,  such  as  Yama 
and  YamI,  Sarama  and  the  Panis,  while  the  myth  of  King  Puru- 
ravas  and  the  nymph  Urvasi  is  the  foundation  for  one  of  the 
plays  of  India's  greatest  dramatist.  The  lack  of  accurate  data 
precludes  our  knowing  much  about  the  origin  of  the  drama  in 
India,  but  it  is  probable  that  it  had  its  beginning  in  a  combination 
of  these  hymns  in  dramatic  form  and  in  the  religious  dances,  in 
which  certain  pantomimic  features  came  to  be  conventionalized 
and  stereotyped  in  later  times  until  we  get  the  classical  Sanskrit 
drama.  This  theory  is  borne  out  by  the  fact  that  in  Sanskrit  the 
words  for  play  {iiataka)  and  actor  {iiatci)  are  from  the  root  nat 
which  is  the  Prakrit  form  of  the  Sanskrit  ;//'/  'to  dance.'  The 
native  Hindu  account  of  the  origin  of  the  drama  was  that  it  came 
down  from  heaven  as  a  fully  developed  art  invented  by  the  divine 
sage  Bharata.  This  theory,  however  satisfying  to  the  Hindu 
mind,  cannot  be  accepted  by  modern  scholarship,  and  we  are 
forced  to  presuppose  a  development  from  the  religious  to  the 
dramatic,  as  outlined  above,  which  is  not  essentially  different 
from  that  found  in  Greece.      The  earlier  stages,  which  were  con- 


2  INTRODUCTION 

nected  with  religious  festivals,  and  especially  with  the  worship  of 
Krsna-Visnu,  were  not  unlike  the  early  primitive  Christian  mys- 
tery-plays of  the  Middle  Ages  in  Europe. 

Whatever  may  have  been  its  beginnings,  it  is  certain  that  the 
drama  flourished  in  India,  and  had  a  high  development.  The 
earlier  plays  as  we  know  them  had  considerable 
freedom  of  choice  of  subject  and  treatment  and 
they  can  be  described,  for  the  most  part,  as  melodramas  or  tragi- 
comedies. Primarily  their  elements  are  mixed  :  gravity  and 
gaiety,  despair  and  joy,  terror  and  love  —  all  are  combined  in  the 
same  play.  Tragedy,  in  our  sense  of  the  term,  there  is  none, 
for  ev^ery  drama  must  have  a  happy  ending.  As,  according  to 
the  rules,  death  cannot  be  represented  on  the  stage,  it  follows  that 
one  great  source  of  inspiration  for  European  tragedy  is  entirely 
eliminated.  The  usual  subject  for  dramatic  treatment  is  love,  and 
according  to  the  rank  or  social  position  of  the  hero  and  heroine 
the  play  is  placed  in  one  or  another  of  the  ten  chief  {rupakd)  or 
eighteen  minor  {iiparupaka)  divisions  of  the  drama  recognized 
by  the  Hindu  text-books.^  The  trials  and  tribulations  of  the 
lovers,  relieved  by  the  rather  clumsy  attempts  at  wit  of  the  vidil- 
saka,  or  court  jester,  the  plotting  of  the  vita,  or  parasite,  and  the 
efforts  of  the  rival  wives  to  establish  themselves  in  the  favor  of 
their  lords  and  masters,  with  the  incidents  of  every  day  life  in  the 
harem  and  court,  constitute  the  plot  of  the  play.  The  laments 
of  the  hero  to  his  confidant,  the  jester,  serve  to  introduce  lyrical 
stanzas  descriptive  of  the  beauties  of  nature,  the  wiles  and  graces 
of  woman,  and  the  tender  passion  which  fills  the  hero's  heart  for 
some  fair  maiden  or  celestial  nymph.  According  to  the  Sanskrit 
treatises  on  dramatic  art  the  subject  of  a  nataka  is  to  be  taken 
from  some  famous  legend,  and  its  hero  must  be  high-minded  and 

'  Although  the  drama  is  so  carefully  subdivided  by  the  rhetorical  textbooks,  not 
all  of  these  divisions  are  represented  in  the  extant  literature  (see  Appendix  II).  The 
precise  character  of  many  of  the  plays  here  recorded,  however,  could  not  be  deter- 
mined, as  most  manuscript  cataloguers  fail  to  distinguish  the  various  varieties  and 
use  the  word  '  nataka  '  in  the  general  sense  of  '  drama.'  It  is  to  be  hoped  that  future 
cataloguers  will  examine  the  plays  with  more  care  and  so  record  them  that  we  may 
get  a  better  idea  of  the  comparative  popularity  of  the  different  forms  of  drama. 


INTRODUCTION  3 

of  noble  birth,  sprung  from  a  race  of  gods  or  kings.'  The  expres- 
sion of  all  feelings  is  allowed,  but  preponderance  is  to  be  given  to 
love  and  heroism.  There  must  be  not  less  than  five,  nor  more 
than  ten,  acts  of  mingled  prose  and  verse.  The  Sanskrit  tongue 
itself,  as  the  learned  or  court  language,  is  spoken  by  gods, 
Brahmans,  heroes,  kings,  and  men  of  good  birth  and  position  in 
general.  Women  and  the  lower  classes  of  men  speak  various 
dialects  of  the  Prakrit  language,  the  old  vernacular  tongue  of 
India.  Among  the  Prakrits  the  most  important  is  the  Saura- 
senl,  the  form  usually  found  in  the  dramas,  the  Maharastri 
being  confined  to  the  poetical  stanzas.^  The  rules  for  distinguish- 
ing the  various  individual  kinds  of  characters  are  all  care- 
fully classified  and  divided  ;  so  far  does  this  subdividing  go  that 
no  less  than  three  hundred  and  eighty-four  types  of  heroine  are 
given.  In  practice,  of  course,  this  is  never  carried  out,  but  it 
must  be  acknowledged  that  the  great  defect  of  the  Sanskrit  drama 
is  that  in  general  it  is  too  conventional,  with  the  result  that  origi- 
nality and  life  are  sacrificed  for  a  hackneyed  arrangement  and  a 
stereotyped  manipulation  of  threadbare  sentiments  and  action. 

In  the  invention  of  plots  the  dramatists  show  little  fertility  of 

imagination  ;  on  the  other  hand  cleverness  is  certainly  clearly 

shown  in    the  way  in  which  the  details  of  the 

Plots  and  Dramatis  pj^^  ^j-e  worked  out  and  the  development  of  the 
Personae.  .       .  . 

intrigue  is  presented.     In  the  majority  of  cases 

the  plot  is  somewhat  as  follows  :  the  hero,  who  is  usually  a  king 

or  a  prince  and  already  has  one  or  more  wives,  at  the  opening  of 

the  play  suddenly  becomes  enamored  of  the  charms  of  some  girl 

or  nymph.      Although  she  is  equally  in  love  with  him  she  is  too 

bashful  and  modest  to  let  her  passion  be  observed.      Hope  and 

fear  alternately  cheer  and  dismay  both  hero  and  heroine.      She 

confides  in  some   girl   friend,  he  in   the  jester,  who  is  always  a 

brahman,  but  a  person  of  slow  intelligence  whose  uncouth  attempts 

at  wit  seem  often  lacking  in  every  element  of  humor.     The  jester, 

1  NS.  19. 1 17  ;  SD.  277  ;  DR.  3  i,  34. 

^See  Pischel,  Grammatik  der  Prakrit-Sprachen,  §30;   NS.  17.31-44;  SD.  432; 
DR.  2.59,  60. 


4  INTRODUCTION 

moreover,  is  a  glutton,  greedy  for  money,  and,  as  is  to  be  expected, 
an  inveterate  gossip,  always  on  the  watch  for  some  fresh  bit 
of  news.  One  of  the  most  curious  features  of  the  Sanskrit 
drama,  fostered  as  it  was  by  the  court  society  of  India,  which  was 
almost  always  under  the  control  of  brahman  priests,  is  that  this 
figure  of  a  degraded  and  besotted  brahman  should  be  allowed  to 
appear  as  a  typical  stage-figure.  In  an  article  written  some  years 
ago  ^  I  advanced  the  theory  that  such  a  seeming  inconsistency 
might  be  due  to  the  fact  that  the  drama  had  its  origin  in  the  re- 
ligious dances  and  ceremonies  of  the  common  people,  who  were 
of  course  largely  non-brahmanic,  and  was  therefore  an  outgrowth 
of  the  many  popular  religions  of  India  rather  than  a  development 
of  pure  brahmanism.  In  this  way  the  conventional  figures,  hav- 
ing become  in  the  course  of  time  crystallized  into  permanent 
types,  were  retained  when  the  folk-drama  became  popular  at  court, 
and  thus  even  brahman  authors  did  not  hesitate  to  perpetuate  the 
type,  though  really  derogatory  to  their  class.  Other  stock  char- 
acters in  the  plays  are  the  parasite  [vita),  ministers,  Buddhist 
monks  and  nuns,  servants  of  the  harem,  dwarfs,  mutes,  and  the 
female  attendants  of  the  king. 

For  the  technical  divisions  of  a  drama  and  the  development  of 
the  plot  there  are  carefully  elaborated  rules,  but  of  the  actual 
scenic  arrangement  of  a  play,  the  manner  of  producing  it,  and  the 
Technical  Divisions  assignment  of  the  roles  we  know  comparatively 
and  Anangement   little.      Plays  seem  to   have  been  usually  pre- 
of  a  Play.         sented  at  the  spring  festival.     A  drama  always 
opens  with  a  ndndl,  or  benediction,  usually  addressed  to  Siva,  for 
the  prosperity  of  the  audience,   by  the  sutradlidra,  or  director. 
This  director  must  have  been  very  accomplished  and  versatile,  for 
the  rules  say  that   among   other   things   he  must   know  music, 
technical    treatises,    dialects,    the    art    of    managing,    works    on 
poetry,  rhetoric,  acting,  industrial  arts,   metre,  astronomy,  geog- 
raphy, history,  and  the  genealogies  of  royal  families.     He  was  to 
have  a  good  memory,  and  to  be  honest,  intelligent,  dignified,  and 

'  The  origin  of  the  Vidusaka  and  the  employment  of  this  character  in  the  plays  of 
Harsadeva,  in  JAOS.  20  (1899),  pp.  338-340. 


INTRODUCTION  5 

noble.  According  to  the  text-books  he  had  two  associates:  the 
sthdpaka  and  the  pdripdrsvika}  It  is  probable  that  in  the  actual 
practice  of  the  theatre  the  duties  assigned  by  the  treatises  to  the 
sthdpaka  were  all  performed  by  the  sutradJidra?  At  the  end  of 
the  Jidndl  there  is  a  dialogue  between  the  manager  and  some 
actor  complimenting  the  audience  on  their  critical  ability  and 
ending  by  introducing  one  of  the  characters  of  the  play,  after 
which  the  action  goes  on  with  regular  divisions  into  acts  and 
scenes.  Scenes  are  marked  by  the  exit  of  one  person  and  the 
entrance  of  another,  as  on  the  Classical  and  the  French  stage, 
and  the  stage  is  never  left  empty  until  the  end  of  the  act.  Be- 
tween the  acts  a  connecting  scene  called  viskambJiaka  is  often 
introduced,  in  which  occurrences  that  have  taken  place  since  the 
preceding  act  are  explained.  The  theory  of  the  unity  of  time, 
place,  and  action,  which  played  so  important  a  part  in  the  Greek 
drama,  appears  in  rather  a  modified  form  in  India.  The  time  of 
the  action  is  supposed  to  be  the  same  as  that  occupied  in  the 
performance,  or  else  to  fall  within  twenty-four  hours.  But  this 
rule  is  not  always  observed,  and  we  find  in  the  Uttarardmacarita 
of  Bhavabhuti  a  lapse  of  twelve  years  between  the  first  and  second 
acts.  Unity  of  place  is  not  strictly  observed,  and  journeys  are 
often  made,  sometimes  even  through  the  air  in  celestial  cars. 

As  to  the  stage-setting  and  decoration  very  little  is  yet  known. 
Special  buildings  for  the  presentation  of  plays  are  described  in  the 

Ndtvasdstra^  but  it  is  probable  that  dramas  were 
Theatre  and  Scenery .  ' 

usually  given  in  a  hall  {samglta-sala  '  concert- 
room  ')  of  the  palace.  Behind  the  stage,  which  occupied  a  quarter 
of  the  whole  hall,^  was  a  curtain  divided  in  the  middle,  and  behind 
that  again  was  the  greenroom  [ntpathya)  whence  the  actors  came 
on  the  stage.  The  greenroom  had  an  entrance  from  the  outside 
'  separate  from  the  entrance  for  the  audience.'  ^  Scenery  and 
'  DR.  3.  3  ;  SD.  283. 

2  But  Lanman  believes  with  Konovv  that  the  A'arpuraf/iafijan  o*"  Rajasekhara 
shows  the  sthapaka  in  action.  See  the  edition  and  translation  of  the  play  by  Konow 
and  Lanman,  pp.  196,  223,  note  8. 

3NS.  2.  I  seq.     See  also  Bloch,  ZDMG.  58  (1904),  pp.  455-457. 

*NS'.  2.  37. 

6NS.  2.  85. 


O  INTRODUCTION 

decoration  were  apparently  very  simple  and  much  was  left  to  the 
imagination.  Elaborate  directions  for  gestures,  pantomime,  and 
clothing  are  given.  Thrones,  seats,  chariots,  weapons,  and  armor 
were  employed,  and  some  sort  of  mechanical  contrivances  were 
perhaps  not  unknown.  We  must  infer,  however,  from  the  fre- 
quent use  of  the  word  natayitva,  '  having  gesticulated,'  natayati, 
'  mimics,  acts  as  if  doing,'  as  a  stage  direction,  that  pantomime 
and  gesticulation  were  largely  resorted  to  for  filling  out  the  de- 
ficiencies of  the  staging. 

The   age  of  the  Sanskrit   drama   may   roughly  be   given   as 
extending   from  400  to   1 100  a.d.      This   period   does  not,  of 

course,  include   the  earliest  efforts  at    dramatic 
Age  of  the  Drama  ...  .    i        •  i  i  r  i    . 

of  India  composition,  nor  take  in  a  large  number  of  late 

and  inferior  plays.  Very  little  is  known  of  the 
earliest  dramatists  before  Kalidasa,  and  none  of  their  compositions 
excepting  scattered  verses  are  extant.  For  example,  the  poets 
Bhasa,  Ramila,  Somila  (or  Saumillaka),  and  the  Kaviputras  were 
well  known  and  popular  playwrights  among  the  Hindus  of  Kali- 
dasa's  time,  but  our  knowledge  of  them  is  practically  confined  to 
their  names.' 

Most  students  of  the  Sanskrit  drama  are  of  the  opinion  that 
the  Mrcchakatika,  or  '  Clay  Cart,'  of  Sudraka  is  the  oldest  extant 
Sanskrit  play.     The  arguments  in  favor  of  this 
Mrcchakatika      view   are  based    upon    the    state    of  civilization 
shown  in  the  play,  the  general  style  of  the  drama 
and  the  richness  and  diversity  of  the  Prakrit  dialects  employed  in 
its  composition.     Some  scholars,  however,  whose  researches  in 
the  Hindu  drama  entitle  them  to  speak  with  great  authority  upon 
this  subject,  believe  that  the  play  is  not  earlier  than  the  sixth  cen- 
tury of  our  era,  or  approximately  of  the  same  period  as  Kalidasa's 
dramas.      I  must  confess,  nevertheless,  that  I  find  myself  among 
the  number  of  those  that  are  inclined   to  consider  it  of  much 
earlier  date.      The  question  of  the  authorship  of  the  Mrcchakatika 
is  also  still  under  discussion.     In  the  prologue  the  play  is  stated 

'  See  the  prologue  to  Kalidasa's  Malavikagnimitra,  and  F.  Hall  in  JASBe.  28 
(1859),  p.  28  seq.,  and  in  the  introduction  to  his  Vdsavadattd,  pp.  I4-15. 


INTRODUCTION  / 

to  be  the  production  of  King  Sudraka,  but  not  all  kings  are 
authors,  and  it  is  thought  that  in  this  case,  ,as  probably  in 
others,  the  real  author,  like  a  wise  courtier,  may  have  attributed 
his  work  to  his  royal  master  in  order  to  gain  favor.  Many  of 
the  rulers  of  ancient  India  delighted  in  playing  the  part  of 
patrons  of  art  and  literature ;  Sudraka  may  well  have  been  one 
of  these.  Professor  Pischel,  after  a  careful  study  of  the  ma- 
terial, thinks  that  the  real  author  was  a  poet  named  Dandin. 
However  that  may  be,  there  is  no  question  that  the  Mrcchakatikd 
is  in  many  respects  the  most  human  of  all  the  Sanskrit  plays. 
There  is  something  strikingly  Shaksperian  in  the  skilful  drawing 
of  the  characters,  the  energy  and  life  of  the  large  number  of  per- 
sonages in  the  play,  and  in  the  directness  and  clearness  of  the 
plot  itself  It  is  a  ten-act  prakaj'-ana,  or  comedy  of  middle-class 
life,  and  the  scene  is  laid  in  the  city  of  Ujjain.  The  subject  of 
the  plot  is  the  love  and  marriage  of  Carudatta,  a  brahman  merchant 
reduced  to  poverty  by  his  generosity,  and  Vasantasena,  a  rich 
courtesan.  In  the  third  act  there  is  a  long  and  humorous  ac- 
count of  a  burglary  in  which  stealing  is  treated  as  an  art  or  science 
provided  with  rules  and  conventional  procedure.  The  chief  value 
of  the  Mrcchakatika,  aside  from  its  interest  as  a  drama,  lies  in  the 
graphic  picture  it  presents  of  a  very  interesting  phase  of  everyday 
life  in  ancient  India.  The  elaborate  description  of  the  heroine's 
palace  in  the  fourth  act  gives  us  a  glimpse  of  what  was  considered 
luxury  in  those  days.  The  name  '  Clay  Cart '  is  taken  from  an 
episode  in  the  sixth  act,  which  leads  to  the  finding  of  the  heroine's 
jewels  in  the  terra  cotta  cart  of  the  hero's  little  son  and  to  their  use 
as  circumstantial  evidence  in  a  trial.  This  complicates  the  plot 
until  all  is  resolved  in  the  denouement. 

The  greatest  name  in  Sanskrit  literature  is  that  of  Kalidasa 
who  lived  at  the  court  of  Ujjain,  probably  about  the  first  half  of 

the  sixth  century  of  our  era,  although  his  date  • . 

Kalidasa.  1111  •  •  -n  1 

not   settled  and  the  question  is   still   a   mooted 

one.      He  is  the    author  of    three    plays,  Sakuntala,   Vikramor- 

vasi,  and  Malavikagnimitra .     The  first  two  of  these  compositions 

reach  the  highest  level  attained  by  the   Hindu    dramatists   and 


5  INTRODUCTION 

win  for  their  author  a  place  among  the  greater  poets  of  the 
world.  Their  richness  of  fancy  and  appreciation  of  nature,  added 
to  the  beauty  of  poetic  technique  and  choice  of  language,  have 
never  been  equaled  in  India,  and  bear  favorable  comparison  with 
the  dramas  of  any  nation. 

The  play  of  Sakwitald  has  been  known  in  Europe  since  its 
translation  by  Sir  William  Jones  in  1789,  by  which  work  that 
great  Orientalist  really  introduced  Sanskrit  poetry  to  the  West 
and  started  the  study  of  Hindu  literature.  The  play  is  a  tidtaka, 
or  heroic  comedy,  of  seven  acts,  and  its  plot  is  drawn  from  the 
first  book  of  the  JMaliablidrata.  The  subject  of  the  drama  is  the 
love  of  King  Dus}"anta  for  Sakuntala,  their  separation  by  acci- 
dent, and  their  ultimate  reunion  in  the  presence  of  their  son  after 
the  lapse  of  some  years.  The  importance  of  this  play  lies  not 
only  in  the  fact  that  it  is  the  most  perfect  Sanskrit  drama  extant, 
but  also  in  the  fact  that  its  great  literar}'  merit,  as  was  e\-ident 
from  Sir  William's  translation,  aroused  a  widespread  interest  in  the 
literature  of  India  throughout  Europe.  It  was  enthusiastically 
received  by  the  followers  of  the  Romantic  School  and  exercised 
a  genuine  influence  upon  them.  Jones's  English  version  was 
soon  rendered  into  other  languages,  and  independent  translations 
from  the  original  Sanskrit  have  since  been  made  into  almost  all 
the  tongues  of  Europe,  so  that  I  am  able  to  record  versions 
and  adaptations  of  the  play  in  English,  German,  French,  Italian, 
Spanish,  Dutch,  Danish,  Swedish,  Icelandic,  Russian,  Polish, 
Hungarian,  and  Bohemian. 

Kalidasa's  other  important  play  is  the  VikramoTvas'i.  It  was 
first  translated  into  English  into  1827  by  Horace  Hayman  Wil- 
son, a  scholar  who  devoted  a  great  part  of  his  life  to  the  study 
of  the  Sanskrit  drama,  and  whose  '  Select  Specimens  of  the 
Theatre  of  the  Hindus  '  is  a  standard  work  even  to-day.  Later 
investigations  have  rendered  some  of  his  views  antiquated,  but 
his  book  remained  for  years  the  only  work  upon  the  Sanskrit 
drama  as-  a  whole,  until  the  appearance,  in  1890,  of  Sylvain  Levi's 
admirable  and  scholarly  treatise,  Le  Theatre  indien,  a  work  indis- 
pensable to  students.      The  plot  of  the  Vikramorvasl  is  briefly  as 


INTRODUCTION  9 

follows :  King  Pururavas  rescues  the  nymph  Urvasi,  who  has  been 
carried  away  by  the  demons,  and  his  heroism  wins  her  love.  The 
lovers  become  separated  by  accident,  but  after  various  vicissitudes 
are  reunited  in  the  presence  of  their  son  when  the  latter  is  about 
twelve  years  old. 

The  third  play  of  Kalidasa,  entitled  Mdlavikagnimitra,  or  '  King 
Agnimitra's  Love  for  Malavika,'is  a  conventional  drama  of  harem 
intrigue  at  the  court,  and  is  decidedly  inferior  to  the  author's  other 
two  plays.  So  marked  is  this  inferiority  that  some  scholars  have 
even  gone  so  far  as  to  question  its  right  to  bear  Kalidasa's  name. 

We  now  come  to  an  interesting  group  of  three  plays  ascribed 
to  Harsadeva,  king  of  northern  India,  which  have  been  the  object 
of  much  discussion.  As  in  the  case  of  the 
Mrcchakatika,  it  is  probable  that  they  were  the 
work  of  some  poet  who,  to  curry  favor,  ascribed  their  authorship 
to  that  famous  patron  of  art  and  literature,  Harsadeva.  These 
three  plays  are  Ratndvall,  Pnyadarsikd,  and  Ndgdnatida.  The 
first  two  are  dramas  of  harem  intrigue  and  court  life,  composed,  it 
is  true,  upon  conventional  lines,  but  showing  some  ingenuity  in 
the  manipulation  of  plot  and  the  invention  of  incident.  In  the 
Ratndvall,  or  '  Jewel  Necklace,'  the  subject  is  the  story  of  the 
loves  of  Vatsa,  or  Udayana,  king  of  Kausambi,  and  Sagarika,  an 
attendant  of  his  wife,  queen  Vasavadatta,  who  ultimately  is  discov- 
ered, by  a  necklace  she  wears,  to  be  Ratnavali,  princess  of  Ceylon, 
who  had  been  shipwrecked  and  had  found  her  way  to  Vatsa's 
court.  The  characters  are  clearly  defined  and  not  mere  puppets, 
as  in  the  case  of  some  dramas.  The  poetical  part  is  rather  con- 
ventional, but  there  are  several  pretty  lines  descriptive  of  natural 
scenery,  moonrise,  and  the  like.  The  drama  Priyadarsikd,  named 
after  its  heroine,  is  much  the  same  sort  of  play,  but  not  so  good. 
The  lack  of  a  good  critical  edition  and  English  translation  of  this 
play  has  made  it  difficult  for  students,  but  this  lack  is  soon  to  be 
overcome,  and  a  translation  by  G.  K.  S.  Nariman,  with  an  intro- 
ductory memoir  from  the  pen  of  Professor  Jackson,  will  soon  be 
ready.  The  third  play,  Ndgdnanda,  'Joy  of  the  Serpents,'  is  in  some 
respects  quite  unique.      It  is  a  highly-colored  melodrama  with  a 


lO  INTRODUCTION 

pronounced  Buddhistic  tendency,  as  Buddha  is  invoked  in  the 
nandi,  and  the  hero  himself  is  a  Buddhist.  In  this  respect  the  Naga- 
nanda  stands  alone  among  the  extant  Sanskrit  plays,  although 
we  know  that  there  were  other  Buddhist  dramas  which  have  not 
been  preserved.  Such  was  the  Lokdnanda  of  Candragomin,  of 
which  there  is  a  Tibetan  translation.  The  Nagaraja  and  Sdnti- 
carita  are,  perhaps,  imitations  of  the  Nagananda  or  even  identical 
with  it.  In  the  Avadanasataka  (75)  there  is  a  record  of  the 
representation  of  a  Buddhist  drama,  according  to  Oldenburg.' 
Several  Jain  plays  are  also  known. ^ 

The  dramatist  Bhavabhuti,  who  lived  during  the  first  half  of 
the  eighth  century,  was  a  native  of  Vidarbha,  the  Province  of 
Berar,  in  south-central  India,  and  he  wrote  under 
the  protection  of  king  Yasovarman  of  Kanauj. 
He  is  the  author  of  three  plays,  the  Mdlatimadhava,  Mahavira- 
carita,  and  Uttarardmacarita,  which  are  distinguished  by  great 
poetic  beauty  and  feeling,  exquisite  verse,  polished  style,  but 
little  humor  or  wit  (the  jester  being  absent  from  all),  and  only 
moderate  dramatic  power.  They  are,  perhaps,  dramatic  poems 
rather  than  dramas.  Bhavabhuti's  home  in  the  mountain  re- 
gions of  south-central  India  doubtless  gave  him  a  love  of  the 
grand  and  titanic  aspects  of  nature  instead  of  the  mild  and  gentle 
phases  described  by  the  other  Hindu  authors.  His  characters 
have  much  grace  and  tenderness  and  also  possess  energy  and 
life.  His  most  popular  play  is  the  ten  act  prakarana,  or  melo- 
drama, Mdlatl-mddhava,  the  scene  of  which  is  laid  in  Ujjain.  It 
is  the  story  of  the  love  of  MalatI,  daughter  of  a  cabinet  minister, 
and  Madhava,  a  young  student.  This  charming  play  is  often 
called  the  Romeo  and  Jidiet  of  India,  but  it  has  a  happy  ending, 
as  all  Sanskrit  plays  must  have.  The  whole  drama  is  a  succes- 
sion of  contrasted  situations,  first  of  love  and  then  of  the  weird 
incantations  of  the  terrible  priestess  of  Durga,  scenes  which  are 
used  to  heighten  the  dramatic  effect  as  well  as  to  contribute  to 

1  In  Zapiski  Vostocnago  Otdeleniya  Imp.  Russkago  Arkheologiceskago  Obscestva, 
4  (1890),  pp.  393-394- 

2  See  L^vi  p.  324. 


INTRODUCTION  1 1 

the  plot.  In  the  fifth  act  the  scene  is  laid  in  the  field  where  the 
bodies  of  the  dead  are  burned.  The  two  other  plays  of  Bhavabhuti 
form  a  history  of  the  deeds  of  the  hero  Rama,  and  are  based  on 
the  epic  poem  Ramayana.  I  shall  omit  a  detailed  description  of 
these. 

The  next  dramatist,  Rajasekhara,  who  lived  about  the  year 
900  A.  D.,  is  the  author  of  four  plays  which  have  come  down  to 
us.  Two  of  them  are  much  like  the  comedies  of 
Harsadeva  in  construction  and  subject.  These 
two  are  the  Viddhasdlabhanjikd,  or  '  The  Lady  of  the  Statue  '  and 
the  Karpuramanjari,  or  '  Camphor  Cluster. '  They  are  both  dramas 
of  harem  and  court  life.  The  chief  interest  of  the  Karpuramah- 
jarl,  which  has  been  admirably  edited  in  the  Harvard  Oriental 
Series  by  Dr.  Sten  Konow  with  a  translation  by  Professor  Lan- 
man,  consists  in  the  fact  that  it  renders  accessible  the  only  extant 
example  of  the  kind  of  drama  called  sattaka.  The  sattaka  is 
nearly  the  same  as  the  ndtikd,  or  minor  heroic  comedy,  except 
that  it  is  composed  entirely  in  Prakrit.  Of  the  Viddhasalabhan- 
jikd  I  had  hoped  to  publish  a  translation,  upon  which  I  was  en- 
gaged, but  the  pressure  of  other  duties  has  prevented  me,  and 
the  work  has  now  been  done  by  my  friend  and  fellow-student. 
Dr.  Louis  H.  Gray. 

One  of  the  few  historic  plays  of  India  is  the  Mudrdrdksasa  by 
Visakhadatta.  The  scene  of  this  elaborate  drama  is  laid  in  the 
city  of  Pataliputra  during  the  reign  of  Candra- 
gupta,  or  shortly  after  the  invasion  of  India  by 
Alexander.  The  time  of  composition  of  the  play,  however,  is 
probably  to  be  placed  about  the  year  1000  a.  d.  The  plot 
deals  with  the  story  of  the  founding  of  a  new  dynasty  by  Can- 
dragupta  who  had  deposed  the  former  ruler.  The  latter's 
minister  Raksasa  refuses  to  recognize  the  new  monarch.  Can- 
dragupta's  minister  tries  to  win  Raksasa  over  to  his  own  political 
plans,  which  are  well  conceived,  and  he  at  last  succeeds.  The 
drama  gives  us  a  remarkable  picture  of  the  political  conditions 
of  the  time  in  which  the  author  has  placed  its  action,  centuries 
before  his  own. 


12  INTRODUCTION 

The  Venlsamhara,  or  '  Binding  of  the  Braid,'  by  the  playwright 
Narayana  Bhatta,  is  a  six-act  drama  based  on  the  incident  of  the 

Mahdbharata  in  which  the  Pandu  wife  Draupadi  is 
Naiayana  Bhatta.    ,  ,    ,         ....  ,   '  *  ,  ,  , 

•  dragged  by  the  hair  into  the  assembly  and  out- 
rageously exposed  before  the  Kurus.  The  play  is  written  in 
exact  accordance  with  the  rules  of  text-books  and  largely  for  that 
reason  it  has  always  been  a  favorite  in  India. 

An  admirable  but  less  known  drama  is  the  Cmidakau'sika 
by  Ksemisvara,  whose  date  is  uncertain.  This  play  presents  a 
vivid  picture  of  the  workings  of  a  curse  uttered 
by  the  angry  priest  Kausika  against  an  upright 
king  who  had  innocently  offended  him.  The  king  forfeits  his 
realm  and  loses  his  wife  and  child,  the  latter  by  death  and  his  con- 
sort by  her  being  sold  into  slavery.  Though  tried  to  the  utmost, 
the  Job-like  patience  of  the  righteous  monarch  never  fails,  and  in 
the  end  he  has  his  wife,  his  son,  and  his  kingdom  restored  to  him 
by  divine  intervention,  so  that  all  ends  in  happiness. 

In  the  eleventh  century  was  composed  a  dramatic  monstrosity, 
the  huge  Mahdnataka,  ascribed  to  Hanuman,  the   monkey-king. 
It  has  fourteen  acts  in  one  recension  and  ten  in 
the  other,  and   thus  violates  the   rule  which  re- 
quires that  no  drama  shall  exceed  ten  acts  in  length.     It  is  quite 
without  interest  to  students  of  literature  except  as  a  curiosity. 

The  tenth  and  eleventh  centuries  in  India  witnessed  a  renewed 
interest  in  the  dramatic  art,  and  to  that  time  belong  many  other 

plays  which  must  be  omitted  here  on  account  of 
Krsnamisra. 

lack  of  space.     One,   however,   which  must  be 

mentioned  is  the  Prabodhacandrodaya,  or  '  Rise  of  the  Moon  of 
Intellect,'  an  allegorical  drama  by  the  poet  Krsnamisra.  The 
characters  in  this  play,  as  in  the  old  English  Moralities,  are  sym- 
bolical figures  and  personified  abstract  ideas,  and  it  is  indeed  re- 
markable that  with  such  subject  matter  the  author  should  have 
succeeded  in  producing  a  drama  of  so  much  real  merit.  The  plot 
is  as  follows  :  The  wicked  King  Error  is  the  ruler  of  the  city  of 
Benares.  He  is  surrounded  by  his  followers,  the  Follies  and 
Vices,  while  the  good  King   Reason  and  his  followers,  Religion 


INTRODUCTION  1 3 

and  the  Virtues,  have  been  sent  into  exile.  In  accordance  with  a 
prophecy,  Reason  will  at  some  time  marry  Revelation,  and  the 
fruit  of  that  union  will  be  True  Knowledge,  who  will  overthrow 
the  power  of  King  Error.  The  plot  recounts  the  vicissitudes  of 
the  struggle  and  the  final  triumph  of  good. 

The  Sainkalpasuryodaya  of  Venkatanatha  and  the  Caitanya- 
candrodaya  of  Kavikarnapura  who  wrote  about  the  middle  of  the 
sixteenth  century  are  obvious  imitations  of  the  PrabodJiacandro- 
daya  and  have  as  dramatis  personae  almost  the  same  characters. 

Of  the  later  history  of  the  Sanskrit  drama  it  is  not  necessary 

to  write  at  length.      It  has  had  a  continuous  existence  from  the 

period  of  the  greatest  works  down  to  the  present 
Later  Plays.  •        ^      ^i      ,  ,  11  ,         • 

time.       1  he  later  plays,  although  written  in  exact 

accordance  with  the  rules  of  Hindu  dramaturgy,  are  for  the  most 

part  lacking  in  interest  and  action. 

J  Wilson  in  1827  gave  the  names  of  60  Sanskrit  plays,  L^vi  in  1890  was  able  to 
increase  the  number  of  titles  known  to  372,  and  the  present  bibliography  lists  over 
5CX3  separate  productions. 


ABBREVIATIONS 


Ai,  A2,  A3. 
Cat.  Mack.  Coll. 

CBMMS. 

CS. 


DR. 
Ep.  Ind. 
Garbe 


Hz.3. 

lA. 

JA. 

JAOS. 

JASBe. 

JRAS. 

JRASBo. 

L. 

NS. 


RS. 


Aufrecht,  T.,  Catalogus  Catalogorum.     Pts. 
I,  2,  3.      Leipzig,  1 896- 1 903. 

The  Mackenzie  Collection.  A  descriptive 
catalogue  of  the  Oriental  Manuscripts,  by 
H.  H.  Wilson,  2°  ed.,  Madras,  1882. 
Catalogue  of  the  Sanskrit  Manuscripts  in  the 
British  Museum,  Cecil  Bendall.  London, 
1902. 

:  Sanskrit  Manuscripts  in  the  Calcutta  Sanskrit 
College,  by  Sastrl  and  Gui,  no.  i8,  Cal- 
cutta, 1903. 

:  Dasarupa,  edited  by  F.  Hall,  Calcutta,  1865. 

:  Epigraphia  Indica. 

:  Verzeichniss  der  indischen  Handschriften  der 
koniglichen  Universitat  zu  Tubingen,  von 
Richard  Garbe,  Tubingen,  1899. 

:  Reports  on  Sanskrit  Manuscripts  in  Southern 
India,  by  E.  Hultzsch,  no.  3,  Madras,  1905. 
Indian  Antiquary. 

Journal  Asiatique. 

Journal  of  the  American  Oriental  Society. 

Journal  of  the  Asiatic  Society  of  Bengal. 

Journal  of  the  Royal  Asiatic  Society. 
Journal  of  the  Royal  Asiatic  Society,  Bom- 
bay Branch. 

:  Levi,  Sylvain,  Le  Theatre  indien,  Paris,  1890. 

:  Natyasastra,  edited  by  Sivadatta  and  Parab, 
Bombay,  1894.  Cf  also  the  edition  of 
Grosset,  Paris,  1898. 

:  Rasarnavasudhakara  by  Singabhupala.      [A 
list  of  works  mentioned  in  this  is  given  in 
SRep.  p.  10  ] 
14 


ABBREVIATIONS 


15 


SCBen.  =  Sanskrit,   Jain,   and    Hindi   Manuscripts    in    the 

Sanskrit  College,  Benares.     Allahabad,  1902. 

SD.  =  Sahityadarpana,  edited  and  translated  by  Ballan- 

tyne  and  Mitra.  Calcutta,  1875,  2  vols. 
[The  references  are  to  sections.] 

SRep.  =  Report  on  a  Search  for  Sanskrit  and  Tamil  Manu- 

scripts for  1896-7,  by  M.  S.  Sastri.  Madras, 
1898. 

TT.  =  Catalogue  of  two  collections  of  Sanskrit  Manu- 

scripts preserved  in  the  India  Office  Library. 
Compiled  by  C.  H.  Tawney  and  F.  W.  Thomas. 
London,  1903. 

Weber  =  Handschriften-Verzeichnisse  der  koniglichen  Bib- 

liothek,  Bd.  i.  Verzeichniss  der  Sansknt- 
Handschriften,  von  A.  Weber.     Berlin,  1853. 

Wilson  =  Select  Specimens  of  the  Theatre  of  the  Hindus. 

London,  1871,  2  vols. 

WZKM.  =  Wiener  Zeitschrift  fiir  die  Kunde  des  Morgen- 

landes. 

ZDMG.  =  Zeitschrift  der  Deutschen  Morgenlandischen  Ge- 

sellschaft. 


GENERAL   WORKS   ON   THE   SANSKRIT   DRAMA 
I.   Hindu  Works  on  Dramatics. 
Abhinayadarpana  A  i .  p.  24  =  4  Mss. 

Bharata. 

Natyasastra.  Mamiscripts.  A  i.  p.  284=3  ^ss.  ;  A  2.  p.  61 
=  I  Ms.  and  i  Com.  ;  A  3.  p.  61. 

Text  Editions.  Natyasastra.  Edited  by  Sivadatta  and  Parab. 
Bombay,  1894,  pp.  3  4-  447.     Kavyamala,  no.  42. 

Natyasastra.  Traite  de  Bharata  sur  le  theatre.  Texte  Sanskrit. 
Edition  critique.  Avec  une  introduction,  les  variantes  tirees 
de  quatre  manuscripts,  une  table  analytique  et  des  notes  par 
Joanny  Grosset.  Precedee  d'une  preface  de  Paul  Regnaud. 
Tome  I.  Premiere  partie  =  Annales  de  I'Universite  de  Lyon, 
fasc.  40,  Paris,  1898,  pp.  12  -)-  27  +  296. 

Natyasastra,  adhyayas  18,  19,  20,  34.  Published  by  F.  Hall  in 
his  edition  of  the  Dasarupa,  Calcutta,  1865,  pp.  199-241. 

Contribution  a  I'etude  de  la  musique  hindoue  par  J.  Grosset. 
Paris,  1888,  pp.  91.  In  Bibliotheque  de  la  Faculte  des  Let- 
tres  de  Lyon,  vol.  6.  [Text  of  bk.  28  of  the  Natyasastra 
with  translation  and  notes.] 

Le  I7me  chapitre  du  Bharatiya  Natyasastra  intitule  Vag-Abhi- 
naya,  public  pour  la  premiere  fois  par  P.  Regnaud.  In  An- 
nales du  Musee  Guimet,  i  (1880),  pp.  85-99. 

La  Metrique  de  Bharata.  Text  Sanscrit  de  deux  chapitres  du 
Natya-sastra,  public  pour  la  premiere  fois  et  suivi  d'une 
interpretation  fran^aise  par  Paul  Regnaud.  In  Annales  du 
Musee  Guimet,  2  (188 1),  pp.  63-130.  [End  of  chapter  15 
and  chapter  16.] 

Natyasastra.  Sixth  and  seventh  chapters,  edited  with  notes  and 
variants  by  Paul  Regnaud,  in  his  Rhetorique  Sanskrite,  Paris, 
1884,  part  2,  pp.  1-42. 

Criticism.     Natyasastra.     Traite    sur    le    theatre    public    par   J. 

16 


HINDU    WORKS    ON    DRAMATICS  1/ 

Grosset.      Preface  (par  P.  Regnaud)  et  introduction.      Lyon, 
1897,  pp.  40. 
Dhruva,  H.  H.,  Natyasastra,  or  the  Indian  dramatics.     In  As. 
Quart.  Rev.  2  (1896),  pp.  349-359- 

Dhanamjaya. 

Dasarupa.     Manuscripts.     A    i.    pp.    247-248=16    Mss.  and 

I  Com.  ;  by  Dhanika  9,  by  Nrsimha  Bhatta    i,  by  Pani    i  ; 

A  2.  p.  53  =  7  Mss.  and  Com.  by  Kuravirama  i,  by  Dhanika 

7,  by  Devapani  i. 
Text  Editions.      Dasarupa  or   Hindu  canons  of  dramaturgy,  with 

the   exposition    of   Dhanika,  the   Avaloka.      Edited    by  F. 

Hall.     Calcutta,  1865,  pp.  39  +  241.     In  Bibl.  Indica. 
Dasarupa    with    the   commentary    of  Dhanika.     Edited    by   J. 

Vidyasagara.      Calcutta,  1878,  pp.  230. 
Dasarupa.     With  the  commentary  of  Dhanika.     Edited  by  K. 

P.  Parab.     Bombay,  1897,  pp.  153. 

Hastamuktavali  A  i.  p.  764. 

Nandin  Abhinayadarpana  A   i.  p.   24=7  Mss.;  A  3.  p. 

6=3  Mss. 
/<ar<?»z  Abhinayadarpana.     Poona,  1874. 
Natakacandrika  A  2.  p.  61. 
Natakalaksana  A  2.  p.  61. 
Natakaratnakosa  cf  A  i.  p.  284. 
Natakavatara  cf  A  i.  p.  284. 
Natasutra  (?)  cf  A  i.  p.  284. 
Natyadarpana  cf  A  i.  p.  284. 
Natyalaksana  A  i.  p.  284. 
Natyalocana  A3,  p.  61. 
Natyasastra  A  i.  p.  284. 
Pundarika  Natakalaksana  A  i.  p.  284. 
Rupa  Gosvamin  Natakacandrika  alamkara  A  i.  p.  284=  2 

Mss.  ;  A  2.  p.  207. 
Ramacandra  Natyadarpana  A3,  p.  61. 
Singadharani^a  Natakaparibhasa  A  i.  p.  284;  A  2.  p.  61. 
Srikanthaka  Rasakaumudi  Natyasastre  A  i.  p.  494. 


l8  HINDU    WORKS    ON    DRAMATICS 

Sundarami^ra  (1613)  Natyapradipa  mentioned  in  DR.  intr. 

P    I- 
Trilocanaditya    Natyalocana    A    i.    p.   284=2    Mss.  and 

I  Com. 
Tryambaka  Natakadipa  A  i.  p.  284  =  i  Ms.  and  3  Com.  ; 

by  Ramakrsna  i. 
Vasantaraja  Natyasastra  mentioned  by  Mallinatha  on  Sisu- 

palavadha  2.  8 ;  cf.  A  i.  pp.  284,  556. 

Viivanatha  Kaviraja. 

Sahityadarpana.  Manuscripts.  A  i.  p.  715  =  21  Mss.  and 
4  Com.  ;  by  Mathuranatha  Sukla  i,  by  Ramacarana  7  ;  A  2. 
pp.  171,  233  =  3  Mss.  and  Com.  by  Anantadasa  i,by  Rama- 
carana 2  ;  A  3.  p.  148  =  5  Mss.  and  Com.  by  Ramacarana 
2;  Hz.  3.  1750. 

Text  Editions.  Sahityadarpana.  Edited  by  Natha  Rama.  Cal- 
cutta, 1828. 

Sahityadarpana.     The  text  revised  by  E.  Roer,  Calcutta,  185  i. 

Sahityadarpana.  The  Mirror  of  Composition.  Edited  and  trans- 
lated by  Ballantyne  and  Mitra.     Calcutta,  1875,  2  vols. 

Sahityadarpana.  Edited  by  J.  Vidyasagara.  1°  ed.,  Calcutta, 
1874;   3°  ed.,  1890,  pp.  702  ;   5°  ed.,  1900,  pp.  630. 

Sahityadarpana.  With  a  commentary.  Annotated  and  edited  by 
D.  Dviveda  and  K.  P.  Parab.     Bombay,  1902,  pp.  644. 

Criticism.  Alamkaravadartha,  a  discussion  on  the  Sahityadarpana. 
A3,  p.  7. 

2.  Works  of  General  Criticism. 

Analyse  d'un  monologue  dramatique  indien.      Paris,  1850. 
Das  indische  Theater.      In  Globus,  49  (1886),  pp.  380-381. 
Baumgartner,  Alexander.     Geschichte  der  Weltliteratur,  vol.  2., 

3°  ed.,  Freiburg  im  Breisgau,  1902,  pp.  134-203. 
Bloch,  Th.     Ein  griechisches  Theater  in  Indien.      In  ZDMG.  58 

(1904),  pp.  455-457- 
Bohme,    R.      Indische  Dramatik.     In  Vossische  Zeitung,  1903, 

Sonntagsbeilage,  no.  37. 


GENERAL    CRITICISM  1 9 

Cappeller,  Carl.     Zwei  Prahasanas.     In  Gurupujakaumudi,  Fest- 

gabe  fur  Weber,  Leipzig,  1896,  pp.  59-63. 
Cimmino,    Francesco.      II    tipo   comico    del   "  vidQshaka "   nell' 

antico  dramma  indiano.      In  Atti  della  Reale  Accademia  di 

Archeologia,  Lettere  e  Belle  Arti  (di    Napoli),    15  (1893), 

pp.  97-142. 
Cimmino,  Francesco.     II  teatro  indiano  in  Europa.     Communica- 

zione  letta  al  Congresso  di  Parigi  nel  1897.      Naples,  1897. 
Cimmino,  Francesco.     Studii  sul  teatro  indiano.      i.  Sul  dramma 

Karpuramanjarl.      2.   Sul  dramma  Candakausika.      In  Ren- 

diconto  della  Reale  Accademia  di  Archeologia,  Lettere  e 

Belle  Arti  (di  Napoli),  19  (1905),  pp.  1-76. 
Colizza,  Giovanni.     Del  riconoscimento  nel  dramma  indiano  e  nel 

dramma    greco.     Rome,     1897,    pp.     105.      [Treats   only 

Sakuntala  and  Oedipus  Rex.] 
Druskowitz,  A.     Shakespeare's  Vorlaufer  in  Indien  und  andere 

indische    Dramatiker.      In    Dramaturgische    Blatter    und 

Biihnenrundschau,  17  (1888),  pp.  638-639. 
Gubernatis,  Angelo  de.     Storia  universale  della  letteratura,  vol. 

I,  pp.  19-110;  vol.  2,  pp.  11-108.      Milan,  1882-1883. 
Gray,  Louis  H.     Literary  Studies  on  the  Sanskrit  Novel,  2.    The 

Sanskrit  Novel  and  the  Sanskrit  Drama.     In  WZKM.  18 

(1904),  pp.  48-58. 
Hall,   F.     Fragments   of  three  early  Hindu   dramatists,    Bhasa, 

Ramila,  and  Somila.      In  JASBe.  28  (1859),  pp.  28-30. 
Herder,   J.    G.    von.     Uber    das   Morgenlandische    Drama.     In 

Werke  zur  Schonen  Literatur  und  Kunst,  Stuttgart,  1828. 
Hertel,   Johannes.      Der  Ursprung  des  indischen   Dramas  und 

Epos.     In  WZKM.  18  (1904),  pp.  59-83,  139-168. 
Hillebrandt,  Alfred.     Zur  Charakteristik  des  indischen  Drama's 

(1888).      In  his  Alt-Indien,  Breslau,  1899,  pp.  147-167. 
Huizinga,  J.     De  Vidusaka  in  het  indisch  Tooneel.     Groningen, 

1897,  pp.  155. 
Jackson,  A.  V.  Williams.     Children  on  the  Stage  in  the  Sanskrit 

Drama.     In  Proc.  Am.  Philol.  Assoc,  27  (1896),  pp.  v,  vi. 

[Abstract  of  the  following  article.] 


20  GENERAL    CRITICISM 

Jackson,  A.  V.  Williams.      Children  on  the  Stage  in  the  Ancient 

Hindu  Drama.     In  the  Looker-On,  New  York,  June  1897, 

vol,  5,  no.  6,  pp.  509-516. 
Jackson,  A.  V.  Williams.     Certain  Dramatic  Elements  in  Sanskrit 

Plays  with  Parallels  in  the  English   Drama.      First  series. 

In  Am.  Journ.  Philol.,  19  (1898),  pp.  241-254. 
Jackson,  A.  V.  Williams.      Disguising  on  the  stage  as  a  dramatic 

device  in  Sanskrit  plays.     In  Proc.  Am.  Philol.  Assoc,  29 

(1898),  pp.  18-19. 
Jackson,  A.  V.  Williams.     Time  Analysis  of  Sanskrit  Plays,      i. 

The  Dramas  of  Kalidasa  ;  2.  The  Dramas  of  Harsha.      In 

JAOS.  20(1899),  pp.  341-359,  and  21  (1900),  pp.  88-108. 
KsfaUrjVOi:,    M.      At     hlXrjVtdz^    kzacoac    iv    zuJ    ivouui    Of^d/xazi. 

Athens,  1886.      [Considers  only  the  Mrcchakatika.] 
Kern,  H.     Een  blik  op  het  indisch  Tooneel.     In  De  Gids,  1898, 

pp.  466-496. 
Kielhorn,  F.     Sanskrit  plays  preserved  as  inscriptions.     In  Acad- 
emy,  1891,  p.  67;  JRAS.    1891,  pp.    165-166.     See  also 

app.  to  Ep.  Ind.  5  (1899),  p.  20. 
Kielhorn,  F.     Sanskrit  plays  partly  preserved  as  inscriptions  at 

Ajmere.     In  I  A.  20  (189 1),  pp.  201-212. 
Kielhorn,  F.     Bruchstiicke  indischer  Schauspiele  in  Inschriften 

zu  Ajmere.     In  Festschrift  z.  Feier  d.  i5ojahr.  Bestehens  d. 

Kgl.  Gesellschaft  d.  Wiss.  zu  Gottingen,  BerHn,  1901,  pp.  30. 
Klein,  J.  L.     Das  indische  Drama,  in  his  Geschichte  des  Dramas, 

vol.  3,  Leipzig,  1866,  pp.  1-373. 
Levi,  Sylvain.     Le  Theatre  indien.     Paris,  1890,  pp.  15  -f-  432  -f 

125.      [The  standard  work  on  the  Sanskrit  drama.] 
Levi,  Sylvain.     Sur  quelques  termes  employes  dans  les  inscrip- 
tions  des   Ksatrapas.     In    J  A.   9°    series,    19    (1902),  pp. 

95-125. 
Leumann,  Ernst.     Eine  Bitte  an  die  kunftigen  Herausgeber  von 

Draitien  und    nichtvedischen    Prosa-Texten    der    indischen 

Literatur.     In  ZDMG.  42  (1888),  pp.  161-198. 
Oldenburg,  S.  F.     Ukazaniye  na  predstavleniye  buddiskoi  dramy. 

In  Zapiski  Vostocnago  Otdeleniya  Imp.  Russkago  Arkheo- 


GENERAL    CRITICISM  21 

logiceskago  Obscestva,  4  (1890),  pp.  393-394.      [Mention 

of  a  representation  of  a  Buddhist  Drama.      Text  from  the 

Avadanasataka  (75).] 
Ongaro,  Prof.  Dall'.     Studii  critici  sul  teatro  indiano.      In  Rivista 

Europea,  Florence,  Jan.  1873. 
Hariscandra.    Nataka:  on  drama  in  Sanskrit  and  Hindi  with  sketch 

of  European  drama.      Benares,  1883,  pp.  54.      [In  Hindi.] 
Neve,  F.     Les  drames  heroiques  et  mythologiques  de  ITnde.     In 

Museon,  i  (1882),  pp.  523-540. 
Nevill,  Hugh.     The  Ramayana  as  a  Play.      In  Taprobanian,  2 

(1887),  pp.  150-160,  170-172, 
P[avolini] ,  P.  E.    Sul  personaggio  del  Vidusaka.     In  Studi  italiani 

di  filologia  indo-iranica,  edited  by  Pulle,  2(1899),  PP-  86-87. 

[A  review  of  Huizinga's  work,  De  Vidusaka  in  het  indisch 

Tooneel.] 
Pischel,   Richard.     Die    Heimat    des    Puppenspiels.      Hallesche 

Rektorreden,  2,  Halle,  1900,  pp.  28. 
[Pischel,  Richard.]     The  Home  of  the  Puppet  Play.     Translated 

by  Mildred  C.  Tawney.      London,  1902,  pp.  32. 
Saradananda  (Swami).     Poetry  and  Drama  of  Ancient  Times.     In 

Brahmavadin,  3  (1897),  pp.  346-355. 
Schuyler,  Montgomery,  Jr.     The  Origin  of  the  Vidusaka,  and 

the  employment  of  this  character  in  the  plays  of  Harsadeva. 

In  JAOS.  20  (1899),  pp.  338-340. 
Sladomel,  Ig.     Dramaticke  umeni  indu.     In  Vlast,  13  (1897),  pp. 

835-845. 
Smith,  Vincent  A.     The  Reign  of  Harsha  from  606  to  648  A.  D. 

In  his  Early  History  of  India,  Oxford,  1904,  pp.  282-302. 
Tagore,  S.  M.     Bharatiya  Natya  Rahasya,  or  a  Treatise  on  Hindu 

Drama.      Calcutta,  1878,  pp.  268.      [In  Bengali.] 
Tagore,  S.  M.     The  Hindu  Drama,  i.     Calcutta,  1888,  pp.  56. 
Windisch,  E.     Der  griechische  Einfluss  im  indischen  Drama.     In 

Verh.  d.   5.  intern.  Orientalisten-Kongresses  (i  881),  sect.  2, 

Berhn,  1882,  pp.  3-106. 
Winternitz,  Moritz.    The  Mahabharata  and  the  drama.    In  JRAS. 

1903,  pp.  571-572. 


22  GENERAL    CRITICISM 

Zubai-y,  Josef.  On  the  development  of  the  Indian  drama  and  its 
relation  to  the  Greek  drama  [in  Bohemian].  In  Listy  filo- 
logike  of  Prague,  14  (1887),  pp.  1-7;  98-108;  193-205. 
[Chiefly  on  the  hetairai  of  the  Hindu  and  the  Greek  drama.] 

3.    Chapters  in  Histories  of  Sanskrit  Literature. 

Frazer,  R.  W.     A  Literary  History  of  India.      London  and  New 

York,  1898,  pp.  263-299. 
Henry,   Victor.      Les  Litteratures  de   I'lnde.      Paris,    1904,    pp. 

274-320. 
Macdonell,  Arthur  A.     A  History  of  Sanskrit  Literature.      Lon- 
don and  New  York,  1900,  pp.  346-367. 
Lassen,   Christian.      Indische  Alterthumskunde,  vol.    2,    2°  ed. 

Leipzig,  1874,  pp.  506-514,  1 1 70- 1 174;  vol.  4,  1861,  pp. 

817-821. 
Manning,  Mrs.    C.    S.     Ancient   and    Mediaeval    India,   vol.  2, 

London,  1869,  pp.  141-288. 
Oldenberg,  H.      Die  Literatur  des  alten  Indien.     Stuttgart  and 

Berlin,  1903,  pp.  236-281. 
Schroeder,  Leopold  von.     Indiens  Literatur  und  Cultur.     Leipzig, 

1887,  pp.  591-666. 
Weber,  Albrecht.    Vorlesungen.iiber  indische  Literaturgeschichte, 

2°   ed.,  Berlin,  1876-78,   pp.  213-225. 
Weber,  Albrecht.     History  of  Indian  Literature.     Translated  from 

the  Second  German  edition  by  J.  Mann  and  Th.  Zachariae. 

2°  ed.,  London,  1882,  pp.  196-208 
Williams,   Monier.     Indian  Wisdom.     3°  ed.,  London,  1876,  pp. 

462-489. 

4.    Collected  Translations  of  Sanskrit  Dramas. 

Fritze,  Ludwig.     Indisches  Theater,  Sammlung  indischer  Dramen 

in  metrischer  Ubersetzung.     Schloss-Chemnitz,  1877—79,  3 

vols. 
Marazzi,  Antonio.     Teatro  scelto  indiano,  tradotto  dal  sanscrito. 

Milan,  1871-74,  2  vols.  (vol.  i,  Teatro  di  Calidasa;  vol.  2, 

Mudraraxasa  e  Dhurtasamagama). 


COLLECTED    TRANSLATIONS  2^ 

Wilson,  Horace  Hayman.  Select  Specimens  of  the  Theatre  of  the 
Hindus,  translated  from  the  original  Sanskrit  Appendix  con- 
taining short  accounts  of  different  dramas,  i  °  ed.,  Calcutta, 
1826-27,  3  vols.;  2°  ed.,  London,  1835,  2  vols.;  3°  ed., 
London,  1871,  2  vols,  (in  Works  of  H.  H.  Wilson,  vols. 
II,    12);  reprinted,  Calcutta,  1902,  2  vols. 

Langlois,  A.  Chefs-d'oeuvres  du  theatre  indien,  traduits  de 
I'original  Sanscrit  en  anglais,  par  H.  H.  Wilson,  et  de 
I'anglais  en  frangais ;  accompagnes  de  notes  et  d'eclaircisse- 
mens,  et  suivi  d'une  table  alphabetique  des  noms  propres. 
Paris,  1828,  2  vols. 

[Wolff,  O.  L.  B.]  Theater  der  Hindus.  Aus  der  EngHschen 
t)bersetzung  des  Sanskrit-Originals  metrisch  iibersetzt 
Weimar,  1828-31,  2  vols. 


NAMES   OF   AUTHORS   AND    TITLES   OF   THEIR 

WORKS. 
A 

Abhijnanasakuntala  see  Kalidasa. 

Abhinavagupta,  a  dramatic  critic,  mentioned  in  SD.  506. 

Abhinavaraghavananda  see  Manika. 

Abhiramamani  see  Sundara  Mi^ra. 

Adbhutadarpana  see  Mahadeva. 

Adbhutaraghava  see  Vanamali. 

Adbhutaranga  prahasana  A  i.  p.  8. 

Adbhutarnava  see  Kavibhusana. 

Aditikundalaharana  see  Kadamba. 

Ahalyasamkrandana  A  i.  p.  37. 

Aindavananda  see  Ramacandra  Kavi. 

Ambala  see  Varadacarya. 

Ambikadatta  Vyasa  Samavata,  an  original  drama  in  six 
acts  on  the  Pauranik  legend  of  Samavan.  Preceded  by 
an  essay  on  the  dramatic  art  and  accompanied  by  short 
notes  by  Babunandana  and  followed  by  a  Prakrit-Sanskrit 
glossary.     Bankipur,  1888,  pp.  19  +  139  +  14. 

Ammal  Vedantavilasa  A  i.  p.  29. 

Amogharaghava  mentioned  in  RS. 

Amrtacandra  Suri  Samayasara  L.  app.  p.  8 1 . 

Amrtodaya  A  i .  p.  29. 

Amrtodaya  see  Gokulanatha. 

Anandadhara  Madhavanala  A  i.  p.  450  =  2  Mss.;  A3,  p.  97. 

Anandakosa  prahasana  mentioned  in  RS. 

Anandalatika  see  Krsnanatha. 

Anandaraghava  see  Cudamani. 

Anandaraya  see  Vedakavisvamin. 

Anandaraya  Makhin,  son  of  Narayana  or  Nrsirnharaya  (A  2. 
p.  9),  wrote  about    1780,  Jivanandana  A  2.  p.  201, 

Idem    Jivanandana.      Edited   by  Durgaprasada    and   Parab. 
Bombay,  1891,  pp.  3  4-  108.      Kavyamala,  no.  27. 
24 


Atiratrayajin  25 

Idem  Vidyaparinaya  A  i.  p.  574 ;  A  2.  p.  225  ;  A  3.  p.  121. 
Idem   Vidyaparinayana.      Edited  by  Sivadatta  and   Parab. 

Bombay,  1893,  pp.  3  +  88.      Kavyamala,  no.  39. 
Anandasundarl  sattaka  A  i.  p.  49. 
Anandasundarl  see  Ghana§yama. 
Anandatilaka  bhana  A  i,  p.  46. 
Anangabrahmavidyavilasa  see  Varadacarya. 
Anafigajivana  see  Varada. 
Anaiigalatika  L.  app.  p.  73- 
Anangalekha  mentioned  in  Alamkaravimarsini. 
Anafigamangala  see  Sundara  Kavi. 
Anangasamjivana  see  Varada. 
Anaiigasarvasva  see  Laksminrsimha. 
Anaiigavijaya  see  Jagannatha  Pandita. 
Anantadeva,  son  of  Apadeva,  Krsnabhakticandrika  A  i.  p. 

121  =  9   Mss.  ;    A  2.   p.  28  =  3  Mss.  ;  A  3.  p.   27  =  4 

Mss. 
Idem  Krsnabhakticandrika,  a  short  drama  in  177  verses  with 

prose  interspersed.     Poona,    1878-88.     In  Kavyetihasa- 

samgraha,  4,  nos.  10-12. 
Anantarama  Svanubhutyabhidha  A  i.  p.  752. 
Anargharaghava  sec  Murari. 
Angada  see  Bhubhatta. 
Anjanapavanamjaya  see  Hastimalla. 
Antaravyakarana  see  Krsnananda. 
Anutaparika  quoted  in  SD.  481. 
Appa^astrin  Lavallparinaya  A  i.  p.  543, 
Idem  Saras vatadarsa  A  i.  p.  714. 
Appayya  Diksita  Vasumatlcitrasenavilasa  A  i.  p.  557. 
Arjunaraja  see  Hastimallasena. 
Arunagirinatha  Yogananda  prahasana  A  i .  p.  48 1  ;  A  2.  p. 

177  =  2  Mss.  ;  A  3.  p.  151.     This  play  is  called  in  A  2. 

Somavalllyogananda. 
Asvamedha  see  Sumatijitamitramalladeva. 
Atandracandrika  see  Jagannatha  and  Vidyanidhi. 
Atiratrayajin  ( 1 6th  century)  Kusakumudvatiya  A  i.  p.  113. 


26  Badhyasila 

B 

Badhyasila  see  Vadhyasila. 

Balabharata  see  Raja^ekhara. 

Balacarita  quoted  in  SD.  346. 

Bala  Kavi  Gairvanivijaya.  The  triumph  of  Sanskrit.  A 
short  allegorical  play,  referring  to  the  foundation  of  Sans- 
krit schools  in  Travancore.      Palghat,  1890,  pp.  12. 

Balakrsna  Muditaraghava  A  2.  p.  106. 

Balaramayana  see  Raja^ekhara. 

Balivadha  prenkhana  mentioned  in  SD.  547. 

Bana  Bhatta  (7th  century),  son  of  Citrabhanu. 

Mukutataditaka  mentioned  by  Candapala  on  Damayantlkavya 
(p.  227).     Cf.  L.  app.  p.  78. 

Parvatiparinaya.  Manuscripts.  A  i.  p.  336=  13  Mss.;  A  3.  p. 
72;  Hz.  3.  1849. 

Text  Editions.  Parvatiparinaya.  Herausgegeben  von  Prof  K. 
Glaser.  In  Sitzungsb.  der  kais.  Akad.  der  Wiss.  (zu  Wien), 
104  (1883),  pp.  578-612. 

Parvatiparinaya.  Edited  by  M.  R.  Telang.  Bombay,  1892, 
pp.  48. 

Parvatiparinaya.  Edited  with  commentary,  notes,  and  transla- 
tion by  T.  R.  Ratnam  Aiyar.  Kumbhakonam,  1898,  pp. 
214. 

Translations.  Parvati's  Hochzeit.  Ein  indisches  Schauspiel  iiber- 
setzt  von  Dr.  K.  Glaser.  (Separatabdruck  aus  dem  Jahres- 
bericht  des  K.  K.  Staats-Gymnasiums  in  Trieste,  1886,  pp. 

9  +  38.) 

ParvatT  Parinaya,  translated  from  Sanskrit  into  Marathi  by  P.  B. 
Godbole.  Poona,  1869  ;  new  ed.,  revised  by  V.  P.  Shastri, 
Bombay,  1872,  pp.  160. 

Criticism.  Glaser,  K.  Uber  Bana's  Parvatiparinaya.  In  Sitz- 
ungsb. der  kais.  Akad.  der  Wiss.  (zu  Wien),  104  (1883)^ 
pp.  575-664.  [Cf  also  the  review  by  Fritze,  in  Literatur- 
Blatt  fiir  Orientalische  Philologie,  i  (1884),  pp.   184-185.] 


Bhavabhuti  27 

Telang,   K.  T.     The  Parvatiparinaya  of  Bana.      In  lA.  3  (1874), 
pp.  219-221. 

Bana  Bhatta  Sarvacarita  A  i.  p.  701. 

Bhagavadabjaka  quoted  in   Rucipati's    commentary  on  the 

Anargharaghava   of   Murari    (ed.   of  Durgaprasada    and 

Parab,  p.  7). 
Bhagavadajjuka  prahasana  mentioned  in  RS. 
Bhagavantaraya  Raghavabhyudaya  A  2.  p.  117. 
Bhagavata  Krsnakavi  Sarmisthayayati  A  i.  p.  638. 
Bhaimlparinaya  A  i.  p.  416  =  9  Mss.  and  i  Com. 
Bhaimlparinaya  see  Ratnakheta,  Sathakopacarya,  and  Ven- 

katacarya. 
Bhairavapradurbhava  L.  app.  p.  78. 

Bhanumatlparinaya  (?)  L.  app.  p.  78  (but  cf  A  i.  p.  405). 
Bhanuprabandha  see  Venkate§a. 
Bharadvaja  Kaleyakutuhala  prahasana  A  i.  p.  396. 
Idetn  Kaleyakutuhala.      Poona,  1882,  pp.  32.      In   Kavyeti- 

hasasamgraha,  5,  nos.  2-5. 
Bharataraja  see  Hastimallasena. 
Bhartrharinirveda  see  Harihara. 
Bhartrmentha,  a  Kashmirian  playwright  of  the  sixth  century 

(cf  A  I.  p.  397). 
Bhasa  Svapnavasavadatta,  mentioned  in  prologue  to   Mala- 

vikagnimitra   of  Kalidasa.      Cf    F.    Hall,    Fragments    of 

three  early   Hindu   dramatists,   in  JASBe.  28  (1859),  pp. 

28-30. 
Bhaskara  Unmattaraghava  A  i.  p.  66. 
Idem  Unmattaraghava.      A  drama  in  prose  and  verse  in  one 

act,    on  the  story  of  Rama.      Bombay,  1889,  pp.  3+16. 

Kavyamala,  no.  17.      [Reprinted  from  an  edition  published 

in  Palamanair  by  S.  S.  Sastri.] 
Bhatta  Narayana  see  Narayana. 

Bhavabhuti  (end  of  seventh  century). 
Mahaviracarita.     Manuscripts.     A  i.    p.  443  =  29  Mss.    and   3 


28  Bhavabhuti 

Com.  ;  by  Atmarama  i,  by  Viraraghava  i  ;  A  2.  pp.  102, 
217  =  7  Mss.  and  Com.  by  Viraraghava  2  ;  CS.  242  ;  Hz. 
3.    1575;  10.    7.   4135,   4136.     Analyzed  by    Wilson,    2, 

PP-  323-334- 

Text  Editions.  Mahavlracarita,  or  the  history  of  Rama,  edited 
by  F.  H.  Trithen.      London,  1848,  pp.  4  +  147. 

Mahaviracarita,  Edited  by  T.  Tarkavacaspati  with  occasional 
glosses.     Calcutta,  1857,  pp.  2  -(-  120. 

Mahaviracarita.  Edited  with  notes  by  J.  Vidyasagara.  Cal- 
cutta, 1873,  PP-  142. 

Mahaviracarita.  Edited  by  Anundoram  Borooah,  with  a  Sanskrit 
commentary  and  a  Sanskrit-English  glossary.  Calcutta  and 
London,  1877,  pp.  13  -|-  310. 

Mahaviracarita,  edited  with  various  readings  and  notes  in  San- 
skrit by  S.  G.  Jyotishi,      Poona,  1887,  pp.  135  -f  29. 

Mahaviracarita,  with  the  commentary  of  Viraraghava,  edited  by 
T.  R.  Ratnam  Aiyar,  S.  Rangachariar,  and  K.  P.  Parab. 
1°  ed.,  Bombay,  1892,  pp.  260;  2°  ed.,  1901,  pp.  260. 

Mahaviracarita,  a  Sanskrit  drama,  with  the  commentaries  of 
Laksmana  Suri.     New  ed.,  Madras,  1904,  pp.  270. 

Translations.  Mahaviracarita.  The  Adventures  of  the  Great 
Hero  Rama.  An  Indian  Drama  in  seven  acts.  Translated 
into  English  prose  from  the  Sanskrit  by  John  Pickford. 
London,  1871,  pp.  16 -f  172.  Reprinted  1892,  pp.  20 -|- 
172. 

Malatimadhava  prakarana.  Manuscripts.  A  i.  p.  453  =  62  Mss, 
and  Com.  by  Jagaddhara  11,  by  Tripurari  Suri  10,  by 
Manarika  3,  by  Raghava  Bhatta  i,  a  condensed  version  by 
Maithila  Sarman  i  ;  A  2.  p.  104  =  7  Mss.  and  Com.  by 
Jagaddhara  i,  by  Tripurari  i,  by  Narayana  i,  Prakrtachaya 
i;  CS.  243,  244;  10.  7-4125,  4126,  4127,  4128,4129, 
4130;  TT.  61;  Com.  by  Jagaddhara,  SCBen.  430,  lO.  7. 
4130,  4131,  4132  ;  Com.  by  Mananka,  10.  7.  4130,  4133  ; 
condensed  version  by  Maithila  Sarman,  lO.  7.  4134. 

Text  Editions.  Malatimadhava,  with  a  commentary  of  the. 
Prakrit  passages.      Calcutta,  1830,  pp.  175. 


Bhavabhuti  29 

Malatimadhavae  fabulae  actus  primus  cum  variis  lectionibus 
edidit  C.  Lassen.     Bonn,  1832,  pp.  48. 

Malatlmadhava,  with  a  translation  of  the  Prakrit  passages,  edited 
by  K.  C.  Dutt.      Calcutta,  1866,  pp.  148. 

Malatlmadhava,  with  the  commentary  of  Jagaddhara,  edited  with 
notes,  critical  and  explanatory,  by  R.  G.  Bhandarkar.  Bom- 
bay, 1876,  pp.  399  +  J^.      Bombay  Sanskrit  Series,  no.  15. 

Malatlmadhava,  edited  with  a  commentary  by  J.  Vidyasagara. 
Calcutta,  1876,  pp.  185. 

Malatlmadhava,  with  the  commentary  of  Tripurarisuri  called 
Bhavapradlpika,  in  Telugu.      Madras,  1883,  pp.  176  +  128. 

Malatlmadhava.     Satika.      Part  i.     Calcutta,  1886,  pp.  60. 

Malatlmadhava,  with  the  commentary  of  Jagaddhara,  edited  with 
an  interpretation  of  the  Prakrit  passages  by  Bhuvanacandra 
Vasaka.     Calcutta,  1886,  pp.  317. 

Malatlmadhava,  with  the  commentaries  of  Tripurari  and  Jagad- 
dhara, edited  by  M.  R.  Telang.  1°  ed.,  Bombay,  1892,  pp. 
402;  2°  ed.,  1900,  pp.  402. 

Translations.  A.  E  n  g  1  i  s  h.  Malati  and  Madhava,  or  the  Stolen 
Marriage,  translated  by  Wilson,  2,  pp.  1-123. 

B.  French.      Madhava  et  Malati.     Drame  traduit  du  Sanscrit  et 

du  pracrit  par  G.  Strehly,  precede  d'une  preface  par  A.  Ber- 
gaigne.  Paris,  1885,  pp.  12  -|-  274.  Bibl.  Orient.  Elzevir., 
no.  42. 

C.  German.     Malatlmadhava,  ein  indisches  drama  von    Bha- 

vabhuti. Zum  ersten  Male  aus  dem  Original  ins  Deutsche 
iibersetzt  von  Ludwig  Fritze.      Leipzig,  1883,  pp.  125. 

D.  Dutch.      Malati  en  Madhava.      Een  indisch  drama  vertaald 

en  verkort  door  P.  A.  S.  van  Limburg  Brouwer.  In 
Tijdspiegel,  1871,  i,  418. 

E.  Bengali.     Malatee  Mudhaba,  a  comedy  of  Bhubabhootee. 

Translated  into  Bengalee  from  the  original  Sanskrit,  by  K. 
P.  Sing.     Calcutta,  1859. 

F.  M  a  r  a  t  h  i.     Malatlmadhava.     Translated  into  Marathi  by  K. 

S.  Rajvade  and  revised  by  Chiplonkar.  Bombay,  1861, 
pp.  152. 


30  Bhavabhuti 

Uttararamacarita.  Manuscripts.  A  i.  p.  63  =  67  Mss.  and  3  Com.; 
Bhavarthadipika  i,by  Narayana  7,  by  Raghavacarya  3,  by 
Viraraghava  i  ;  A  2.  p.  190=  2  Mss.  and  Com.  by  Narayana 
I  ;  A  3.  p.  14=5  Mss.  and  Com.  by  Abhirama  i  ;  CS. 
219;  Hz.  3.  1607;  Com.  by  Ghanasyama,  Hz.  3.  1600 ; 
Com.  by  Narayana,  CS.  220,  SCBen.  81,  10.  7.  4137. 

Text  Editions.  Uttararamacarita,  with  a  commentary  explanatory 
of  the  Prakrit  passages.      Calcutta,  1831,  pp.  132. 

Uttararamacarita.  Edited,  at  the  request  of  [and  with  a  pref- 
ace by]  E.  B.  Cowell,  by  Premacandra  Tarkabagisa. 
With  a  short  commentary.      Calcutta,  1862,  pp.  181. 

Uttararamacarita,  edited  with  commentary  by  Tarakumara  Ca- 
kravarti.  With  a  preface  by  B.  P.  Majumdar.  Calcutta. 
1870,  pp.  208. 

Uttararamacarita.  Edited  with  Sanskrit  notes  by  Isvaracandra 
Vidyasagara.     3°  ed.  (?),  Calcutta,  1876,  pp.  15  -f  246. 

Uttararamacarita,  with  a  commentary  called  Bhavabodhi  by 
Ramacandra  Budhendra.  Madras,  1881.  [In  Grantha 
characters.] 

Uttararamacarita,  with  extracts  from  two  Sanskrit  commen- 
taries and  notes  in  EngHsh  by  K.  B.  Mande.      Poona,  1881, 

PP-  75  +  17- 
Uttararamacarita.      Edited  by  J.  Vidyasagara.      i  °  ed.,  Calcutta, 

1881  ;   2°  ed.,  1889,  pp.  268. 
Uttararamacarita,  edited  with  copious  Sanskrit  and  EngHsh  notes 

by  S.  G.  Bhanap.      i°ed.,  Bombay,  1888,  pp.  2  12  ;   2°  ed., 

1893,  pp.  218. 
Uttararamacarita,   with   Sanskrit    commentary  by   Pandit  B.    S. 

Ghate,  together  with  a  close  English  translation  and  notes 

by  V.  S.  Patvardhan.      Nagpur,  1895,  12  -f  192  +  47. 
Uttararamacarita.     With  the  commentary  of  Viraraghava.    Edited 

by  T.  R.  Ratnam  Aiyar  and  K.  P.  Parab.      1°  ed.,  Bombay, 

1899,  pp.  174;   2°ed.,  1903,  pp.  174. 
Uttararamacarita.     Sanskrit  text  with  a  commentary  by  Laksmana 

Suri.     Kumbhakonam,  1900,  pp.  209. 
Translations.     A.  English.     Uttararamacarita.     Translated  by 

Wilson,  I,  pp.  275-384. 


Bilhana  3 1 

Uttararamacarita,  a  literal  translation  from  the  original  Sans- 
krit by  H.  Mukhopadhyaya.      Calcutta,  1 871,  pp.  84. 

Uttararamacarita.  Translated  into  English  by  C.  H.  Tawney. 
1°  ed.,  Calcutta,  1 871,  pp.  81  ;  2°  ed.,  1874,  pp.  loi. 

Uttararamacarita.  An  English  Translation  by  K.  K.  Bhatta- 
char>'a.      Calcutta,  1891,  pp.  142. 

B.  French      Le  Denouement  de  I'histoire  de  Rama,  Outtara 

Rama  Charita,  drame  de  Bhavabhouti,  traduit  avec  une  intro- 
duction sur  la  vie  et  les  oeuvres  de  ce  poete  par  F.  Neve. 
Brussels  and  Paris,  1880. 

C.  Hindi.     Uttar  Ram  Carita,  by  L.  Sita  Rama.     Allahabad, 

1899,  pp.  96.     Our  Ancient  Theatre,  no.  2. 

D.  Tamil.     Kusulava  nataka  by  Binadhitten,  a  translation  of  the 

Uttararamacarita,  Cat.  Mack.  Coll,  p.  218. 
General  Criticism  of  Bhavabhuti.     Borooah,  Anundoram.     Bha- 

vabhuti   and    his    Place  in    Sanskrit    Literature.      Calcutta, 

1878,  pp.  64. 
Banerjea,  K.  M.     Bhavabhuti  in  English  Garb.     In  I  A.  i  (1872), 

pp.  143-147- 
Bhandarkar,  R.  G.     Bhavabhuti' s  Quotation  from  the  Ramayana. 

In  lA.  I  (1873),  pp.  123. 
Schuyler,   Montgomery,    Jr.      A   Bibliography   of  the    Plays   of 

Bhavabhuti  and  of  Krsnamisra.      In  JAOS.  25  (1904),  pp. 

189-196. 

Bhavanapurusottama  see  Srinivasatiratrayajin. 

Bhiksatana  (?)  A  i.  p.  412, 

Bhimata  Kaliiijarapati  wrote  five  plays  (A  i.  p.  413),  one 
of  which  was  Svapnadasanana. 

Bhimavikrama  see  Moksaditya. 

Bhojarajasaccarita  or  Bhojasaccarita  see  Vedantavagisa. 

Bhubhatta  Angada  A  i.  p.  4. 

Bilhana,  son  of  Jyesthakalasa,  (middle  of  the  eleventh  cen- 
tury ;  mentioned  in  the  Rajatarangini,  7.  938)  Karna- 
sundari  natika  A  i.  p.  82  =  3  Mss. 

Idem  Karnasundarl,  a  drama  in  four  acts.      Edited  by  Durga- 


3  2  Bilhana 

prasada  and  Parab.      Bombay,  1888,  pp.  6  +  56.      Kavya- 

mala,  no.  7. 
Idem  Karnasundarl,  translated  into  Marathi  by   V.  Sastri. 

Bombay,  1891. 
Bindumadhava    Kampanipratapamandana,    a    short    drama. 

Poona,    1881-82,  pp.   26.     In   Kavyetihasasamgraha,  4, 

no.  12  ;   5,  no.  i. 
Bindumatl  durmallika  mentioned  in  SD.  553. 
Brhannataka,  probably  the  Mahanataka,  A  i.  p.  376. 
Brhatsabhadraka  prahasana  mentioned  in  RS. 


Caitanyacandrodaya  see  Kavikarnapura. 

Candakausika  see  Ksemi^vara. 

Candivilasa  see  Rudra^arman. 

Candrabhiseka  A  i.  p.  182  =  TT.  64. 

Candragomin  (7th  century)  Lokananda  L.  app.  p.  80.     There 

is  a  Tibetan  translation,  according  to  Levi,  app.  p.  56. 
Candraka,  a  playwright  mentioned  in  Rajatarangini  2.  16. 
Candrakala  see  Narayana  Kavi  and  ViSvanatha  Kaviraja. 
Candrakalaparinaya  see  Nrsimha  Kavi. 
Candraprabha  natika  A  i.  p.  181  =  3  Mss.;  A  2.  p.  199. 
Candrarekhavidyadhara  A  i.  p.   181. 
Candra^ekhara,  father  of  Visvanatha,  author  of  the   Sahitya- 

darpana,  Puspamala  quoted  in  SD.  282. 
CandraSekhara  Rayaguru,   son    of    Gopinatha,   Madhurani- 

ruddha,  a   drama   in   eight  acts,   A  i.  p.  426;  CS.  241. 

Analyzed  by  Wilson,  2,  pp.  396-399. 
Idem  Mathuranataka  A  i.  p.  422,  probably  the  same. 
Candrasekharavilasa  see  Shahji. 
Candravilasa  see  Gangadhara. 
Chalitarama  A  i.  p.  192. 

Chata  Yati  (i6th  century)  Vasantikaparinaya  A  i.  p.  566. 
Chayanataka  see  Vitthala, 
Citrabharata  see  Ksemendra. 
Citrayajna  see  Vaidyanatha  Vacaspati. 


Dharma  Pandita  33 

Cittavrttikalyana  see  Nalladiksita. 

Cokkanatha,  son  of  Tippa  (beginning  of  1 8th  century),  Kan- 

timatiparinaya  A  i.  p.  92. 
Idem  Rasavilasa  bhana  A  2.  p.  1 16. 
Cola  see  Varadacarya. 
Cudamaninataka  A  i.  p.  189, 
Cudamani    Srngarasarvasva   bhana   quoted    in   his    Kavya- 

darpana  (cf  A  2.  p.  158). 
Cudamani  Diksita  Anandaraghava  (a  drama,  A  2.  p.    189) 

A  I.  p.  48  =  6  Mss. 
Idem  Kamalinlkalahamsa  A  i.  p.  81  =  12  Mss.;  A  2.  pp. 

15,  191  ;  A3,  p.  18;  Hz.  3.  1580. 
Idem  Rukminikalyana  A  i.  p.  527  =  4  Mss.  and  2   Com.; 

A  2.  p,  123. 


Dadima  Bhatta    Lingadurbheda  A    i.  p.    544  (cf   L.  app. 

p.  80). 
Damacarita  or-  Srldamacarita  see  Samaraja  Diksita. 
Damaruka  see  Ghana^yama. 
Damodara  Kamsavadha  A  i .  p.  "jy. 
Damodara  Mi^ra  (redactor  of  the    older    recension  of  the 

Mahanataka    of    Hanuman)    Vanlbhusana.       Edited    by 

Sivadatta  and  Parab.     Bombay,  1895,  pp.  7  +  53.     Kav- 

yamala,  no.  53. 
Danakeli  see  Rupa  Gosvamin. 

Danakelikaumudi  see  Mahadeva  ajid  Riipa  Gosvamin. 
Dandin  see  Uddandin. 
DevadurgatI  see  Rammoy. 
Devlmahadeva  ullapya  mentioned  in  SD.  545. 
Dhanamjayavijaya  (?)  SCBen.  266. 
Dhanamjayavijaya  see  Kancanacarya  and  Ya^odhana. 
Dharmagupta,  son  of  Ramadasa,  wrote  in    1360,  Ramanka 

natika  A  i.  p.  268. 
Dharma  Pandita  or  Dharmasuri,  son  of  Parvatesvara,  Na- 


34  Dharma  Pandita 

rakasuravijaya    vyayoga  (also    called    Narakasuravadha, 

Narakasuradhvamsa,  or  Narakadhvamsa)  A  i.  p.  277  =  8 

Mss.;  A  2.  p.  60  =  5  Mss  ;  10.  7.  4185. 
Idem    Narakasuravijaya  vyayoga.      2°   ed.,  Madras,    1884, 

pp.  166. 
Dharmaraja  Sabhapativilasa  A  i.  p.  696. 
Dharmavijaya  see  Sukla  Bhudeva. 
Dhurta(=  Dhurtasamagama)  see  Jyotiri^vara. 
Dhurtacarita  prahasana  mentioned  in  SD.  536. 
DhQrtanartaka  see  Samaraja. 
Dhurtasamagama  see  JyotiriSvara. 
Dhurtavidambana  see  Mahe§vara. 
Dindima  Kavi  Somavalllyogananda  prahasana  A  i.p.   736 

=  2  Mss. 
Idem   Somavalllyogananda.       Edited    by    S.    P.    V.    Ran- 

ganadhasvami     Ayyavaralugaru.       Vizagapatam,     1895. 

Grandha  Pradarsani,  fasc.  1-2. 
Draupadiparinaya  see  Krsna  Suri. 

Drgbhavat  Nilaparinaya  A  i.  p.  302  (cf.  L.  app.  p.  76). 
Dutangada  see  Subhata. 


Gairvanivijaya  see  Bala  Kavi. 

Gangadhara  (14th  century)  Candravilasa  A  2.  p.  36. 

Idem  Gangadasapratapavilasa  or  Pratapavilasa  lO.  7.  4194 

(Analyzed). 
Idem  Raghavabhyudaya  A  i.  p.  500=  2  Mss. 
Gangavatarana  A3,  p.  30. 
Gauridigambara  see  Sankara  Mi^ra. 
Ghana§yama,  son  of  Mahadeva,  (cf.  E.  Hultzsch,  in  Hz.  3. 

pp.  ix-xi)  Anandasundari  sattaka  Hz.  3.  2142. 
Idem  Damaruka.      Com.  by  Candrasekhara,  son  of  Ghana- 

syama,  Hz.  3.  1674. 
Idem  Kumaravijaya  A  3.  p    38  ;   Hz.  3.  1682. 
Idem  Madanasarnjivana  Hz.  3.   1679. 
Idem  Navagrahacarita  Hz.  3.   1571. 


Hanuman  3  5 

Idem  Pracandarahudaya.      Com.,  Hz.  3.  1675. 
Girvanendra,  son  of  Nilakantha  Diksita,  Srngarakosa  bhana, 

mentioned  in  preface  to  Patanjalicarita  in  Kavyamala,  no. 

51,  p.  22. 
Gitadigambara  see  Vam§amani. 
Godaparinaya  see  Ke§avanatha. 
Godavariparinaya  A  i.  p.  159.     Probably  the  same   as  the 

Godaparinaya. 
Gokulanatha  Amrtodaya  A  i.  p.  29  ;  A  3.  p.  7. 
Idem  Amrtodaya  nataka,   edited  by  Sivadatta  and  Parab. 

Bombay,  1897,  pp.  5  +  y^.      Kavyamala,  no.  59. 
Idem  Madalasa  A  2.  p.  97  =  i  Ms.  and  i  Com. 
Gopala  Bhatta  Sanandagovinda  A  i.  p.  707  (cf  L.  app.  p.  81). 
Gopaladasa  Parijataharana  A  i.  p,  335  =  2  Mss. 
Gopalalilarnava  see  Govinda. 

Gopalaraya  Srirangaraja  bhana  A  2.  p.  160  =  2  Mss. 
Idem  Srngaramanjarl  bhana  A  2.  p.  158. 
Goplcandana  A  i.  p.  163. 
Goplnatha  Pandita  Kautukasarvasva  prahasana  A  i .  p.  1 3 1  = 

TT.  63  ;  A3,  p.  28.     Analyzed  by  Wilson,  2,  pp.  410- 

412,  and  by  Cappeller  in  Gurupujakaumudi,  Festgabe  fur 

Weber,  Leipzig,  1896,  pp.  59-62. 
Gosayatra  see  Sitalacandra. 
Govardhana,  a  playwright,  DR.  intr.  p.  30  n. 
Govinda  Gopalalilarnava  bhana  A  i.  p.  163. 
Idem  Vinatananda  vyayoga  A  i.  p.  576. 
Govinda  Kavibhusana  Samrddhamadhava  A  3.  p.  36. 
Govindavallabha  A  i.  p.  169. 
Gundarama  Misrabhana  L.  app.  p.  78. 
Gururamakavi  Subhadradhanamjaya  A  i.  p.  728  =  9  Mss. 

H 

Hanuman. 

Mahanataka.  This  play  exists  in  two  recensions,  an  older  one 
by  Damodara,  explained  by  Mohanadasa,  and  a  more  recent 
one  by  Madhusudana. 


36  Hanuman 

Manuscripts.  A  i.  p.  438  =  54  Mss.  and  2  Com.  ;  by  Can- 
drasekhara  i,  by  Narayana  i,  by  Balabhadra  4,  by  Mohana- 
dasa  II;  A  2.  pp.  100,  216  =  7  Mss.  and  Com.  by 
Balabhadra  i,  by  Mohanadasa  4;  CBMMS.  264,  265; 
10.  7.  4145,  4146,  4147,  4148,  4149,  4150;  TT.  59; 
Com.  by  Mohanadasa,  lO.  7.  4149;  Com.  by  Candra- 
sekhara,  10.  7.  4150.  There  was  a  Ms.  in  the  posses- 
sion of  Sir  Monier  Williams.     Analyzed  by  Wilson,   2,  pp. 

Sitasvayamvara  from  the  Mahanataka  A  i.  p.  723. 

Text  Editions.  Mahanataka.  [An  edition  in  Bengali  characters, 
published  before  1840.  For  the  editor  cf.  J  A.  3°  series, 
13  (1842),  p.  510,  and  Gildemeister,  Bibl.  Sans.,  p.  95.] 

Mahanataka.  A  dramatic  history  of  King  Rama.  Translated 
into  English  and  edited  by  K.  K.  Bahadur.  Calcutta,  1840, 
2  pts.,  pp.  108  -f  117. 

Mahanataka,  Drama  on  th»  deeds  of  Rama  ascribed  to  Hanu- 
man. Edited  in  the  Bengali  version  by  Isvaracandra  and 
Kallnatha.      Calcutta,  1844,  pp.  229. 

Hanuman-Nataka  in  Damodara's  recension.  With  Mohanadasa's 
commentary.  1°  ed.,  Bombay,  i860,  pp.  107  ;  2°  ed.,  1886, 
pp.  241. 

Hanuman  Nataka.  The  story  of  the  Ramayana  dramatized  in 
Damodara's  version  and  divided  into  14  acts.  With  Mo- 
hanadasa's commentary,  1°  ed.,  Bombay,  1863,  pp.  122; 
2°  ed.,  1864,  pp.  93. 

Mahanataka  by  Hanuman,  edited  by  R.  Siromani  with  a  short 
commentary  of  his  own.      Calcutta,  1870,  pp.  2  -f  176. 

Mahanataka  in  9  acts.  Compiled  by  Madhusudana.  Edited  by 
J.  Vidyasagara.  1°  ed.,  Calcutta,  1878,  pp.  127;  2°  ed., 
1890,  pp.  450. 

Mahanataka,  with  a  commentary  by  Misra  Mohana.  Bombay, 
1886,  pp.  241. 

Translations.  Mahanatak.  In  Sanskrit  and  Bengali,  drama- 
tized (?)  by  Ramgati  Kabiratna,  i°  ed.,  Calcutta,  1849; 
2°  ed.,  1851,  pp.  229, 


Harsadeva  37 

Mahanataka.      Translated  into   English    by  Raja   Kali    Krishna. 

Calcutta,  no  date. 
Hanuman  nataka,  translated  into  Hindustani.      Lahore,  1877,  pp. 

192. 
Haracaparopana  A  i.  p.  754. 
Haragaurivivaha  see  Jagajjyotirmalla. 
Harakeli  see  Vigraharajadeva. 
Hari  (Acarya)  Janakigita  A  3.  p.  44. 
Haridasa  Harivilasa  bhana  A  2.  p.  183.- 
Idem  Puranjana  A  i.  p.  339. 
Hariduta  chayanataka  A  i.  p.  757.     Analyzed  by  Levi,  p. 

242. 
Harihara,  a  Maithila,  Bhartrharinirveda  A  i.  p.  397. 
Idem  Bhartrharinirveda.    Edited  by  Durgaprasada  and  Parab. 

1°  ed.,  Bombay,  1892,  pp.  3  4-  28  ;  2°  ed.,  1900.     Kavya- 

mala,  no.  29. 
Idetn  The  Bhartrharinirveda  of  Harihara,  now  first  trans- 
lated from  the  Sanskrit  and  Prakrit  by  Louis   H.  Gray. 

In  JAOS.  25  (1904),  pp.  197-230. 
Idem  Bhartrharinirveda.     Analyzed  in  The  Niti  and  Vairagya 

Satakas   of   Bhartrhari,  by  Gopi    Nath,  Bombay,    1896, 

pp.  19-24. 
Idem  Prabhavatlparinaya  A  i.  p.  354. 
Hariharanusaranayatra  see  Nrsimha  Bhatta. 
Harijivana  MiSra  Vijayaparijata  A  i.  p.  570. 
Hariscandrayasascandracandrika  A  i.  p.  761. 
Harivilasa  see  Haridasa. 

Harsadeva. 

Nagananda  nataka.  Manuscripts.  A  i.  p.  283  =  16  Mss.  and  i 
Com. ;  by  Atmarama  i  ;  A  2.  p.  61  =  3  Mss  ;  A  3.  p.  61  = 
3  Mss.;  Hz.  3.  1610;  10.  7.  4161.  Cf  also  the  preface 
to  Boyd's  edition  of  the  Nagananda. 

Text  Editions.  Nagananda.  A  Sanskrit  Drama  by  Dhavaka. 
Calcutta,  1864. 


38  Harsadeva 

Nagananda,  a  Sanskrit  drama  in  five  acts.  Edited  by  M.  Ghosha 
and  K.  Bhattacarya.      Calcutta,  1864,  pp.  74+  19. 

Nagananda,  with  a  Marathi  translation.  Edited  with  a  preface 
in  Marathi  by  K.  S.  Chipalunakar.  Bombay,  1865,  pp. 
2  -I-  206. 

Nagananda.  Edited  by  J.  Vidyasagara.  1°  ed.,  Calcutta,  1873  ; 
2°  ed.,  1886,  pp.  138. 

Nagananda.  Edited  with  a  commentary  by  N.  C.  Kaviratna 
and  N.  C.  Siromani.      Calcutta,  1886. 

Nagananda.  Text  with  notes  by  Pandit  N.  C.  Vidyaratna  and 
with  translations  into  English  and  Bengali  by  a  Professor  of 
the  Presidency  College.      Calcutta,  1887,  pp.  324. 

Nagananda,  a  Sanskrit  Drama  by  King  SrI-Harsha.  Edited  with 
copious  Sanskrit  and  English  notes  by  S.  G.  Bhanap.  Bom- 
bay, 1892,  pp.  18  +  91  -I-  40. 

Nagananda,  edited  with  an  introduction  and  notes  by  G.  B. 
Brahme  and  S.  M.  Paranjape.  Poona,  1893,  pp.  27  -|-  105 
+  80. 

Translations.  A.  English.  Nagananda,  or  the  Joy  of  the 
Snake  World,  a  Buddhist  Drama  in  Five  Acts.  Translated 
into  English  Prose,  with  explanatory  notes,  from  the  San- 
skrit of  SrI-Harsha-Deva  by  Palmer  Boyd.  With  an  Intro- 
duction by  Professor  Cowell.      London,  1872,  pp.  14  +  99. 

B.  French.     Nagananda.      La  Joie  des  Serpents,  drame  boud- 

dhique  traduit  du  Sanskrit  et  du  Prakrit  par  Abel  Bergaigne. 
Paris,  1879,  pp.  16  +  44.      Bibl.  Orient.  Elzevir.,  no.  27. 

C.  Italian.     Amori  di  Indiani.      L'atto  secondo  del  drama  di 

Dhavaka  che  e  detto  Nagananda  o  la  Allegria  de'  serpenti. 

Da  Emilio  Teza.     Pisa,  pp.  16. 
Nagananda,  o  il  Giubilo  dei  Serpenti.     Traduzione  di  Francesco 

Cimmino.     Palermo,    1903,   pp.  63  +  167. 
Criticism.    Beal,  S.    The  Nagananda,  a  Buddhist  drama.     In  The 

Academy,  Sept.  29,  1883,  vol.  24,  pp.  217-218. 
Cimmino,  Francesco.     Sul  Dramma  Nagananda,  o  il  Giubilo  dei 

Serpenti.     In  Atti  della  Reale  Accademia  di  Archeologia, 

Lettere  e  Belle  Arti  (di  Napoli),  22  (1902),  pp.    155-182. 


Harsadeva  39 

Cimmino,  Francesco.  Une  communication  sur  le  drame  Naga- 
nanda.  In  Verb,  des  1 3.  intern.  Orientalisten-Kongr.  (1902), 
Leiden,  1904,  pp.  31-32. 

Priyadarsika  natika.     Manuscripts.     A  i.  p.  364  =  i  i  Mss.  ;  A  3. 

p.  78  ;  Hz.  3.  1609. 
Text   Editions.      Priyadarsika.     Without    place    or    date    (about 

1870),  pp.  56. 
Priyadarsika.     A   drama  in    four  acts   by  Sri    Harsha.      Edited 

with  notes  by  J.  Vidyasagara.      Calcutta,  1874,  pp.  61. 
Priyadarsika.      Edited  by  V.  D.  Gadre  with   English  notes  and 

Prakrita  Chaya.      Bombay,  1884,  pp.  94. 
Translation.      Priyadarsika,  piece  en  quatre  actes,  traduite  par  G. 

Strehly.      Precedee    d'un    prologue   et   d'une   introduction. 

Paris,  1888,  pp.  ?,Z.     Bibl.  Orient.  Elzevir.,  no.  58. 
Criticism.     Cimmino,    Francesco.     II    terzo    atto    del    dramma 

indiano  Priyadargika.     In  Atti  dell'  Accademia  Pontaniana, 

31  (1902),  pp.  1-18. 

Rat:  avail  natika.  Mamiscripts.  A  i.  p.  492  =  37  Mss.  and  i 
Com.  ;  by  Bhimasena  2,  translation  of  the  Prakrit  passages 
by  Mudgaladeva  i  ;  A  2.  p.  115  =  8  Mss.  and  Com.  by 
Govinda  2,  Prakrtachaya  2  ;  CBMMS.  275  ;  CS.  257  ; 
Hz.  3.  1608;  10.  7.  4159,  4160;  TT.  65;  Com.,  SCBen. 
290. 

Text  Editions.  Ratnavali.  With  a  commentary  explanatory  of 
the  Prakrit  passages.      Calcutta,  1832,  pp.  106. 

Ratnavali.  Edited  with  a  translation  of  the  Prakrit  passages  into 
Sanskrit  by  Taranatha  Sarman.     Calcutta,  1864,  pp.  66. 

Ratnavali.      By  Sriharsadeva.     Text.      Bombay,  1868,  pp.  74. 

Ratnavali.  Edited  by  N.  C.  M.  Vidyaratna.  With  notes  ex- 
planatory of  the  difficult  passages.  Calcutta,  1871,  pp. 
4+  122. 

Ratnavali,  edited  with  a  commentary  by  J.  Vidyasagara.  Cal- 
cutta, 1876,  pp.  124. 

Ratnavali,  herausgegeben  von  C.  Cappeller,  in  O.  von  Bohtlingk, 
Sanskrit  Chrestomathie,  St.  Petersburg,  1877,  pp.  290-329. 


40  Harsadeva 

Ratnavall,  edited    with    notes    by    N.   B.   Godabole   and    K.   P. 

Parab.      i°  ed.,    Bombay,    1882,   pp.   102;    2°   ed.,    1890, 

pp.    112. 
Ratnavali,  edited  by  K.  P.  Parab  and  V.  S.  Jos!.     Bombay,  1888, 

pp.  81. 
Ratnavall,  published  with  Siddhanta  Bindu  by  V.  S.  Aiyar.    Kum- 

bhakonam,    1893,  pp.   212.     Advaitamanjari  Series,  no.  3. 
Ratnavall,   with   the  commentary  of  Govinda,   edited   by   K.  P. 

Parab.     Bombay,  1895. 
Ratnavall.     Text  with  a  commentary  by  K.  N.  Nyayapancanana. 

Calcutta,  1900,  pp.  198. 
Ratnavoli,  edited  by  Sris  Chandra  Chakravarti.     Containing  the 

text,  a  Sanskrit  commentary,  English  and  Bengali  transla- 
tions, etc.     Dacca  (Bengal),  1902,  pp.  387. 
Translatio7is.      A.    English.      Ratnavali,     or    the     Necklace. 

Translated  by  Wilson,  2,  pp.  255-319. 

B.  German.     Ratnavali,    oder    die   Perlenschnur,    zum    ersten 

Male  ins  Deutsche  iibersetzt  von  Ludwig  Fritze.     Chemnitz, 
1878.     In  his  Indisches  Theater,  vol.  2. 

C.  Swedish.      Ratnavali,  eller  Parlbandet.     Fran  Sanskrit  b{- 

versatt  af  H.  Andersson.     Wexio,  1892,  pp.  76. 

D.  Italian.     Ratnavah,  o  la  Collana  di  Perle,  dramma  indiano, 

tradotto  per  la  prima  volta  in  italiano  da  Francesco  Cim- 
mino.     Naples,  1894,  pp.  199. 

E.  Bengali.     Ratnabali.     Translated  from    the    Sanskrit  into 

Bengali  by  Nilmani  Pal.     Calcutta,  no  date. 

F.  Marathi.      Lalitawatsaraj,    a    Marathi    translation    of   the 

Ratnavali  of  ^riharsadeva,  by  V.  S.   Islampurkar.     Bom- 
bay, 1889,  pp.  115  +  109. 

G.  Canarese.     Rathnavali,    a   tale    in    Canarese    founded    on 

Sriharsa  Dava's  [sic]  Sanskrit  drama.      Bangalore,  1884,  pp. 

44. 
Criticism.    Biihler,  Georg.     On  the  Authorship  of  the  Ratnavali. 

In  lA.  2  ( 1873),  pp.  127-128. 
Hall,  F.      [References  to  the  Ratnavali.]      In  the  preface  to  his 

Vasavadatta,  Calcutta,  1859,  pp.  15-18. 


Hrdayavinoda  41 

Meyer,  J.  J.  Damodaragupta's  Kuttanlmatam  (Lehren  einer  Kup- 
plerin).  Leipzig,  1903,  pp.  143-144.  [Description  of  the 
performance  of  part  of  the  first  act  of  the  Ratnavali.  The 
text  was  printed  in  Kavyamala,  part  3  (1887),  pp.  32-1 1  i]. 

Vidyabhusan,  S.  C.  Date  of  the  Ratnavali.  In  Maha-Bodhi, 
12, 

Getieral  Criticism  of  Harsadeva.  Beames,  John.  Chand's  men- 
tion of  Sri  Harsha.     In  lA.  2  (1873),  p.  240. 

Jackson,  A.  V.  WiUiams.  Time  Analysis  of  Sanskrit  Plays.  Sec- 
ond Series.  The  Dramas  of  Harsha.  In  JAOS.  21  (1900), 
pp.  88-108. 

Pischel,  R.  Adhyaraja.  In  Nachr.  der  Konig.  Ges.  der  Wiss. 
zu  Gottingen,  Philol.-Hist.  Klasse,  1901,  pp.  485-487. 

Ram  Das  Sen,  Chand's  mention  of  Sri  Harsha.  In  lA.  2 
(1873),  p.  240,  and  3  (1874),  p.  31. 

Schuyler,  Montgomery,  Jr.  The  Origin  of  the  Vidusaka,  and  the 
employment  of  this  character  in  the  plays  of  Harsadeva. 
In  JAOS.  20  (1899),  pp.  338-340. 

Schuyler,  Montgomery,  Jr.  A  Bibliography  of  the  Plays  attrib- 
uted to  Harsadeva.  In  Verh.  des  13.  intern.  Orientalisten- 
Kongr.  (1902),  Leiden,  1904,  pp.  33-37- 

Telang,  K.  T.  Kalidasa,  Sri  Harsha,  and  Chand.  In  lA.  3 
(1874),  pp.  81-83. 

Telang,  K.  T.  Kahdasa  and  Sri  Harsha.  In  I  A.  4  (1875),  pp. 
84-85. 

Harsanatha  Sarman   Usaharana.     A  modern    copy  in  the 

hands  of  Mr,  Grierson, 
Hastimalla,  a  Jain,  Afijanapavanarnjaya  L.  app.  p.  73, 
Hastimallasena,  a  Jain,  Arjunaraja  A  i.  p.  30. 
Idem  Bharataraja  A  i.  p.  396. 
Idem  Maithiliparinaya  A  i.  p.  468. 
Ideifi  Meghesvara  A  i.  p.  466. 
Hasyacudamani  sec  Vatsaraja. 
Hasyaratnakara  mentioned  in  DR.  intr.  p.  3c. 
Hasyarnava  see  Jagadl^vara. 
Hrdayavinoda  see  Kavi  Pandita. 


42  Indiraparinaya 


Indiraparinaya  A  i.  p.  58. 
Indiraparinaya  see  Viraraghava. 
Indumatiparinaya  A  i.  p.  59. 

J 

Jagadi^vara  Hasyarnava  prahasana  A  i.  p.  766  =  9  Mss.  and 

Com.  by    Mahendranatha  i  ;  A  2.  p.  237  ;  A  3.  p.  158  ; 

10.   7.  41 91,  4192,  4193  (with  an  English  translation); 

TT.  62.     Analyzed  by  Wilson,  2,  pp.  408-409. 
Idejn    Hasyarnava.      [An    edition    published    in    1835;    cf. 

Aufrecht,  Cat.  Codd.  Sanscr.  Bibl.  BodL,  Oxford,  1864.] 
/(/e>n    Hasyarnava.      The    verse    of    the    original    Sanskrit 

comedy  with  a  Bengali  translation  of  the  whole  work. 

Calcutta,  1840,  pp.  116. 
/de7n  Hasyarnava,  ed,  C.  Cappeller.      [Jena,  1883],  pp.  28. 

[Autographed.] 
Jagajjyotirmalla  (wrote  in   1629)  Haragaurivivaha  L.  app. 

p.  82. 
Jaganmohana  L.  app.  p.  75. 
Jagannatha,  son  of  Pitambara,  Atandracandrika  A  i.  p.  6  = 

2  Mss.  ;  A  2.  pp.  2,  186. 
Jagannatha  Pandita  Anangavijaya  bhana  A  i.  p.  12  ;   Hz.  3. 

1776. 
Idem  Ratimanmatha  Hz.  3.  1604. 
Idem  Vasumatiparinaya  A  i.  p.  557. 
Jagannathavallabha  see  Ramananda. 
Jaitrajaivatrka  see  Narayana  Sastrin. 

Jamadagnyajaya,  a  vyayoga  or  subject  of  a  vyayoga  men- 
tioned in  DR.  3.  55. 
Jambavatikalyana  see  Krsnaraya. 
Janakigita  see  Hari. 
Janaklparinaya  A  i .  p.  206  =  2  Mss. 
Janakiparinaya  see  Narayana  Bhatta,  Ramabhadra  Diksita, 

and  Sitarama. 


Jyotiri^vara  43 

Janaklraghava  quoted   in    SD.    371,  and  by  Ramanatha  in 

his  Trikandaviveka. 
Jatavedas  Purnapurusarthacandra  A  i.  p.  343  ;  A   2.  p.  76. 

Jayadeva,  son  of  Mahadeva. 
Prasannaraghava.     Manuscripts.     A  i.  p.  359=  46  Mss.  and  r 

Com.  ;  A  2.  pp.  81,  21 1  =  7  Mss.  and  Com.  by  Raghunan- 

dana  i;  CS.  237,  238;   Hz.  3.  1576;  lO.  7.4158. 
Text  Editions.   The  Prasannaraghava,     Edited  by  G.  D.  Sastri. 

Benares,  1868,  pp.  165. 
Prasannaraghava.     Edited  by  J.  Vidyasagara.      Calcutta,    1872, 

pp.  168. 
Prasannaraghava.     Edited  by  R.  S.  Va villa.     1°  ed.,   Madras, 

1874,  pp.  126  ;   2°  ed.,  1882,  pp.  82  ;  3°  ed.,  1890,  pp.  82. 
Prasannaraghava.     Edited    by    K.    P.    Parab.     Bombay,    1893, 

pp.  146. 
Prasannaraghava.      Edited  with  introduction  and  notes  by  S.    R. 

Khopakar,  with  the  commentary  of  Vyankatacarya.      Bom- 
bay, 1894,  pp.  412. 
Prasannaraghava.      Edited  with  introduction  and   notes  by  S.  M. 

Paranjape  and  N.  S.  Pause.      Poona,  1894,  2  pts.,  pp.  209  + 

106. 

Jayanta  Bhatta  Sanmata  A3,  p.  43. 

Jivananda  A  i.  p.  208. 

Jivananda  Jyotirvid  Mangalanataka,  an  original  mytho- 
logical play  in  nine  acts,  on  the  greatness  of  Devi,  in 
Sanskrit  and  Hindi.     Benares,  1887,  pp.  137. 

Jivanandana  see  Anandaraya. 

Jivanmuktikalyana  sec  Mallasomayajin  and  Nalladiksita. 

Jivarama  Yajnika  Murarivijaya  CS.  250. 

Jivavibudha  (before  the  second  half  of  the  seventeenth  cen- 
tury) Nalananda  A  i.  p.  280. 

Jnanasuryodaya  see  Vadicandra. 

Jyotirisvara  Kavi^ekhara, 

son  of  Dhiresvara,  (second  half  of  fifteenth  century). 
Dhurtasamagama  prahasana  A   i.  p.   272  =  8   Mss.;    A   2.   pp. 


44  Jyotiri^vara 

59=2  Mss.  ;    SCBen.    288;    lO.   7.  4201.     Analyzed  by 

Wilson,  2,  p.  408. 
Text  Editions.     Dhurtasamagama,  herausgegeben  von  Carl  Cap- 

peller.      [Jena,  1883],  pp.  16,      [Autographed.] 
Dhurtasamagama,   comoedia    e  cod,    Parisiensi    Sanskrite    cum 

annotationibus  edidit  Chr.  Lassen.     In  Anthologia  Sanscri- 

tica,  Bonn,  1838,  pp.  68-96,  1 16-130. 
Translations.     A.  French.     Dhurtasamagama,  piece  de  theatre 

hindou,  traduite  du  Sanscrit  par  Ch.  Schoebel.      Without 

place  or  date,  pp.  24. 
B.  Italian.      Dhurtasamagama,  ossia  il  congresso  de'  bricconi. 

Farsa  di  Giotirisvaro.      In  Teatro  scelto  indiano  tradotto  dal 

Sanscrito    da    Antonio   Marazzi,   vol.   2,    Milan,    1874,   pp. 

189-231.      [Published  originally  in  the  Giornale  Napolitano 

di  Filosofia  e  Lettere,  Aug.-Sept.,  1872.] 

K 

Kadamba   Ramakrsna   Aditikundalaharana   A  2.    p.    2  =  2 

Mss. 
Kadambarirama,  a  playv/right,  A  i.  p.  92. 
Kalananda  see  Ramacandra  Kavi. 
Kalavatlkamarupa  A  i.  p.  84. 
Kaleyakutuhala  see  Bharadvaja. 

Kalidasa. 

Malavikagnimitra.  Manuscripts.  A  i.  pp.  453-454  =  40  Mss. 
and  3  Com.  ;  by  Katayavema  2,  by  Viraraghava  i  ;  A  2.  pp. 
104,  217  =  4  Mss.  and  Com.  by  Katayavema  2,  by 
Nllakantha  2  ;  A  3.  p.  98  =  3  Mss. ;  CS.  245,  246  ;  Hz.  3. 
1574;  10.  7.  4122;  TT.  6j.     Analyzed  by  Wilson,  2,  p. 

345- 
Text  Editio7is.      Malavikagnimitra.     Textum  primus  edidit  et  vari- 

etatem  scripturae  adjecit  O.   F.   TuUberg.     Vol.    i,  Bonn, 

1840,  pp.  9  +  108. 
Malavikagnimitra.      Bombay,  1868,  pp.  4  +  89. 
Malavikagnimitra.      Edited  with  notes  by  S.  P.  Pandit.      1°  ed.. 


Kalidasa  45 

Bombay,  1869,  pp.  39  +  164  ;   2°  ed.,  with  the  commentary 

of  Katayavema,    1889,    pp.    35  +  230.     Bombay    Sanskrit 

Series,  no.  6. 
Malavikagnimitra.     Edited  with  Notes  by  T,  Tarkavacaspati.     i  ° 

ed.,  Calcutta,  1870,  pp.  165.      2°  ed.,  1887,  pp.  148. 
Malavikagnimitra.    Mit  kritischen  und  erklarenden  Anmerkungen 

herausgegeben  von  F.  Bollensen.      Leipzig,  1879, 
Malavikagnimitra,  with  the  commentary  named  Kumaragirirajiya 

of  Katayavema.     Vizagapatam,  1884,  pp.  133. 
Malavikagnimitra.      Edited    with    an    original     commentary    by 

Mrityunjaya  Nissanka.  Madras,  1885,  pp.  262. 
Malavikagnimitra.  Little  Conjevaram,  1886,  pp.  64. 
Malavikagnimitra.      Sanskrit  text  with  full  notes  in  English  by 

M.  C.  Sadagopachariar.     Bombay,  1889. 
Malavikagnimitra,  edited  with  the  commentary  of  Katayavema 

and  with  explanatory  English  notes  by  K.  P.  Parab.     Bom- 
bay, 1890,  pp.  153. 
Malavikagnimitra.     Edited  with  the  commentary  of  Katayavema. 

Bombay,  1 891,  pp.  112. 
Malavikagnimitra.      With     the    commentary    of    Katayavema. 

Edited  with  explanatory  English    notes.     Bombay,    1891, 

pp.  158. 
Malavikagnimitra,   with    the    commentary  of  Katayavema    and 

several  others  embodied  therein,  edited  with  critical  notes 

and  translation  by  S.  S.  Ayyar.      Poona,  1896,  pp.  303. 
Malavikagnimitra,  edited  with  a  close  English  translation  by  S. 

B.  Bhagvat.     Poona,  1897,  pp.  126. 
Malavikagnimitra.     Edited  with  a  commentary,  notes,  and  trans- 
lation by  M.   C.  Satakopacari.     Kumbhakonam,  1900,  pp. 

152. 
Translations.     A.English.      Malavikagnimitra,  translated  into 

English  prose  by  C.  H.  Tawney.      1°  ed.,  Calcutta,  1875, 

pp.  93  ;  2°  ed.,  1 891,  pp.  121. 
Malavikagnimitra,  translated  into  English  prose  by  G.  R.  Nan- 

dargikar.      Poona,  1879,  pp.  53. 
B.  French.     Malavika  et  Agnimitra.     Traduit  pour  la  premiere 


46  Kalidasa 

fois  en  fran(;ai.s  par  P.  E.  Foucaux.  Paris,  1877,  pp.  11  + 
118.  Bibl.  Orient.  Elzevir.,  no.  14. 
Malavikagnimitra.  Agnimitra  et  Malavika,  comedie  en  cinq  actes 
at  un  prologue,  melee  de  prose  et  de  vers,  traduite  du  San- 
scrit et  du  pracrit  par  Victor  Henry.  Paris,  1889,  pp.  12  + 
1 10.     (Extr.  des  Mem.  de  la  Soc.  des  Sciences  de  Lille.) 

C.  German.      Malavika  und  Agnimitra,  ein   Drama  des  Kali- 

dasa in  fiinf  Akten,  zum  ersten  Male  iibersetzt  von  Albrecht 

Weber.     Berlin,  1856,  pp.  48  -f  107. 
Malavika  und  Agnimitra,  metrisch  iibersetzt  von  Ludvvig  Fritze. 

Leipzig,  1 88 1,  pp.  74. 
Malavikagnimitra.      Prinzessin  Zofe.      Ein  indisches  Lustspiel  in 

vier  Aufziigen  nebst  einem  Vorspiel,  frei  fur  die  deutsche 

Biihne  bearbeitet  von    Leopold  von    Schroeder.     Munich, 

1902,  pp.  8  +  70. 

D.  Dutch.      Danseres   en   Koning.      Malavika   en   Agnimitra. 

Tooneelstuk  uit  het  Sanskret  vertaald  door  J.  van  der  Vliet. 
Haarlem,  1882,  pp.  132. 

E.  Swedish.    Malavika.    Ett  indiskt  .skadespel.    Fran  Sanskrit 

ofversatt  af  H.  Edgren.     Malmo,  1877. 

F.  Danish.     Kongen  og  Danserinden.      Lystspil  i  fem  Akter. 

Oversat   af   E.   Brandes.     Med  tegninger  af  C.   Thomsen. 
Copenhagen,  1874. 

G.  Italian.      Malavica  ed  Agnimitro.     Dramma  in  cinque  atti. 

In  Teatro  scelto  indiano,  tradotto  dal  Sanscrito  da  Antonio 

Marazzi,  vol.  i,  Milan,  1871,  pp.  301-417. 
Malavikagnimitra.      Dramma  indiano  tradotto  in  italiano  da  Fran- 
cesco Cimmino.     Naples,  1897,  pp.  11  +  126. 
H.    Bohemian.      Malavika  a  Agnimitra.       Prelozil    Zubaty. 

Prague,  1893,  pp.  102.     Sbornik  svetove  poesie,  no.   16. 
I.  Bengali.      Malavikagnimitra,  translated  in  Bengali  by  S.  M. 

Tagore.      Calcutta,  1877. 
J.   Marat  hi.      Raja   Agnimitra,  a   Marathi  translation   of  the 

Malavikagnimitra  by  V.   S.   Islampurkar.      Bombay,    18S9, 

pp.  204. 
Malavikagnimitra.     Translated  into  Marathi   by  Rao  S.   N.   G. 

Raje.      Bombay,  1895,  pp.  156. 


Kalidasa  47 

Sangita  Malavikagnimitra  Natak,  or  the  drama  of  Malavika  and 
Agnimitra  in  musical  verse.  Translated  into  Marathi  by 
B.  G.  Varde.     Bombay,  1895,  pp.  136. 

K.  Hindi.  Malavikagnimitra.  Translated  from  Sanskrit  into 
Hindi  by  Sita  Rama.      Cawnpore,  1899,  pp.  70. 

L.  Gujarat i.  Malavikagnimitra.  Translated  into  Gujarati  by 
R.  Udayarama.     Bombay,  1870,  pp.  109. 

Criticisju.  Annotations  on  Sanskrit  Classics.  The  Malavikag- 
nimitra. In  The  Sanskrit  Reader  (Samskrtapathavali),  Bom- 
bay, 1884,  vol.  2,  pt.  4,  pp.  48. 

Bollensen,  Friedrich.  Beitrage  zur  Erklarung  der  Malavika.  In 
ZDMG.  13  (1859),  pp.  480-490. 

Cappeller,  Carl.  Observationes  ad  Kalidasae  Malavikagnimitram. 
Konigsberg,  no  date,  pp.  33. 

Cimmino,  Francesco.  Alcune  osservazioni  sul  dramma  Malavi- 
kagnimitra. In  Atti  deir  Accademia  Pontaniana,  33  (1904), 
pp.  1-16. 

Haag,  Friedrich.  Zur  Texteskritik  und  Erklarung  von  Kali- 
dasa's  Malavikagnimitra.  Erster  Teil.  Auszug  aus  dem 
Progr.  der  Kantonsschule  pro  1871-72.     Frauenfeld,  1872. 

Schuyler,  Montgomery,  Jr.  Bibliography  of  Kalidasa' s  Malavikag- 
nimitra and  Vikramorvasi.     In  JAOS.  23  (1902),  pp.  93-101. 

Vliet,  J.  van  der.  Malavika-Manjulika.  In  Bijdrage  voor  de 
taal-  land-  en  volkenkunde  van  Nederlandsch  Indie,  6.  vol- 
greeks,  5  (=  49),  p.  169-170.)  [On  resemblances  between 
the  Malavikagnimitra  and  the  Kathasaritsagara.] 

Weber,  Albrecht.  Zur  Erklarung  der  Malavika.  In  ZDMG. 
14  (i860),  p.  261, 

Sakuntala.  Manuscripts.  A  i.  p.  23  =  88  Mss.  and  4  Com.  ; 
by  Abhirama  2,  by  Katayavema  6,  by  Krsnanatha  Pafi- 
canana  i,  by  Candrasekhara  2,  by  Damaruvallabha  i,  by 
Narayana  3,  by  Raghava  4,  by  Ramabhadra  i,  by  Sankara  i, 
by  Srinivasa  2  ;  A  2.  p.  5  =  6  Mss.  and  3  Com.  ;  by  Can- 
drasekhara I,  by  Raghava  2;  A  2.  p.  187  =  4  Mss.  and 
4  Com.  ;  by  Raghava  i,  by  Vemabhupala ;  A  3.  p.  6=  16 


43  Kalidasa 

Mss.  and  i  Com.  ;  by  Abhirama  2,  by  Katayavema  2,  by 
Raghava  2,  by  Srinivasa  4,  Prakrtachaya  2;  CBMMS.  263  ; 
Hz.  3.  1756;  10.  7.  4110,  4111,  4112,  4113,  4114,  4115, 
4116  ;  TT.  60;  Com.  by  Narayana,  SCBen.  295  ;  Com.  by 
Candrasekhara,  10.  7.  41 17,  41 18;  Com.  by  Ghanasyama, 
Hz.   3.    1656;  Com.,  SCBen.  981,  lO.  7.  41 19. 

Text  Editions.  Sakuntala.  Calcutta,  1761.  [First  printed 
edition.] 

La  Reconoissance  de  Sacountala,  drame  Sanscrit  et  prakrit  de 
Calidasa,  public  sur  un  manuscript  unique  de  la  Biblio- 
theque  du  Roi,  accompagne  d'une  traduction  frangaise,  de 
notes  philologiques,  critiques  et  litteraires,  par  A.  L.  Chezy. 
1°    ed.,   Paris,    1830.      2°  ed.,  1832. 

Abhijnanasakuntala.  With  the  commentary  of  Premacandra. 
Calcutta,  1839,  PP-  ^59-      [^"  Bengali  characters.] 

Sakuntala,     Neue  Ausgabe  in  lateinischen  Typen.  (?) 

Abhijfianasakuntala.  Gauriya  recension.  Edited  by  P.  C.  Tar- 
kavagisa.  1°  ed.,  Calcutta,  1839,  pp.  159;  2°  ed.,  i860, 
pp.  170.  Reprinted  with  additional  notes  by  R.  S.  Tarka- 
ratna,  Calcutta,  1864,  pp.  190. 

Kalidasa's  Ring-(^akuntala.  Herausgegeben,  iibersetzt  und  mit 
Anmerkungen  versehen  von  O.  Bohtlingk.  Bonn,  1842, 
large  ed.;  1846,  small  ed.      [Devanagarl  recension.] 

Sakuntala  Recognized  by  the  Ring,  a  Sanskrit  drama  in  seven 
acts.  The  Devanagarl  recension  of  the  text,  with  literal 
English  translations  of  all  the  metrical  passages  and  notes 
by  M.  Williams.  1°  ed.,  Hertford,  1853  ;  2°  ed.,  Oxford, 
1876. 

Abhijnanasakuntala.     Bombay,  1861. 

Abhijnana  Sakuntalam.  Edited  with  notes  by  J.  Tarkalamkara 
and  K.  Tarkaratna  and  with  a  preface  in  Bengali  by  V.  Ma- 
jumdar.      Calcutta,  1869,  pp.  232.      In   Majumdar's  Series. 

Sakuntala.  Edited  by  Jaganmohana  Sarman  and  Kedaranatha. 
Calcutta,  1869. 

Abhijnana  Sakuntala.  Edited  with  a  commentary  by  D  .  V. 
Panta.     Calcutta,  1871,  pp.  2  -(-  236. 


Kalidasa  49 

Sacuntala  annulo  recognita,  fabula  scenica  Calidasi.  Textum 
recensionis  devanagaricae  recognovit  atque  glossario  sans- 
critico  et  pracritico  instruxit  Carolus  Burkhard,  Breslau, 
1872,  pp.  12+112  +  227. 

Abhijnanasakuntala,  with  Srinivasacarya's  commentary,  called 
Sakuntalavayakhya.  Edited  by  S.  Tiruvenkatacarya  and 
V.  Ramakrsnamacarya.      Madras,  1874,  pp.  6  +  320. 

Sakuntala.  The  Bengali  Recension.  With  critical  notes.  Ed- 
ited by  R.  Pischel.  1°  ed.,  Kiel,  1877,  pp.  11  +  210;  2° 
ed.,  1886,  pp.  II  +  210. 

Abhijrianasakuntala.  Edited  with  notes  and  explanations  by 
Isvaracandra  Vidyasagara.  i°  ed.,  Calcutta,  1880,  pp. 
262  ;   2°  ed.,  1887,  pp.  293  ;   3°  ed.,  1889,  pp.  256. 

Sakuntala,  with  a  commentary  by  Srinivasacarya.  Madras,  1 880, 
pp.  6+326. 

Sakuntala.  With  the  commentary  of  Srinivasa  Charlu.  Mad- 
ras, 1882,  pp.  320. 

Abhijrianasakuntala,  with  the  commentary  of  Raghavabhatta. 
Edited  with  English  notes  by  N.  B.  Godabole  and  K.  P. 
Parab.  1°  ed.,  Bombay,  1883,  pp.  331  ;  2°  ed.,  1889  (?)  ; 
3°ed.,  1891,  pp.  374. 

Abhijfiana-Sakuntala,  with  the  commentary  of  Raghavabhatta. 
Edited  by  N.  B.  Godabole  and  K.  P.  Parab.  1°  ed.,  Bom- 
bay, 1883,  pp.  167;  2°  ed.,  1886,  pp.  267;  3°  ed.,  1895, 
pp.  267. 

Sakuntala,  with  a  commentary  by  P.  Venkatacharia.  Madras, 
1883,  pp.  345. 

Sakuntala.  Edited  with  notes  and  full  explanations  by  K.  N. 
Nyayapancanana.  i°ed.,  Calcutta,  no  date,  pp.  335;  2° 
ed.,  1888,  pp.  2  +  117. 

Abhijnanasakuntala.     Bombay,  no  date,  pp.  50. 

Sakuntalanataka.      Bombay,  no  date,  pp.  98. 

Abhijrianasakuntala.  Edited  with  a  close  English  translation  and 
various  readings  by  P.  N.  Patankar.  1°  ed.,  Poona,  1889, 
pp.473  ;   2°  ed.,  1902,  pp.  358. 

Abhijrianasakuntalam.       In     Bengali,      English,    and     Sanskrit. 


50  Kalidasa 

Edited  by  B.  B.  Gosvami.  With  notes  and  English  and 
Bengali  translations.     Calcutta,  1895,  pp.  464. 

Abhijrianasakuntala.  With  the  commentary  of  Raghavabhatta. 
Edited  with  an  English  translation,  notes,  and  various  read- 
ings by  M.  R.  Kale.  1°  ed.,  Bombay,  1898,  pp.  397;  2° 
ed.,  1902,  pp.  397. 

Abhijnanasakuntala,  with  an  introduction,  glossary,  English  and 
Bengali  translations  and  various  readings.  Edited  by  N.  C. 
Vidyaratna.      Calcutta,  1901,  pp.  770. 

Abhijfianasakuntala.  Acts  1-5.  Text,  commentary,  introduc- 
tion, notes,  and  translation  by  T.  E.  Srinivasacariar  and  B. 
S.  K.  Aiyar.     Kumbhakonam,  1901,  pp.  178  -|-  135. 

Sakuntala,  or  the  Fatal  Ring  ;  a  drama  by  Kalidasa,  to  which  is 
added  Meghaduta,  and  Bhagavadglta.  Edited  with  an  in- 
troduction by  T.  Holme.      London,  1902,  pp.  240. 

Translations.  A.  English.  Sacountala,  or  the  Fatal  Ring, 
translated  from  the  original  Sanskrit  and  Prakrit  [by  Sir 
William  Jones].  1°  ed.,  Calcutta,  1789,  pp.  184;  2°  ed., 
London,  1790  ;  3°  ed.,  London,  1792  ;  4°  ed.,  Edinburgh, 
1796,  pp.  161.  Reprinted  at  Calcutta,  1855;  London,  1870; 
Calcutta,  1887,  1899,  pp.  74. 

Sakuntala,  or  the  Lost  Ring.  Translated  by  M.  Williams,  i  ° 
ed.,  Hertford,  1853;  2°  ed.,  1855  ;  3°  ed.,  1856;  4°  ed.^ 
London,  1872  ;   5°  ed.,  1887  ;  6°  ed.,  1890. 

Sakuntala,  translated  by  Monier  Williams,  edited  by  B.  V.  N. 
Kirtikar.  Bombay,  1885,  pp.  98.  [An  abridgment  of  Wil- 
liams's version.] 

Sakoontala,  or  the  Lost  Ring.  Translated  by  Monier  Wil- 
liams.    New  York,  1885. 

Sakuntala.  An  English  translation  by  Krsna  Kamal  Bhattacarya. 
Calcutta,  1 89 1,  pp.  134. 

Shakuntala,  or  the  Recovered  Ring.  Translated  by  A.  H. 
Edgren.     New  York,  1894,  pp.  198. 

Sakuntala.  Translation  by  Kalipada  Mukerjee.  In  his  Notes 
on  Sakuntala,  Calcutta,  1895. 


Kalidasa  5 1 

A  literal  English  translation  of  Abhij  nana  Sakuntala  with  an  intro- 
duction by  T.  R.  Ratnam  Aiyar.     Madras,  1896,  pp.  84. 

Sakuntala.  Translated  by  Kalikes  Banerji.  Nadia  (Bengal), 
1 90 1,  pp.  166. 

Sakuntala.  Translated  by  J.  G.  Jennings.  Allahabad,  1902,  pp. 
217. 

Sakuntala :  Idylls  of  Ancient  Ind.  By  R.  Vasudeva  Row. 
Madras,  1903,  pp.  6  -f-  94.  [An  attempt  to  render  into 
idyllic  poetry  the  subject  of  Kalidasa's  drama.] 

Sakuntala.  Translated  by  A.  M.  Wright.  Springfield,  Mass., 
U.  S.  A.,  1904,  pp.  84. 

B.  French.     Sacontala,  ou  I'anneau  fatal,  drame  traduit  de  la 

langue  Sanscrit  en  Anglais,  par  Sir  W.  Jones,  et  de  1' Anglais 
en  Franc^ais  par  le  citoyen  A.  Bruguiere  ;  avec  des  notes  des 
traducteurs.      Paris,  1803. 

Gautier,  Theophile.  Sacountala,  Ballet-Pantomime  en  deux  actes 
tire  du  drame  de  Calidasa.     Musique  de  Reyer.     Paris,  1859. 

Fauche,  Hippolyte.  Oeuvres  choisies  de  Kalidasa.  Sakuntala. 
Paris,  1865. 

La  Reconnaissance  de  Sakountala,  drame  en  sept  actes  de  Kali- 
dasa, traduit  du  Sanskrit  par  P.  E.  Foucaux.  1°  ed.,  Paris, 
1867,  pp.  24  -h  188  ;  2°  ed.,  1874. 

Sacountala.  Traduite  par  Abel  Bergaigne  et  P.  Lehugeur. 
Paris,  1884,  pp.  1 1  -I-  195. 

L'anneau  de  ^akuntala,  comedie  heroique.  Traduite  par  A.  Fer- 
dinand Herold.      Paris,  1896,  pp.  161. 

C.  German.     Sakontala,  oder  der  Entscheidende  Ring.     Aus 

den  Ursprachen  Sanskrit  und  Prakrit  ins  Englische  und  aus 
diesem  ins  Deutsche  iibersetzt  mit  Erlauterungen  von  G. 
Forster.  1°  ed.,  Mainz  and  Leipzig,  1791,  pp.  40  -|-  366; 
2°  ed.,  Frankfurt-am-Main.  1803,  pp.  44  -f  267.  Reprinted 
at  Heidelberg,  1820,  pp.  44  +  268,  and  at  Leipzig,  1879, 
pp.  136. 
Sakontala,  oder  der  verhangnissvolle  Ring  ;  indisches  Drama  des 
Kalidas  in  sechs  Aufziigen.  Metrisch  fiir  die  Biihne  bear- 
beitet  von  Wilhelm  Gerhard.      Leipzig,  1820,  pp.  16 -|-  190. 


:)-i 


Kalidasa 


Sakuntala,  oder  der  Erkennungsring,  ubersetzt  von  B.  Hirzel. 
1°  ed.,  Zurich,  1833,  pp.  29  +  155  ;   2°  ed.,  1849. 

Sakuntala  von  Hoppl.      1854.      [Free  translation  of  the  text] 

Sakuntala,  ein  indisches  Schauspiel  von  Kalidasa,  aus  dem  Sans- 
krit und  Prakrit  ubersetzt  und  erlautert  von  Ernest  Meier. 
In  Die  klassischen  Dichtungen  der  Inder,  2.  Theil,  Stutt- 
gart, 1847-54.  Reprinted  in  Bibliothek  auslandischer  Klas- 
siker,  no.  58:  i°  ed.,  Hildburgshausen,  1867;  2°  ed.,  Leip- 
zig, 1874. 

Sakuntala,  indisches  Schauspiel  von  Kalidasa,  metrisch  ubersetzt 
von  Edmund  Lobedanz.  1°  ed.,  Leipzig,  1854,  pp.  8  + 
164;  2°  ed.,  1867;  3°  ed.,  1867,  pp.  6 -f-  164;  4°  ed., 
1871  ;  6°  ed.,  1878;  7°  ed.,  1884. 

Aus  F.  Riickert's  Nachlass.  Leipzig,  1867  and  1876.  [Con- 
tains a  translation  of  the  Sakuntala.] 

Sakuntala,  frei  nach  Kalidasa's  altindischem  Drama  von  A,  Frei- 
herrn  von  Wolzogen.  Schwerin,  1869;  Biihnenausgabe, 
Leipzig,  1879  (?)'  PP-  7^- 

Sakuntala.  Metrisch  frei  bearbeitet  von  Arthur.  Dresden, 
1871. 

Sakuntala.  Fiir  die  deutschen  Biihnen  bearbeitet  von  A. 
Donsdorf     Wien,  1876,  pp.  72. 

(Jakuntala,  von  Fr.  Bodenstedt.  Leipzig,  1887.  [A  romantic 
epic  based  on  Kalidasa's  drama ;  cf  A.  F.  J.  Remy,  The 
Influence  of  India  and  Persia  on  the  Poetry  of  Germany, 
New  York,  1901,  pp.  69-71.] 

Sakuntala.  Metrisch  ubersetzt  von  Ludwig  Fritze.  In  his  In- 
disches Theater,  vol.  2,  Chemnitz,  1877-79. 

Sakuntala.  Dichtung  von  Carl  Wittkowsky.  Musik  von  Ph. 
Scharwenka.     Berlin,  1883,  pp.  44. 

Ballet  in  zwei  Akten  und  fiinf  Bildern.  Nach  Kalidasa's 
Dichtung.  Musik  von  S.  Bachrich,  in  Scene  gesetzt  von 
Carl  Telle.     Vienna,  1884,  pp.  16. 

Sakuntala.  Deutsch  von  Hermann  Camillo  Kellner.  Leipzig, 
1 890,  pp.  III. 

Sakuntala.  Indisches  Schauspiel.  Frei  bearbeitet  von  G. 
Schmilinsky.      Dresden,  1900,  pp.  106. 


Kalidasa  53 

Sakuntala.  Ein  indisches  Spiel.  In  deutscher  Biihnenfassung 
von  Max  Moller.     Berlin,  1902,  pp.  7  +  117. 

Sakuntala.  Romantisches  Marchendrama  in  fiinf  Akten  und 
einem  Vorspiel,  frei  nach  Kalidasa  fiir  die  deutschen  Biihnen 
bearbeitet  von  Leopold  von  Schroeder.      Munich,  1903,  pp. 

D.  Dutch.      Sakontala,  of  de  beslissende  ring.      Indisch  schou- 

spel.      Mit  opheld  van    G.    Forster.      Vertaald  van   E.    M. 
Post.     Haarlem,  1792. 
Sakuntala,  of  het  Herkenningsteeken  :  Indisch  tooneelspel  in  7 
bedrijven  van  Kalidasa.      Uit  het  Sanskrit  vertaald  door  H. 
Kern.      Haarlem,  1862. 

E.  Swedish.      Sakuntala;     ett    Indiskt    dramatiskt    Poem    af 

Kalidas,  ofversatt  fran  Sanskrit  pa  Engelska  af  W.  Jones, 
och  efter  denne  samt  G.  Forsters  tyska  tolkning  pa  svenska 
af  J.  Ekelund.  Stockholm,  182 1,  pp.  222. 
Schakuntala,  eller  den  Forlorade  Ringen.  Ett  indiskt  skadespel 
af  Kalidasa  fran  Sanskrit  ofversatt  och  forklaradt  af  H. 
Edgren.     Stockholm,  1875,  pp.  184. 

F.  Danish.      Sacontala    eller    den   uheldige   Ring,   et  indiansk 

Drama  af  Calidas ;  oversat  af  Original-Sprogene  Sanscrit  og 
Pracrit  i  Engelsk  ;  og  heraf  i  Dansk  med  en  Inleidning  tel 
den  danske  Oversattelse.  Copenhagen,  1793,  pp.  71  +  230. 
[The  translator  was  Hans  West.] 
Sakuntala,  Skuespel  i  syv  Optrin  oversat  og  forklaret  af  Martin 
Hammerich.  1°  ed.,  Copenhagen,  1845,  pp.  16+  139;  2° 
ed.,  1S58,  pp.  170;   3°  ed.,  1879. 

G.  Icelandic.      Sakuntala.      Translated     by     Dr.     Steingrin 

Thoratainsohn. 
H.  Italian.'  Sacontala,  ossia  L'Anello  Fatale.  Dramma  tra- 
dotto  dalla  lingua  orientale  Sanskrit  nell'  idioma  inglese  dal 
Sig.  W.  Jones,  indi  dall'  inglese  in  francese  dal  Sig.  A. 
Bruguiere,  ultimamente  dal  francese  in  italiano  da  L.  Doria. 
Con  note.      Darmstadt,  18 15,  pp.  15  +  214. 

1  There  is  also  an  unpublished  Italian  version  of  the  Sakuntala  by  Michele  Ker- 
baker.  See  F.  Cimmino,  II  Tipo  comico  del  "Vidushaka"  nell'  antico  dramma 
indiano,  Naples,  1893,  p.  2.  n.   I. 


54  Kalidasa 

Sacuntala  riconosciuta  per  mezzo  dell'  anello.  Dramma  in  sette 
atti.  In  Teatro  scelto  indiano,  tradotto  dal  Sanscrito  da 
Antonio  Marazzi,  vol.  i,  Milan,  1871,  pp.  9-176. 

La  Sacuntala  di  Calidasa,  tradotta  dal  Sanscrito  da  O.  Perini. 
Verona,  1873.     In  Versioni  Indiane. 

Sakuntala,  dramma  lirico  da  Alfredo  Baccelli.      Rome,  1888. 

I.  Spanish.  Sakuntala,  drama  del  poeta  indio  Kalidasa.  Ver- 
sion directa  del  Sanskrit  por  F.  Garcia  Ayuso.  Madrid, 
1875.     In  Biblioteca  Sanskrita. 

J.  Russian.  Sakuntala,  indeiskaya  drama.  Perevod  s  Sans- 
kritskago  Alex.  Putyata.      Moscow,    1879. 

Sakuntala,  Sanskritskaya  drama  v  7  deistviyakh.  St.  Petersburg. 
Desevaya  Biblioteka,  A.  S.  Suvorina,  no.  252. 

Sakuntala.  Drama  v  7  deistviyakh.  Perevod  N.  Volostskago. 
Vologda,  1890,  pp.  179. 

K.  Polish.  Sakontala  czyli  pierscieri  przeznaczenia :  dramat 
indyjski  w  vii  aktach  z  prologiem  ze  Sanskryckiego  z 
rekopismu,  wydal  Hrabia  J.  Grabowski.  (Objasnienia  przez 
J.  Forstera.)     Warsaw,  1861. 

L.Hungarian.  Sakuntala.  Translated  by  F.  Karoly.  Buda- 
pest, 1887. 

M.  Bohemian.  Sakontalo  :  drama  Indicke  od  Kalidasy. 
Prelozil  C.  Vyprpio.  In  Poesie  Svetova,  pt.  6,  1873,  pp. 
200. 

N.  Bengali.  Sakuntala,  adapted  from  the  Sanskrit  drama  of 
Kalidasa  by  I.  C.  Vidyasagar.      Calcutta,  1885. 

Abhijnana  Sakuntala.  Translated  into  Bengali  by  J.  N.  Tagore. 
Calcutta,  1899,  pp.  146. 

O.  Marat  hi.  Shakuntala  recognized  by  the  ring.  With  a 
translation  into  Marathi  by  K.  S.  Rajvade.  Bombay, 
1869,  pp.  II  -I-  267. 

Sakuntala  with  paraphrases  in  Sanskrit  and  in  Marathi.  Dhar- 
war,  1882.      In  the  Kavyanatakadarsa. 

Sangita  Shakuntala  Natak.     Poona,  1887,  pp.  176. 

P.  Hindi.  Sakuntala.  Translated  into  Hindi.  Critically  edited 
with  notes  by  Frederic  Pincott.  Text  of  K.  L.  Sinh.  i  ° 
ed.,  London,  1876,  pp.  12  -f  139.      2°  ed.,  1890. 


Kalidasa  5  5 

Q.   Hindustani.      Sakuntala  translated  into  Hindustani  from 
a  Hindi  version  by  Kazim  'Ali  Jawan.     Lucknow,    18,75, 

PP-  31- 
R.   Tamil.      Sakuntala.     Traduction  de  la  Version  tamoule  [by 

Ramacandra  or  Rajanallur]  par  Gerard  Deveze.      In  Revue 

de    Linguistique,    19  (1886),    pp.    269-292,    361-380;    20 

(1887),  pp.  68-78,  1 14-129,  257-272,  352-376;  21  (1888), 

pp.  48-53- 
S.  T  e  1  u  g  u  .     Sakuntala.     A  new  version  in  Telugu  prose  and 

verse  by  D.  S.  Pantulu.     Madras,  1898,  pp.  122. 
Criticism.     Notes    on    Sakuntala.       In     Bengali,    English,    and 

Sanskrit.      Calcutta,  1895,  pp.  323. 
Berchet,   Giovanni.     Saggio  sul   dramma  indiano   la   Sacontala, 

ossia  r  Anello  Fatale,  di  Calidasa.     Milan  (?),  1 8 1 8.      [In  the 

Conciliatore  under  pseudonym  of  Grisostomo.] 
Bohtlingk,  Otto  von.     Einige  Nachtrage  zu  meiner  Ausgabe  der 

Ring-^akuntala.      In  Bulletin  de  la  classe  des  sciences  his- 

toriques,  philosophiques  et  politiques  de  I'Academie  de  St. 

Petersbourg,  2,  p.  119. 
Bollensen,  Fr.      Die  Recensionen  der  Sakuntala.     In  Nachrichten 

der  Gesellschaft  der  Wissenschaften  zu  Gottingen,  June  21, 

1880. 
Borooah,  Anundoram.     A  Companion  to  the   Sanskrit-reading 

Undergraduates    of   Calcutta   University.      Part    4,    on    the 

Abhijnana  Sakuntala  of  Kalidasa.    Calcutta,  1878,  pp.  6  -|-  58. 
Burkhard,    C.     Die  Kaqmirer   (^akuntala-Handschrift.     Vienna, 

1884,  pp.  163. 
Burkhard,  C.    Lectiones  codicis  <Jakuntali  Bikanlrensis.    Vienna, 

1882,  pp.  16.      Progr.  d.  Franz-Josephs  Gymn. 
Burkhard,  C.      Flexiones  Pracriticae  quas  editioni  suae  Sacuntali 

pro  supplemento  adjecit.     Breslau,  1874,  pp.  9  -|-  41. 
Chezy,  A.  L.      Notes  et  corrections  supplementaires  pour  I'edition 

m  4°  du  drame  indien  de  Calidasa  intitule  La  Reconaissance 

de  Sacountala  donnee  en  1830.      Paris,  1831,  pp.  49. 
Cappeller,  C.  [Review  of  the  editions  of  the  Sakuntala  by  Pischel 

and    Williams,    and    of  the    translations   by    Riickert    and 

Fritze]  in  Jenaer  Literaturzeitung,  1877,  Art.    117. 


56  Kalidasa 

Gilchrist,  J.  B.  Sukoontala  Natuk  ;  being  an  Appendix  to  the 
Enghsh  and  Hindoostanee  Dialogues  in  the  Universal  Char- 
acter.     London,  1826,  pp.  20+  104. 

Gubernatis,  A.  de.  Sacountala  et  Griselda.  In  Verh.  des  13.  in- 
tern.   Orientalisten-Kongr.  (1902),  Leiden,  1904,  pp.  21-24. 

Hamaker,  H.  A.  Over  de  Sakontala  v^an  Calidas.  In  Mnemosyne, 
2  (1823),  p.  213. 

Hedrstrom,  O.  F.      Om  Sakuntala.      Upsala,  1875. 

Kallpada  Mukerjee.  Notes  on  Sakuntala.  i.  Notes  ;  2.  Trans- 
lation ;   3.   Appendices.      Calcutta,  1895,  pp.  325. 

Miiller,  B.  Kalidasa's  (^iakuntala  und  ihre  Quelle.  Breslau, 
1874,  pp.  20.      [Programm.] 

Pischel,  R.  De  Kalidasae  (^akuntali  recensionibus  (Particula 
prima).      Breslau,  1870,  pp.  ^"j . 

Pischel,  R.  Die  Recensionen  der  ^akuntala.  Eine  Antwort 
an  Herrn  Prof.  A.  Weber.      Breslau,  1875,  pp.  27. 

Rabe,  C.      De  Calidasae  Sacuntala.     Breslau,  1845,  PP-  35- 

Ryder,  Arthur  W.  Krsnanatha's  Commentary  on  the  Bengal  Re- 
cension of  the  (Jakuntala.      In  JAOS.  23  (1902),  pp.  79-83. 

Sarkar,  Viharl  Lai.  Sakuntala-Rahasya.  The  true  import  of  the 
Sakuntala.      Calcutta,  1896,  pp.  144.      [In  Bengali.] 

Schuyler,  Montgomery,  Jr.  The  Editions  and  Translations  of 
Sakuntala.     In  JAOS.  22  (1901),  pp.  237-248. 

Weber,  A.  Die  Recensionen  der  ^akuntala.  In  Indische 
Studien,  14  (1876),  pp.  35-69,  161-311. 

Wilson,  H.  H.  Sur  un  drame  indien  ;  extrait  du  Calcutta 
Annual  Register,  et  traduit  par  M.  Dondey-Dupre  fils. 
In  J  A.  1°  series,  vol.  10  (1827),  pp.  174-179. 

VikramorvasI  trotaka.  Manuscripts.  A  i.  p.  569  =  50  Mss.  and 
2  Com.  ;  by  Abbayacarana  i,  by  Katayavema  2,  by  Ran- 
ganatha  3,  by  Ramamaya  i  ;  A  2.  p.  134  =  7  Mss.  and 
Com.  by  Katayavema  i,  by  Ranganatha  3  ;  A  3.  p.  120  = 
2  Mss.  and  Com.  by  Katayavema  i  ;  Hz.  3.  1774  ;  10.  7. 
4120;  TT.  66  \  Com.  by  Katayavema,  Hz.  3.  1755  ;  Com. 
by  Ranganatha,  10.  7.  41 21. 


Kalidasa  57 

Text  Editions.     Vikramorvasl.     With  a  commentary  explanatory 

of  the  Prakrit  passages.      Calcutta,  1830,  pp.  122. 
Urvasia,   Fabula    Calidasi.      Textum    sancritum  edidit,  interpre- 

tationem  latinam  et  notas  illustrantes  adjecit  Robertus  Lenz. 

Berlin,  1833,  pp.  25  +  238. 
Vikramorvasl,    das    ist,   Urwasi,   der    Preis    der    Tapferkeit,    ein 

Drama  Kalidasa's,  in  fiinf  Akten.      Herausgegeben,  iiber- 

setzt   und    erlautert    von    F.    Bollensen.      St.    Petersburg, 

1846,  pp    17  +  608  +  88. 
Vikramorvasl.     Edited  by  M.  Monier  Williams.     Hertford,  1 849. 

[Prakrit  pas.sages  in  Sanskrit  only.] 
Vikramorvasl.      Edited  with  a  commentary  of  the  Prakrit  pas- 
sages.    Bombay,  1859,  pp.  119. 
VikramorvasT.      Edited  by  R.  Tarkaratna.      Calcutta,  1868. 
Vikramorvasl,      Edited   with    notes    by    R.    Sarman.      Calcutta, 

1869,  pp.  2+155. 
Vikramorvasl.      Calcutta,    1870,   pp.    67.      [Prakrit   passages  in 

Sanskrit  only.] 
Vikramorvasl.      Edited  with  the  commentary  of  Taranatha  Sar- 
man by  J.  Vidyasagara.     Calcutta,  1873,  pp.  184. 
Vikramorvasiyam,  herausgegeben  nach  dravidischen  Handschriften 

von  R.  Pischel.     In  Monatsb.  der  Konigl.  Akad.  der  Wiss. 

zu  Berlin,  1875  (1876),  pp.  609-670. 
Vikramorvasiyam.      Edited  with  English    notes  by  S.  P.  Pandit. 

1°   ed.,   Bombay,    1879,  pp.    12  -f-  162;   2°   ed.,    1889,  pp. 

310;   3°  ed.,  1 90 1.      Bombay  Sanskrit  Series,  no.  16. 
Vikramorvasl.     Little  Conjevaram,  1883,  pp.  60. 
VikramorvasT,  with  interpretation  of  the  Prakrit  passages.      Viza- 

gapatam,  1883,  pp.  118. 
Vikramorvasl,  with  a  commentary.     Edited  by  P.  C.  N.  Charya. 

Vizagapatam.  1883,  pp.  180. 
VikramorvasT,  with  commentary.      Madras,  1884,  pp.  24. 
VikramorvasTya,  with  the  commentary  of  Ranganatha.     Edited  by 

K.   P.  Parab  and  M.   R.  Telang.      1°  ed.,  Bombay,  1888, 

pp.  148;   2°  ed.,  1889,  pp.  310. 
VikramorvasTyam.     The  Student's  Practical  Edition  with  Sanskrit 


58  Kalidasa 

Text,   English   Translation,   and   Notes    by    G.    B.    Vaidya. 

Bombay,  1894,  pp.  12  +  96+216. 
VikramorvasI,     Edited  with  an  el ucidary  commentary  in  Sanskrit 

by  M.  R.  Kale.      Bombay,  1895,  pp.  173. 
Vikramorvasiya   with   the  commentary  Arthaprakasika.      Edited 

with  an  Enghsh  translation,  critical  and  explanatory  notes, 

and  various  readings  by  M.  R.  Kale,      i  °  ed.,  Bombay,  1 898, 

pp.  374;   2°ed.,  1903,  pp.  374. 
Vikramorvaslyam.     With    Sanskrit   text,    English    translations, 

copious    notes,   and    an    elaborate    introduction,    by   K.   B. 

Paranjpe.       Bombay,  1898,  pp.  264. 
Tratislations.     A.  English.     Vikrama  and  Urvasi,   or  the  Hero 

and  the  Nymph.     Translated  by  Wilson,  i,  pp.  183-274. 
VikramorvasI.     Translated  into  English  prose  by  E.  B.  Cowell. 

Hertford,  185 1. 
VikramorvasI.     Translated  into   English  lyrical  verse  by  Brajen- 

dranath  De.     Canto  i.      In  Calcutta  Review,  Oct.  1884,  pp. 

440-442. 
Urvasie.     In    English    poetry    by    Aurobind   Ghose.     Bombay, 

1899.  PP-  39- 

B.  French.     Vikramorva^.     Ourvacji    donnee    pour    prix    de 

I'heroisme.  Drame  traduit  du  Sanscrit  par  P.  E.  Foucaux. 
1°  ed.,  Paris,  1861,  pp.  96;  2°  ed.,  1879,  pp.  137.  Bibl. 
Orient.  Elzevir.,  no.  26. 

C.  German.     Urwasi,  der  Preis  der  Tapferkeit.     Ein  indisches 

Schauspiel.     Aus  dem  Sanskrit  und  Prakrit  iibersetzt  von 

K.  G.  A.  Hoefer.     Berlin,  1837,  pp.  8  +  100. 
Urwasi  und  der  Held.     Indisches  Melodram  von  Kalidasa,  dem 

Dichter  der  Sakuntala.     Aus   dem    Sanskrit    und    Prakrit 

metrisch  iibersetzt  von  B.  Hirzel.     Frauenfeld,  1838,  pp.  30 

+  164. 
Urvasi.      Deutsch  metrisch  bearbeitet  von  E.  Lobedanz.      1°  ed., 

Leipzig,  1861,  pp.  14+  115;   3°  ed.,  1884. 
Urvasi,  ein  indisches  Schauspiel  von  Kalidasa,  metrisch  iibersetzt 

von  Ludwig  Fritze.      Leipzig,  1880,  pp.  80. 

D.  Swedish.     Vikramorva^i.     Ofversatt  och  forklaradt  af  C.  J. 

Bergstedt.     Stockholm,  1846. 


Kalidasa  59 

Vikramorvaci.      Ofversatt  af  A.  J.  Callin.      Helsingborg,  1866. 

E.  Italian.     Vikramorvasi,  dramma tradotto  di  Francesco  Cim- 

mino.     Turin,  1890,  pp.  79. 

F.  Spanish.      Vikramorvasi,  drama  del  poeta  indio   Kalidasa. 

Version  directa  del  Sanskrit  por  F.  Garcia  Ayuso.      Madrid, 
1874,  pp.  136.      In  Biblioteca  Sanskrita. 

G.  Bohemian.      Urvasi.      Drama  v  peti  jednanich  od  Kalidasy. 

Emanuel  Fait.      Prague,   1890,  pp.    10.      [Program   of  the 

Czech  Realgymnasium.] 
H.   Bengali.    Vikramorvasi,  translated  into  Bengali  by  K.  Singh. 

Calcutta,  1857. 
I.  Gujarati.     Vikramorvasi.     Translated  into   Gujarati  by  R. 

Udayarama.      Bombay,  1868. 
Vikramorvashiya.     A  Sanskrit  drama  in    5  acts  translated  into 

Gujarati    prose    and   verse    with    critical,   explanatory,   and 

mythological  notes,  and  a  complete  life  of  the  poet,  by  K. 

G.  Bhatt.     Bombay,  1898,  pp.  258. 
Criticism.     Lenz,  Robert.     Apparatus  criticus  ad  Urvasiam  fab- 

ulam  Calidasi,  quem  tamquam  suae  eius  libri  editionis  ap- 

pendicem  Londinii  conscripsit.     Berlin,  1834,  pp.  36. 

Collected  Works  of  Kalidasa.  Oeuvres  completes  de  Kalidasa 
traduites  du  Sanscrit  en  fran^ais  pour  la  premiere  fois  par 
Hippolyte  Fauche.     Paris,  1859-60,  2  vols. 

Teatro  scelto  indiano,  tradotto  dal  Sanscrito  da  Antonio  Marazzi. 
Vol.  I.     Teatro  di  Calidasa.     Milan,  1871,  pp.  429. 

Mahakavi  Kalidaser  Granthavall.  Edited  by  N.  K.  Basu.  Cal- 
cutta, 1892. 

Mahakavi  Kalidaser  Granthavall.  The  works  of  the  great  poet 
KaHdasa.  Edited  by  U.  N.  Mukherji.  2°  ed.,  Calcutta, 
1896,  pp.  1356. 

Works  of  Kalidasa.  Translated  into  English.  Calcutta,  1901, 
2  vols. 

General    Criticism    of  Kalidasa.      Bendall,    Cecil.      Kalidasa    in 

Ceylon.      In  JRAS.  n.s.  20  (1888),  p.  440. 
Bhau    Dajl.      On  the  Sanscrit   Poet    Kalidasa.      In  JRASBo.   6 

(1861),  pp.  19-30,  207-230. 


6o  Kalidasa 

Grierson,  G.  A.     Are    Kalidasa's    Heroes    monogamists  ?     In 

JASBe.  46  (1877),  pp.  39-40. 
Grierson,  G.  A.     Some  Further  Notes  on   Kalidasa.     Calcutta, 

1879,  pp.  46. 
Grierson,  G.  A.     Some  Further  Notes  on  Kalidasa.     In  JASBe. 

48  (1879),  pp.  32-48. 
Harris,    Ch.     An    Investigation  of  some  of  Kalidasa's    Views. 

Evansville,  Ohio,  1884,  pp.  58. 
Huth,  G.      Die   Zeit    des   Kalidasa,     Mit  einem   Anhang  :  Zur 

Chronologie  der  Werke  des  Kalidasa.     Berlin,  1890,  pp.  68. 
Jackson,   A.  V.  Williams.     Kalidasa.     In   Warner's   Library  of 

the  World's  Best  Literature,  vol.  15.     New  York,  1897. 
Jackson,  A.  V.  Williams.     Time  Analysis  of  Sanskrit  Plays,  i. 

The  Dramas  of  Kalidasa.      In  JAOS.   20  (1899),  pp.  341- 

359- 

Jackson,  A.  V.  Williams.  Notes  from  India,  i.  A  legend  of 
Kalidasa  preserved  at  Ujjain.  In  JAOS.  22  (1901),  pp.  33  i- 
332. 

Jacobi,  H.     The  Date  of  Kalidasa.     In  lA.  19  (1890),  p.  285. 

Leonard,  G.  S.  Further  Proofs  of  the  Polygamy  of  Kalidasa's 
Heroes.     In  JASBe.  46  (1877),  pp.  160-163. 

Liebich,  B.  Das  Datum  Candragomin's  und  Kalidasa's.  In 
Jahresbericht  der  Schlesischen  Gesellschaft  fiir  vaterlandische 
Kultur,  Orient-sprachwiss.  Sektion.     Breslau,  1903,  pp.  11. 

Neve,  F.  Calidasa  dans  les  raffinements  de  sa  culture.  Paris, 
1864. 

Pischel,  R.  Neue  Bruchstiicke  des  Sanskritkanons  der  Buddhisten 
aus  Idykutsari,  Chinesisch-Turkestan,  mit  drei  Tafeln.  In 
Sitzungsb.  der  kgl.  Preuss.  Akad.  der  Wiss.  39  (1904),  pp. 
1138-1145.  [A  fragment  quoted  p.  1 144  connects  Kalidasa 
with  the  court  of  King  Bhoja.  Cf  Kiel  horn  in  The  Acad- 
emy, June  16,  1894,  vol.  45,  pp.  498-499.] 

Pathak,  K.  B.  On  the  date  of  Kalidasa.  In  JRASBo.  19 
(1895),  pp.  35-43. 

Prannath  Pandit.  Morals  of  Kalidasa.  In  JASBe.  45  (1876), 
pp.  352-367- 


Kantimatiparinaya  6 1 

Summer,  Mary.      Les  heroines  de  Kalidasa  et  celles  de  Shake- 
speare.     Paris,  1879.      Bibl.  Orient.  Elzevir.,  no.  24. 
J.  E.  Seneviratne.     The  life    of  Kalidas.     Colombo,    1901,   pp. 

5  +  35- 
R.   V.   Tullu.      Traditionary  Account  of  Kalidasa.      In  lA.  7 

(1878),  pp.  115-117. 

Kalidasa  Prahasananataka.     Madras,  1883,  pp.  30. 
Kalidasaprahasana  A  i.  p.  99.     See  also  Kasidasaprahasana. 
Kalikeliprahasana  (vaikrta)  mentioned  in  RS. 
Kalyaniparinaya  A  i.  p.  86  =  2  Mss, 
Kamadatta  bhanika  mentioned  in  SD.  556. 
Kamadatta  dhurtaprakarana  mentioned  in  RS. 
Kamakslparinaya  A  i.  p.  94. 
Kamalakanthirava  see  Narayana. 
Kamalavilasa  see  Sivanarayanadasa. 
Kamalinlkalaharnsa  see  Cudamani  Diksita. 
Kamavilasa  see  Venkappa. 
Kampanlpratapamandana  see  Bindumadhava, 
Karnsavadha  see  Damodara  a7id  Sesakrsna. 
Kanakavalliparinaya  A  i.  p.  78. 
Kanakavatlmadhava  silpaka  mentioned  in  SD.  551. 
Kancanacarya    Dhanamjayavijaya    vyayoga    A   i.    p.    266 

=  14  Mss.;  A  2.  p.  57;  A  3.  p.  58  =  I    Ms.   and   Com. 

by  Ramakrsna  i  ;  CS.  226.     Analyzed  by  Wilson,  2,  p. 

374- 
Idem  Dhanarnjayavijaya,  a    comedy  in    one    act  by  Kan- 

cana  Acarya.     Bombay,  1856,  pp.  10. 
Idem  Dhanarnjayavijaya.      Edited    by    T.    Tarkavacaspati. 

1°  ed.,  Calcutta,  1857,  pp.  26;  2°  ed.,  1871,  pp.  36. 
Idem  Dhanamjayavijaya.     Mysore,  1880,  pp.  26. 
Idem  Dhanamjayavijaya.     Edited  by  Sivadatta  and  Parab. 

Bombay,  1895,  pp.  3  -}-  20.      Kavyamala,  no.  54. 
Kandarpadarpana  see  Srikantha  aiid  Venkata  Kavi. 
Kandarpakeli  prahasana  mentioned  in  SD.  534-535. 
Kantimatiparinaya  see  Cokkanatha. 


62  Kanyamadhava 

Kanyamadhava  A  i.  p.  79. 

Karnasundari  see  Bilhana. 

Karpuramanjarl  see  Raja§ekhara. 

Karunakandala  mentioned  in  RS. 

Kasldasaprahasana  A  i .  p.  1 04.     See  also  Kalidasaprahasana. 

Ka§ipati  Mukundananda  bhana  A  i.  p.  459=  15  Mss.; 
A  2.  pp.  106,  217  =  3  Mss.;  A  3.  p.  99;  10.  7.  4195. 

Ide7n  Mukundananda.  Edited  by  Modaka  and  Sane. 
Poona,  1878.      In  Kavyetihasasamgraha,  i,  pts.  1-5. 

Idein  Mukundananda.  A  monologue  drama  on  the  adven- 
tures of  a  loose  character.      Madras,  1882,  pp.  78. 

Idem  Mukundananda,  Edited  by  Durgaprasada  and  Parab. 
Bombay,  1889,  pp.  3  4-  74.      Kavyamala,  no.  16. 

Ka^yapa  Abhinavakalidasa  Srngarakosa  bhana  A  i .  p.  660. 

Kaumudisudhakara  see  Tarkalamkara. 

Kau§ika  Nallabudha  Srngarasarvasva  bhana  A  i.  p.  661. 

Idem  Srngarasarvasva.  Edited  by  Durgaprasada  and  Parab. 
Bombay,  1902,  pp.  5  -|-  38.      Kavyamala,  no.  78. 

Kautukaratnakara  prahasana  A  i.  p.  131  ;  A  2.  p.  25  =  10. 
7.  4197.  Analyzed  by  Cappeller  in  Gurupujakaumudi 
Festgabe  fur  Weber,  Leipzig,   1896,  pp.  62-63. 

Kautukasarvasva  see  Goplnatha. 

Kavibhusana  Adbhutarnava  A3,  p.  2. 

Kavikarnapura  (born  in  1525)  Caitanyacandrodaya  A  i.  p. 
190  =  3  Mss.  ;  A  2.  p.  200  ;  A  3.  p.  41  ;  CS.  225  ;  SCBen. 
796. 

Idem  Chaitanya  Chandroday  Natak.  In  Sanskrit  and  Ben- 
gali.    Calcutta,  1853,  pp.  490. 

Idem  Caitanyacandrodaya,  or  the  incarnation  of  Caitanya,  a 
drama  in  ten  acts.  With  a  comment  explanatory  of  the 
Prakrita  passages  by  Visvanatha  Sastri.  Edited  by  R. 
Mitra.     Calcutta,  1854.     In  Bibl.  Indica. 

Idem  Caitanyacandrodaya.  Edited  with  a  commentary  by 
J.  Vidyasagara.      Calcutta,  1885,  pp.  452. 

Kavi  Pandita  Hrdayavinoda  prahasana  A  2.  p.  237. 

Kaviputra,  a  dramatist,  mentioned  in  the  prologue  of  the  Mala- 


Krsnami^ra  63 

vikagnimitra  of  Kalidasa. 

KaviSekhara  see  JyotiriSvara. 

Kavi^vara  Madhavanala  A  i.  p.  450. 

Kavitarkikasimha  Rukminlparinaya  A  2.  p.  123. 

Keliraivataka  halllsa  mentioned  in  SD.  555. 

Keralabharana  see  Ramacandra  Diksita. 

Kesavacarita  mentioned  in  the  Natakacandrika. 

Ke§avanatha  Godaparinaya  A  i.  p.  159  =  5  Mss. 

Kimpaca  A  i.  p.  106. 

Kridarasatala  srlgadita  mentioned  in  SD.  550. 

Krsna  or  Kjsnakavi  see  Sesakrsna. 

Krsnabhakticandrika  see  Anantadeva. 

Krsnabhyudaya  see  Lokanatha. 

Krsnadatta  Maithila  (first  part  of  17th  century)  Kuvalayas- 
viya  A  I.  p.  113. 

Idem  Puranjanacarita  A  i.  p.  339. 

Idem  Sandrakutuhala  prahasana  A  i.  p.  707. 

Krsnakavindra  (perhaps  the  same  as  Sesakrsna,  cf  A  i.  p. 
117)  Satyabhamavilasa  or  Satyabhamaparinaya  A  i.  p. 
689. 

Krsnakaviiekhara  (wrote  before  1643)  KuvalayavatI  natika 
A3,  p.  25  =  10.  7.  4184. 

Krsnakutuhala  see  Madhusudana  Sarasvati. 

Krsnallla  see  Vaidyanatha. 

Krsnalilatarangini  see  Narayanatirtha. 

Krsnamacari  R.  Vasantikasvapna.  An  adaptation  of  Shake- 
speare's Midsummer  Night's  Dream.  A  Sanskrit  drama 
in  five  acts.     Kumbhakonam,  1892,  pp.  15  +71. 

Krsnami§ra  (2d  half  of  nth  century),  son  of 
Visnu,  wrote  for  King  Kirtivarmadeva. 

Prabodhacandrodaya.  Manuscripts.  A  i.  p.  352  =  75  Mss. 
and  9  Com.  ;  by  Appayya  Diksita  3,  by  Ganesa  i,  by 
Mathuranatha  i,  by  Mahesvara  i,  by  Ramadasa  14,  by 
Rudradeva  2,  by  Sadatman  i  ;  A  2.  pp.  78,  211  =  15  Mss. 
and  2  Com.  ;  by  Ganesa  2,  by  Ramadasa  4,  by  Subrah- 
manya  2,  by  Govinda   i;  A  3.  p.    75  =  20  M.ss.  and  Com. 


64  KrsnamiSra 

by  Ganesa  2,  by  Devaraja  i,  by  Ramadasa  8  ;  SCBen.  693  ; 

Weber    1357  (in  Bhasa) ;   Hz.  3.    1578;   10.  7.  4138,4139, 

4140,  4 14 1,  4143;  TT.  68;    Com.  by  Ghanasyama,   Hz. 

3.  1583  ;  Com.  by  Ganesa,  10.  7.  4143  ;  Com.  by  Govinda, 

10.  7.  4144;  Com.  by  Ramadasa,  10.  7.  4139,  4140,  4141, 

4142,  4143;  Com..,  SCBen.  693. 
Text     Editions.       Prabodhacandrodaya,     with      a     commentary 

by  Mahesvara  Nyayalanikara.      Edited    by   Bhavanlcarana 

Sarman.      Calcutta,  1832,  pp.  54.      [In  Bengali  characters.] 
Prabodhacandrodaya.      Sanscrite  cum  scholiis  et  variis  lectionibus 

edidit  H.  Brockhaus.     Leipzig,    183 5-1 845,   pp.   8-1-254. 

[Contains  the  commentaries  of  Ramadasa  and  Mahesvara 

Nyayalarnkara.] 
Prabodhacandrodaya,   with  the  commentary  of   Nyayalarnkara. 

Calcutta,  1838. 
Prabodhacandrodaya.      Poona,  185  i. 
Prabodhacandrodaya,   with  the  commentary   of  Nyayalarnkara. 

Edited  by  J.  Vidyasagara.      Calcutta,  1874,  pp.  135. 
Prabodhacandrodaya.      With    Ramadasa's    commentary    called 

Prakasa.      Edited  by  S.  Tiruvenkatacarya.      Madras,  1876, 

pp.  3  -I-  166. 
Prabodhacandrodaya,    with     Ramadasa's     Prakasa,    revised     by 

Tryambaka  Gondhalekhara.      2°  ed.,  Poona,  1881,  pp.  136. 
Prabodhacandrodaya,   with  the   commentary   Prakasa.      Madras, 

1884,  pp.  166. 
Prabodhacandrodaya,    edited    with    a    commentary    by    R.     V. 

Diksit.     Poona,  1886,  pp.  178. 
Prabodhacandrodaya.        Edited     by     Adyanath      Vidyabhusan. 

Shibpur,  1894,  pp.  168. 
Prabodhacandrodaya.      With  a  commentary  by  Mahesvara  Nya- 
yalarnkara,   edited    by  Pandit    H.   Sastri.      Calcutta,    1895, 

pp.  161. 
Prabodhacandrodaya  with  the  commentary  Candrika.     Bombay, 

1898,  pp.  251. 
Translations.     A.  English.      Prabodha  Candrodaya,  or  Rise  of 

the  Moon  of  Intellect,  a  spiritual  drama,  and  Atma  Bodha, 


Krsnami^ra  65 

or  the  Knowledge  of  the  Spirit.  Translated  from  the  Sans- 
krit by  J.  Taylor,  M.D.  i°ed.,  Bombay,  1812;  2°  ed., 
Calcutta,  1854,  pp.  13  -I-  125  ;  3°  ed.,  Bombay,  1893,  pp. 
18  +  74. 
Prabodhacandrodaya.  Translated  by  Gangadhar  Nyayaratna. 
Calcutta,  1852.      [English  translation  ?] 

B.  French.     Le  Lever  de  la  lune  de  la  connaissance.     Tra- 

duction de  la  Prabodhacandrodaya  sanscrite  par  S.  Deveze. 
In  Revue  de  Ling.  32  (1899),  pp.  230-246;  33  (1900), 
pp.  67-86,  223-239;  34  (1901),  pp.  240-254;  35  (1902). 
pp.  27-40,  195-21 1  ;   36  (1903),  pp.  139-159.  226-245. 

C.  German.     Prabod'h   Chandro'daya,   das  ist,  der  Aufgang 

des  Mondes  der  Erkenntniss,  ein  allegorisches  Drama.  Nach 
der  englischen  Ubersetzung  des  Dr.  J.  Taylor  von  J.  G. 
Rhode.  In  Beitrage  zur  Alterthumskunde  mit  besonderer 
Riicksichtauf  das  Morgenland,  Berlin,  1820,  2,  pp.  41-99. 
[First  three  acts.  J 

Prabodhacandrodaya.  Die  Geburt  des  Begriffs.  Ein  theo- 
logisch-philosophiches  Drama,  zum  ersten  Male  ins  Deutsch 
iibersetzt ;  mit  einem  Vorwort  eingefuhrt  von  K.  Rosen- 
kranz.  Konigsberg,  1842,  pp.  25  +  183.  [Translated  by 
Th.  Goldstiicker;  published  without  his  name.] 

Prabodhacandrodaya,  oder  der  Erkenntnissmondaufgang.  Phi- 
losophisches  Drama.  Nebst  Kalidasa,  Meghaduta.  Metrisch 
iibersetzt  von  B.  Hirzel.      Zurich,  1846. 

D.  Dutch.     De  Maan  der  Kennis.     Theologisch-metaphysisch 

Drama.  Vertaald  door  P.  A.  S.  van  Limburg  Brouwer. 
Amsterdam,  1869. 

E.  Russian.     Toryestvo  svetloi  mysli.      Drama  v  sest'  aktakh. 

Perevod  s  Sanskritskago.  Moscow,  1847,  PP-  20  -f  194. 
Moskovski  naucny  i  literaturny  sbornik,  vol.  18. 

F.  Bengali.     Atmatattvakaumudi,  being  a  paraphrase  of  the 

Prabodhacandrodaya  in  Bengali,  by  K.  Tarkapancanana,  G. 
Gangadhar  and  R.  Siromani.  Calcutta,  1822,  pp.  194,  with 
the  verses  of  the  original  in  Sanskrit;  2°  ed.,  1855,  pp. 
190;  3°  ed.,  1861,  pp.  168. 


66  Krsnami^ra 

Prabodh  Chandroday.     Translated  from   Sanskrit  by  Gangadhar 

Nyayaratna.     Calcutta,    1852.      [Bengali  translation ?] 
G.   Hindustani.     Tah(5ll-i  makal,  also  called  Ta'wio-i  Iman. 

Translated  by  Aka  Hasan.      Gujranwala,  1871,  pp.  60. 
Criticism.     Schuyler,  Montgomery,  Jr.     A  Bibliography  of  the 

Plays   of  Bhavabhuti   and  of  Krsnamisra.     In  JAOS.    25 

(1904),  pp.  189-196. 

Krsnamisra  Vlravijaya  ihamrga  A  i.  p.  595. 

Krsnananda  Vacaspati  Antar  Vyakarana  Natyaparisi.sta.  A 
drama  embodying  grammar.  Calcutta,  1 894-1 896,  2  pts., 
pp.  131  +  303- 

Krsnananda  Bhattacarya  Natyaparisista,  /.  r.,  an  appendix  to 
dramatic  literature.  Lessons  in  Sanskrit  grammar  dis- 
guised in  the  form  of  a  dramatic  entertainment.  With 
two  commentaries.      Calcutta,  1840,  pp.  152. 

Idem  Natyaparisista.  A  grammatical  commentary  containing 
discussions  on  the  subject  of  Sanskrit  inflexion.  Cal- 
cutta, 1855,  pp.  125. 

Krsnanatha  Sarvabhaumabhattacarya  Anandalatika  lO.  7. 
4203. 

Krsnaraya  (i6th  century)  Jambavatlkalyana  A  i.  p.  206. 

Krsna  Suri  Draupadlparinaya  A  2.  p.  57. 

Krtarthamadhava  see  Ramamanika. 

Krtyaravana  quoted  in  SD.  423. 

Ksemacandrabodha  A  i.  p.  134. 

Ksemendra  Vyasadasa  (i  ith  century)  Citrabharata  mentioned 
in  his  Aucityavicaracarca  31  and  Kavikanthabharana  5.  i. 

Idem  Lalitaratnamala  mentioned  in  his  Aucityavicaracarca 
21. 

Ksemisvara. 

Candakausika.      Manuscripts.      A  i.  p.  175  =  16   Mss.;  A   2.  p. 

35  =  4  Mss.;  A  3.  p.    38  ;   CS.    222,  223  ;   Hz.  3.  2020. 
Text  Editions.      Candakausika,  i.  e.,  the   Fierceness  of  Kausika. 

A  drama  in  five  acts.      Bombay,  i860,  pp.  23. 


Laksmanamanikyadeva  67 

Candakausika.      Edited   with  a  commentary  and    translation  of 
the  Prakrit  passages  by  J.  Tarkalamkara.      Calcutta,  1867, 

PP-  5  +  113- 
Chanda  Kousika.    A  Drama  by  Arya  Kshemishwara,  edited  with  a 

commentary  by  J.  Vidyasagara.      Calcutta,  1884,  pp.  138. 
Translation.      Kausika's  Zorn.      Ein  indisches  Drama  von  Ksche- 

misvara.      Zum  ersten  Mai  und  metrisch  iibersetzt  von  Lud- 

wig  Fritze.      Leipzig,  1882,  pp.  85. 
Criticism.      Cimmino,  Francesco.      Studii  sul   teatro  indiano.      2. 

Sul  dramma  Candakausika.     In  Rendiconto  dell'  Accademia 

di  Archeologia,  Lettere  e  Belle  Arti  (di  Napoli),  19  (1905), 

pp.  31-76. 

Naisadhananda  A  i.  p.  306  =  2  Mss.,  but  cf.  A  i.  p.  134. 

Kulapatyanka  quoted  in   SD.   473.      This  may  be  only  an 

act  of  a  play. 
Kumaranarendrasaha  Muditamadalasa  A  i.  p.  461. 
Kumaratataya  Parijata  A  i.  p.  335. 
Kumaravijaya  see  GhanaSyama. 
Kumbha  quoted  in  SD.  476. 
Kumudacandra  see  Ya§a§candra. 
Kundamala  quoted  in  SD.  291. 
Kundamala  see  Nagayya. 
Kusakumudvatiya  see  Atiratrayajin. 
Kusalavavijaya  see  Venkata  Krsna  Diksita. 
Kusumabanavilasa  bhana  A  i.  p.  113. 
Kusumasekharavijaya  ihamrga  mentioned  in  SD.  518. 
Kuvalayasvacarita  see  Laksmanamanikya. 
Kuvalayasvamadalasa  see  Vam^amani. 
KuvalayasvTya  see  Krsnadatta. 
Kuvalayavati  sec  Krsnakavi^ekhara. 

L 

Laghuvyasa  Vrttivallabha  A  i.  p.  541. 
Laksmanamanikya  Kuvalayasvacarita  A  3.  p.  25. 
Laksmanamanikyadeva  Vikhyatavijaya  A  3.  p.  120. 


68  Laksminrsimhakavi 

Laksminrsimha  Kavi  Anaiigasarvasva  bhana  A  i.  p.  12. 

Laksmlsvayamvara  see  Srinivasa  Catuskavindradasa. 

Lalitamadhava  SCBen.  799  (with  Com.) 

Lalitamadhava  see  Rupa  Gosvamin. 

Lalitaratnamala  see  Ksemendra. 

Lalitavigraharaja  see  Somadeva. 

Lambodara  prahasana  A  i.  p.  542. 

Latakamelaka  see  Saiikhadhara. 

Lavallparinaya  see  Appa^astrin. 

Lilamadhukara  bhana  mentioned  in  SD.  513. 

Lingadurbheda  see  Dadima. 

Lingaguntamarama  Srngararasodaya  misrabhana  A  i .  p.  66 1 . 

Lokananda  see  Candragomin. 

Lokanatha  Bhatta  Krsnabhyudaya  preksanaka  A  i .  p.  1 24. 

M 

Madalasa  see  Rama  Bhatta. 

Madalasa  see  Gokulanatha. 

Madalasaparinaya  A  i.  p.  426. 

Madanabhusana  bhana  A  i.  p.  425. 

Madanagopalavilasa  see  Rama  Kavi. 

Madanamanjari  see  Vilinatha. 

Madanasamjivana  see  GhanaSyama. 

Madhava    Bhatta   Subhadraharana.     A   Srlgadita,  or  short 

drama  in  one  act,  on  the  story  of  Subhadra,  wife  of  Arjuna. 

Edited  by  Durgaprasada  and  Parab.     Bombay,  1888,  pp. 

3  +  20.     Kavyamala,  no.  9. 
Madhavanala  A  i.  p.  450  =  2  Mss. 
Madhavanala  see  Anandadhara  and  Kavi^vara. 
Madhavl  vlthika  mentioned  in  RS. 
MadhumalatI  A  i.  p.  426. 
Madhumathanavijaya  quoted    in  Kavyaloka,   p.    152  (A  2. 

P-  97)- 
Madhuraniruddha  see  CandraSekhara  Rayaguru. 

Madhusudana   redactor  of  the  more  recent  version  of  the 

Mahanataka  of  Hanuman. 


Malamangalabhana  69 

Madhusudana  Sarasvati  Krsnakutuhala  A  i.  p.  1 19  =  3  Mss 

Idem  Visnukutuhala  mentioned  in  DR.  intr.  p.  30.  [Per- 
haps a  mistake  for  the  preceding.] 

Mahadeva,  son  of  Krsnasuri,  Adbhutadarpana  A  i.  p.  8  = 
3  Mss. 

Idem  Adbhutadarpana.  Edited  by  Durgaprasada  and 
Parab.  Bombay,  1 896,  pp.  3  +  1 24  +  4.  Kavyamala, 
no.  55. 

Mahadeva  Kavi§acarya  Sarasvati  DanakeHkaumudi  bhanika 
A  I.  p.  249. 

Mahadeva  Sastrin  Unmattaraghava  A  i.  p.  66. 

Mahadeva  see  also  Mahe^vara. 

Mahanataka  see  Hanuman. 

Mahaviracarita  see  Bhavabhuti. 

Mahavlrananda  or  Virananda  mentioned  in  RS.  and  in  DR. 
intr.  p.  30. 

Mahe§a  Pandita  Svarnamuktavivada  10.  7.  4202. 

Idem  Svarnamuktavivada.  Bombay.  In  Kavyetihasasam- 
graha,  vol.  10. 

Mahe^vara  or  Mahadeva  Dhurtavidambana  prahasana  A  i. 
p.  272. 

Mahe§vara  Sabha  A  i.  p.  696. 

Mahesvarananda  mentioned  in  RS. 

Mahe^varatmaja  Sankaralala  Savitrlcarita  chayanataka. 
An  original  play  in  seven  acts,  on  the  myth  of  Savitrl, 
daughter  of  Asvapati.     Bombay,  1882,  pp.  14  +  324. 

Mahisamangala  bhana.  A  short  drama  on  an  incident 
occurring  in  a  village  called  Mahisamangala,  apparently 
written  by  an  inhabitant  of  the  place.  With  a  commen- 
tary.    Palghat,  1890,  pp.  84. 

Maikela  Madhresudanadatta  Sarministha.  2°  ed.,  Calcutta, 
1854  (1270  A.  H.),  pp.  84. 

Maithillparinaya  sec  Hastimallasena. 

Maithillya  see  Narayana  Sastrin. 

Makhin  see  Anandaraya  Makhin. 

Malamangalabhana  (by  Malamangala  ?)  A  i.  p.  453. 


•/O  Malamangalabhana 

Malamangalabhana.      A  short  dramatic  monologue  in  verse. 

Olavakod,  1887,  pp.  40. 
Malatimadhava  see  Bhavabhuti. 
Malavikagnimitra  see  Kalidasa. 
Mallasena  see  Hastimallasena. 

Mallasomayajin  or  Somayajin  Jivanmuktikalyana  A  i .  p.  207. 
Mallikamaruta  see  Uddandin. 
Mangala  see  Jivananda  Jyotirvid. 
Manika  (end  of  14th  century)  Abhinavaraghavananda   L. 

app.  p.  73. 
Manjulanaisadha  see  Paravastu. 
Manmathonmathana  see  Rama. 
Mantrafiga  A  i.  p.  431  =  2  Mss. 
Mantrin  Ya§ahpala  see  Ya^ahpala. 
Maratakavalllparinaya  see  Srinivasadasa. 
Mathuradasa   Vrsabhanuja   natika  A  i.   p.   599  =  4    Mss.; 

A  2.  p.  143. 
Idem   Vrsabhanuja.     A   drama  in    four    acts.      Edited   by 

B.  Tripathi.     Benares,   1867- 1869.     In  The  Pandit,  old 

series,  vols.  2,  4. 
Idem  Vrsabhanuja.     Edited  by  Sivadatta  and  Parab.     Bom- 
bay, 1895,  pp.  3  4-  60.      Kavyamala,  no.  46. 
Mathuranataka  see  Candra^ekhara  Rayaguru. 
Matraraja  Anangaharsa  (9th  century?)  Tapasavatsaraja  A  i. 

p.  228  ;  A  2.  p.  48. 
Mayakapalika  samlapaka  mentioned  in  SD.  549. 
Mayakurangika  ihamrga  mentioned  in  RS. 
MayurajaUdattaraghava mentioned  by  Dhanika  on  DR.  2.54  ; 

3-3,  22. 
Meghesvara  see  Hastimallasena. 
Menakahita  rasaka  mentioned  in  SD.  548. 
Mentha  see  Bhartrmentha. 
Misrabhana  see  Gundarama. 
Mithyacara  see  Vaidyanatha. 
Mithyajnanakhandana    or    Mithyajnanavidambana    see   Ra- 

vidasa. 
Moharajaparajaya  see  Ya^ahpala. 


Murari  7 1 

Moksaditya   Bhlmavikrama    vyayoga   (composed    in    1328) 

CBMMS.  273. 
Mrcchakatika  see  Sudraka. 
Mrgankalekha  sec  Vi^vanatha,. 
Mrksa  L.  app.  p.  79. 
Muditamadalasa  see  Kumaranarendrasaha. 
Muditaraghava  see  Balakrsna. 
Mudraraksasa  see  Vi^akhadatta. 
Muktacarita  A  2.  p.  217  =  2  Mss. 
Muktiparinaya  see  Sundaradeva. 
Mukundananda  see  Ka^ipati. 
Mukutataditaka  see  Bana  Bhatta. 
Mundita  see  Sivajyotirvid. 

Murari. 

Anargharaghava.  Manuscripts.  A  i.  p.  i  5  =  68  Mss.  and  11 
Com.  ;  by  Tripurari  i,  by  Dhanesvara  2,  by  Naracandra  3, 
by  Rucipati  4,  by  Visnu  3,  by  Haradatta  i,  by  Harihara  6  ; 
verses  from  it  2  ;  A  2.  p.  186  =  i  Ms.  and  Com.  by  Ruci- 
pati I ,  by  Visnu  i  ;  A  3.  p.  4  =  14  Mss.  and  Com.  by  Rucipati 
7,  by  Laksmldhara  i,  by  Visnu  2,  by  Harihara  i  ;  CS.  214, 
215,  216;  CBMMS.  256;  SCBen.  436;  Hz.  3.  1601  ; 
10.  7.  41  5 1,  4152,  4153,  4154,  4155  ;  Com.  by  Ramanan- 
dasrama,  Hz.  3.  1602  ;  by  Harihara,  Hz.  3.  1603  ;  by  Ruci- 
pati, CS.  217,  218,  Hz.  3.  2019,  10.  7.  4156,  4157- 
Analyzed  by  Wilson,  2,  pp.  375-383. 

Text  Editions.  Anargharaghava.  Edited  with  occasional  notes 
by  P.  Tarkavaglsa.      Calcutta,  i860,  pp.  242. 

Anargharaghava.     Madras,  1870,  pp.  114. 

Anargharaghava.  Edited  by  J.  Vidyasagara.  Calcutta,  1S75, 
pp.  178. 

Anargharaghava.  With  the  commentary  of  Rucipati.  Edited 
by  Durgaprasada  and  Parab.  1°  ed.,  Bombay,  1887,  pp. 
3  +  321  ;   2°  ed.,  1894,  pp.   3  +  321.      Kavyamala,   no.   5. 

Anargharaghava.  Sanskrit  text,  edited  with  a  commentary  by 
Lak.smana  Suri.      Tafijanagara,  1900,  pp.  345. 


"J  2  Murarivijaya 

Murarivijaya  sec  Jivarama  and  Sesakrsna. 

N 

Nagananda  sec  Harsadeva. 

Nagaraja  A  i.  p.  283. 

Nagayya  Kundamala  A  i.  p.  109. 

Nagnabhupatigraha  A  i.  p.  274. 

Naisadhananda  sec  Ksemi^vara. 

Nalabhumipalarupaka  A  i.  p.  280. 

Nalacaritra  see  Nilakantha  Diksita. 

Nalananda  see  Jivavibudha. 

Nalavilasa  see  Ramacandra. 

Nalladiksita  Cittavrttikalyana  A  i.  p.  186. 

Idem  Jivanmuktikalyana  A  i.  p.  207. 

Nandighosavijaya  see  Sivanarayanadasa. 

Narakasuravijaya,  Narakasuravadha,  Narakasuradhvamsa,  or 

Narakadhvamsa  see  Dharma  Pandita. 
Narasimha  Mi^ra  Sivanarayanabhanjamahodaya  A  3.  p.  134. 
Narayana  Kamalakanthirava  A  i.  p.  79. 
Narayana  Bhatta  Janakiparinaya  A  i.  p.  206. 

Narayana  Bhatta. 

Venlsamhara  fr  Venlsamvarana.  Mamiscripts.  A  i.  p.  603  =  40 
Mss.  and  2  Com.  ;  by  Jagaddhara  4  ;  A  2.  pp.  144,  227  =  3 
Mss.  and  Com.  by  Jagaddhara  3  ;  A  3.  p.  126=  7  Mss.  ; 
CBMMS.  276;  SCBen.  995;  Hz.  3.  2017;  lO.  7.  4171, 
4172;  TT.  58;  Com.  by  Jagaddhara,  10.  7.  4173.  An- 
alyzed by  Wilson,  2,  pp.  335-344. 

Text  Editions.  Venisarnhara.  Edited  with  a  preface  in  English 
by  Muktaram  Vidyabagish.      Calcutta,  1855,  pp.  21  +  124. 

Venisarnhara.      Poona,  1856,  pp.  69. 

Venisarnhara.  Edited  with  J.  Tarkalamkara's  commentary. 
Calcutta,  1867,  pp.  252. 

Venisarnhara.  Edited  with  a  commentary  by  T.  Tarkavacaspati. 
Calcutta,  1868,  pp.  10  +  262.     Another  ed.,  1893,  pp.  192. 


Narayanivilasa  T^i 

Venisamhara.      With  the  commentary  of  C.  R.  Tivari.     Benares, 

1868. 
Venisamhara.      Edited    with  notes  and  explanations    by   K.   N. 

Tarkaratna.    Calcutta,  1870,  pp.  272.     In  Majumdar's  Series. 
Venisarnhara.      Die    Ehrenrettung    der   Konigin.      Kritisch    mit 

Einleitung  und  Noten  herausgegeben  von  J.  Grill.     Leipzig, 

1871. 
Venisarnhara  with  the  commentary  of  Tarkavacaspati.      Edited 

by   J.   Vidyasagara.      Rev.    ed.,   Calcutta,    1875,   pp.    205  ; 

another  ed.,  1886. 
Venisarnhara.     Edited  by  Tirumalatatacarya.     Mysore,  1889,  pp. 

209. 
Venisamhara.      Edited  with  the  commentary  of  Jagaddhara,  two 

prefatory  notes  by  L.  R.   Vaidya,  and  English  notes  by  N. 

B.  Godabole.      Poona,  1895,  pp.  324. 
Venisamhara.     Edited  by  B.  T.  and  S.  T.  Dravid.     Poona,  1896, 

pp.  272. 
Venisamhara.      Edited  by  K.  P.  Parab  and  K.  R.   Madgavkar. 

Bombay,  1898,  pp.  218. 
Venisarnhara.     Sanskrit  text  with  a  commentary  by  Laksmana- 

suri.      Cennanagar,  no  date,  pp.  195. 
Translation.     Venisarnhara,  a  Sanskrit  drama,  done  into  English 

by  S.  M.  Tagore.     Calcutta,  1880. 

Narayana  Kavi  Candrakala  A  i.  p.  179. 

Narayana  Sastrin  Jaitrajaivatrka.    The  Victorious  Moon.    An 

original  play  in  seven  acts.      Chilambaram,  1888,  pp.  68. 
Idem  Maithillya,  a  drama  on  the  life  of  Sita  at   Maithila  ;  in 

ten  acts.      Madras,  1884,  pp.  118. 
Idem  Sarmisthavijaya.      A  drama  in  four  acts  on  the  legend 

of  Sarmistha  and  Yayati.      Madras,  1884,  pp.  72. 
Idem    Suramayura.       An    original    drama    in     seven    acts. 

Chilambaram,  1888,  pp.  57. 
Narayanatirtha  Krsnalllataranginl  A  i.  p.  123. 
Narayanavilasa  A  2.  p.  63. 
Narayanivilasa  A  i.  p.  294. 


74  NarayanTvilasa 

Narayanivilasa  see  Virupaksa. 

Narmavati  natyarasaka  mentioned  in  SD.  543. 

Natakamelaka  prahasana  mentioned  in  SD.  iii,  207,  537 

See  also  Latakamelaka. 
Natavata  see  Yadunandana. 
Natyaparisista  see  Krsnananda. 
Navagrahacarita  see  Ghana^yama. 
Navamalika  A  2.  p.  61. 
Navamalika  see  Vi§ve6vara. 
Nayacandra  Rambhamanjarl  natika  A  i.  p.  493  =  2  Mss, 

and  I  Com. 
Idem  Rambhamanjarl.     Edited  by  R.  D.  Sastri.      Bombay, 

1890,  pp.  86. 
Nilakantha  Diksita  Nalacaritra  A  i.  p.  280;  A  2.  p.  60. 
Nilaparinaya  see  Drgbhavat. 
Nirbhayabhima  see  Ramacandra  Mahakavi. 
Nirdosadasaratha  cf.  L.  app.  p.  76. 
Nrsimha  Srngarastabaka  bhana  A  i.  p.  661. 
Nrsimha  Bhatta  Hariharanusaranayatra  A  i.  p.  763. 
Nrsimha    Kavi    Candrakalaparinaya    or    Candrakalakalyana 

A  3.  p.  38. 


Palandumandana  prahasana  A  i.  p.  330. 

Paficabanavijaya  see  Rangacarya. 

Pancabanavilasa  bhana  A  i.  p.  315. 

Pancayudhaprapanca  see  Trivikrama. 

Pandavabhyudaya  see  Ramadeva. 

Pandavananda  quoted  by  Dhanika  on  DR.  3.  12. 

Paravastu  Venkataranga  (beginning  of  nineteenth  century) 

Manjulanaisadha  nataka.      Printed    in   Granthapradar.sinI 

(A  3.  p.  90). 
Parijata  see  Kumaratataya. 

Parijataharana  see  Gopaladasa  and  Umapatidhara. 
Parthaparakrama  see  Yuvaraja. 
Parvatiparinaya  see  Bana  Bhatta. 


Raghavabhyudaya  75 

Parvatlsvayamvara  A  i.  p.  336. 

Pasandavidambana  prahasana  cf.  A  i.  p.  336. 

Payodhimathana  prahasana  mentioned  in  RS. 

Periyappa  Srngaramanjarlsaharajlya  A  2.  p.  158. 

Peru  Suri  Vasumangala  A  2.  p.  131. 

Prabhavatiparinaya  see  Harihara  and  Vi^vanatha  Kaviraja. 

Prabhavatlpradyumna  see  Ramakrsna. 

Prabodhacandrodaya  see  Krsnami^ra. 

Pracandabhairava  see  Sada^iva. 

Pracandagaruda  vyayoga  A  2.  p.  jy. 

Pracandapandava  see  Raja^ekhara. 

Pracandarahudaya  see  Ghana^yama. 

Pradyumna,  a  poet  and  playwright,  A  i.  p.  352. 

Pradyumnabhyudaya  A  r.  p.  352. 

Pradyumnananda  see  Venkatacarya. 

Pradyumnavijaya  see  Sankara  Diksita. 

Prahasana  A  i.  p.  360  =  4  Mss.;  A  3.  p.  yy. 

Prahasana  see  Kalidasa. 

Prahladacarita  mentioned  in  DR.  intr.  p.  30. 

Pramanadarsa  see  Sukle^vara. 

Prasannacandika  A  i.  p.  359. 

Prasannaraghava  see  Jayadeva. 

Prataparudrakalyana  see  Vidyanatha. 

Pratapavilasa  see  Gangadhara. 

Priyadarsika  see  Harsadeva. 

Puranjana  see  Haridasa. 

Puranjanacarita  see  Krsnadatta. 

Purnapurusarthacandra  see  Jatavedas. 

Purusottama  Diksita  Revatihalanta  A  i.  p.  534. 

Puspabhusita  prakarana  mentioned  in  SD.  511. 

Puspadusitaka  prakarana    mentioned    by   Dhanika  on   DR. 

3-  38. 
Puspamala  see  Candra^ekhara. 

R 

Radhamadhava  A  2.  p.  220  =  2  Mss. 
Raghavabhyudaya  quoted  in  SD.  498. 


76  Raghavabhyudaya 

Raghavabhyudaya  see  Bhagavantaraya,  Gangadhara,  Rama- 

candra,  and  Venkate§vara. 
Raghavananda,  a  dramatist,  quoted  in  SD.  120. 
Raghunathacarya  Subhadraparinaya  A  i.  p.  728  =  2  Mss. 
Raghunathavilasa  see  Yajnanarayana. 
Raghuvilasa  (Raghuvilapa)  sec  Ramacandra. 
Raivatamadanika  gosthi  mentioned  in  SD.  541. 
Rajacudamani  see  Cudamani. 

Raja^ekhara,  son  of  Durduka, 
also  called  Rajanlvallabha  (A  i.  p.  777). 
Balabharata  see  Pracandapandava. 

Balaramayana    mahanataka.     Mamtscripts.     A    i.    p.    372=  13 

Mss.  and  i  Com.  ;  Hz,  3,  1572. 
Text  Editions.     Balaramayana.    Edited  by  G.  D.  Sastri.     Benares, 

1869,  pp.  324,     In  The  Pandit,  old  series,  3,  nos.  25-35. 
Balaramayana,    edited   with  a  commentary   by   J.    Vidyasagara. 

Calcutta,  1884,  pp.  103. 
Balaramayana.     Sanskrit  text  with  a  commentary  by  Laksmana 

Suri.     Tanjanagara,  1899,  pp.  198. 

Karpuramanjarl  sattaka.     Manuscripts.     A   i.  p.  82  =  22  Mss. 

and  5  Com.  ;  by  Kamaraja  i,  by  Krsnasunu  i,  by  Dharma- 

dasa   I,  by  Pitambara  2  (cf.  A  i.  p.  491),  by  Vasudeva  2  ; 

A  2.  pp.    15,  191  =  5  Mss.  and  Com.  by  Dharmacandra  i, 

by  Vasudeva  3  ;  A  3.  p.  18=7  Mss.  and  i    Com.;  10.  7. 

4162,   4163.     See  also   Konow  and  Lanman's  edition,  pp. 

xxiii-xxvi. 
Text    Editions.       Karpuramanjarl.       Edited     by    Vamanacarya. 

Benares,    1 872-1 873.      In  The   Pandit,   old    series,  7,   nos. 

73-76. 

Karpuramanjarl.      Benares,  1883. 

Karpuramafijari,  with  the  commentary  of  Vasudeva.  Edited  by 
Durgaprasada  and  Parab.  Bombay,  1887,  pp.  121.  In 
Kavyamala,  no.  4. 

Karpuramanjarl.  Edited  with  a  full  commentary  by  J.  Vidyasa- 
gara.     Calcutta,  1889,  pp.   160. 


Raja^ekhara  yj 

Karpuramanjarl.  A  Lucky  Wife.  Composed  from  Prakrita  or 
Maharashtri  dialect.     By  V.  S.  Islampurkar.     Bombay,  1890. 

Karpuramaiijari.  A  drama  by  the  Indian  poet  Rajasekhara 
(about  900  A.  D.),  critically  edited  in  the  original  Prakrit 
with  a  glossarial  index  and  an  essay  on  the  life  and  writings 
of  the  poet  by  Sten  Konow  and  translated  into  English  by 
C.  R.  Lanman.  Cambridge,  Mass.,  1901,  pp.  26  +  289. 
Harvard  Oriental  Series,  vol.  4. 

Criticism.  Cimmino,  Francesco.  Studii  sul  teatro  indiano.  i, 
Sul  dramma  Karpuramanjarl.  In  Rendiconto  dell'  Acca- 
demia  di  Archeologia,  Lettere  e  Belle  Arti  (di  Napoli),  19 
(1905),  pp.  1-30. 

Pracandapandava  or  Balabharata,  Manuscripts.  A  i.  p.  348  = 
4  Mss.     Analyzed  by  Wilson,  2,  pp.  361-362. 

Text  Editions.  Pracandapandava,  zum  ersten  Male  herausgegeben 
von  Carl  Cappeller.      Strassburg,    1885,  pp.  9  +  50. 

Balabharata.  Edited  by  Durgaprasada  and  Parab.  Bombay, 
1887,  pp.  36.      In  Kavyamala,  no.  4. 

Viddhasalabhanjika  natika.  Manuscripts.  A  i.  p.  573  =  9  Mss. 
and  Com.  by  Narayana  i  ;  A  2.  p.  135  =  4  Mss.  and  Com. 
by  Narayana  2;  A  3.  p.  121=3  ^^s.  and  Com.  by  Ghana- 
syama  i  ;  Com.  by  Ghanasyama,  Hz.  3.  1677  ;  Com.  by 
Sundari  and  Kamala  (wives  of  Ghanasyama),  Hz.  3.  1676. 
Analyzed  by  Wilson,  2,  pp.  354-360. 

Text  Editions.  Viddhasalabhafijika.  Edited  by  Vamanacarya. 
Benares,  1 872-1 873.      In  The  Pandit,  old  series,  6-"] ,  nos. 

65-73- 
Biddhashala  Bhanjika,  with  a  commentary  by  Satyabrata  Samas- 

rami.      Edited  by  J.  Vidyasagara.      Calcutta,  1873,  pp.  99. 

Biddhashalabhanjika.  Edited  with  a  commentary  by  J.  Vidya- 
sagara.    Calcutta,  1883,  pp.  150. 

Viddhasalabhanjika,  with  the  commentary  of  Narayana,  edited 
with  explanatory  and  critical  notes,  various  readings,  and  a 
glossary  by  B.  R.  Arte.  To  which  is  added  the  Rtusam- 
hara  of  Kalidasa.      Poona,  1886,  pp.   156  +  48. 


7  8  Raja§ekhara 

Translation.  The  Viddhasalabhanjika  of  Rajasekhara,  now  first 
translated  from  the  Sanskrit  and  Prakrit  by  Louis  H.  Gray. 
In  JAOS.  27  (1906).      [In  press.] 

General  Criticism  of  Rajasekhara.     Apte,  V.  S.     Rajasekhara,  his 

Life  and  Writings.      Poona,  1886,  pp.  54. 
Fleet,  J.   F.      The  Date  of  the  Poet  Rajasekhara.      In  I  A.    16 

(1887),  pp.  175-178- 
Kielhorn,  F.     On  the  Date  of  Rajasekhara.    In  Ep.  Ind.  i  (1889), 

pp.  162-179. 

Rajimatiprabodha  see  Ya§a^candra. 
Rama  Manmathonmathana  dima  A  2.  p.  99. 
Ramabhadra  SrngarataranginI  bhana  A  i.  p.  660. 
Ramabhadra    Diksita,    called    Cokkanatha,  (17th    century) 

Janaklparinaya  A  i.  p.  206  =  51    Mss  ;  A  2.  p.  42  =  2 

Mss. 
Idem  Janaklparinaya,  a  drama   in   seven   acts  on  the  Sita 

legend.     With  a  Marathi  translation  by  G.  S.  L.  Tryam- 

bakar,    and    with    an    appendix     containing    a    Sanskrit 

version    of  the    Prakrit    passages.      Bombay,    1866,    pp. 

479  +  20. 
Idem  Ja.nakipa.nnay 3..     Madras,  1883,  pp.  155. 
Idem  Srngaratilaka  bhana  A  i.  p.  660  =  6  Mss.  and  Com. 

by  Ramacandra  i. 
Idem  Srngaratilaka  bhana.     Edited  by  Sivadatta  and  Parab. 

Bombay,  1894,  pp.  5  -f  58.      Kavyamala,  no,  44. 
Rama  Bhatta  Madalasa  A  i .  p.  426.     Called  Ujjivitamadalasa 

in  DR.  intr.  p.  30. 
Ramabhinanda  mentioned    in   SD.  308.      See  also    Rama- 

nanda. 
Ramabhyudaya  sec  Ramadeva  and  Ya^ovarman. 
Ramacandra  Nalavilasa  A  3.  p.  60. 
Idem  Raghavabhyudaya  A  3.  p.   107. 

Idem  Raghuvilasa  A  3.  p.  104  ;  (Raghuvilapa)  A  i.  p.  487. 
Idem  Yadavabhyudaya  A  3.  p.   102. 


Ramanka  79 

Ramacandra  Sarasakavikulananda  bhana  A  i.  p.  699. 
Ramacandra  Satya  Hariscandra  Nataka.      Edited  in  Sanskrit 

by  B.  R.  Arte  and  S.  V.  Puranik.      Bombay,  1898,  pp.  61. 
Ramacandra  (wrote  before  1588)  Vasantika  natika  A   r.  p. 

556  (Vasantika)  ;  A  3.  p.  120  =  10.  7.  4186  (not  4136). 
Ramacandra  Diksita  Keralabharana  bhana  A  i.  p.  125  =  2 

Mss. 
Ramacandra  Kavi  (end  of  i8th  century)  Aindavananda  A  i. 

p.  76. 
Idem  Kalananda  A  i.  p.  84. 

Ramacandra  Mahakavi  Nirbhayabhima  vyayoga  A  i.  p.  298. 
Ramacandra  see  also  Ramavarman. 
Ramacandranataka  A  i.  p.  513. 
Ramacarita  A  i .  p.  514. 
Ramadeva  or  Vyasa  Sri  Ramadeva  (15th  century)  Panda- 

vabhyudaya    chayanataka   A    3.    p.    161  =  lO.    7.    4187 

(copied  in  147 1) ;  L.  app.  p.  jy. 
Idem    Ramabhyudaya    chayanataka    A  2.    pp.     122,    221  ; 

CBMMS.   272.     Cf.  Bendall  in  JRAS.  1898,  p.  231. 
Idem  Subhadraparinaya  chayanataka  A  i.  p.  728  ;   CBMMS. 

271. 
Rama  Kavi  Madanagopalavilasa  bhana  A  i.  p.  425  ;  A  2. 

p.  97. 
Ramakrsna  Suri,  son  of  Ahlada,  Prabhavatipradyumna  A  2. 

p.  79  =  2  Mss. 
Ramamanika  Kaviraja  Krtarthamadhava  A  3.  p.  25. 
Ramananda  mentioned   in    Rucipati's   commentary  on    the 

Anargaraghava    of    Murari    (ed.    of    Durgaprasada    and 

Parab,  p.  70).     Same  as  Ramabhinanda. 
Ramananda  Raya  (end  of  15th  century)  Jagannathavallabha 

A  I.  p.  196  =  2  Mss.;  A  2.  p.  200 ;  A  3.  p.  43. 
Idem  Jagannathavallabha.      A  dramatic  poem  on  the  adven- 
tures of  Krsna  at  Vrndavan,  with   a  Bengali  translation 

by  R.  Vidyaratna.      2°  ed.      Murshidabad,  1882,  pp.  1 16. 
Ramanataka  A  i.  p.  515  =  3  Mss.;  A  2.  p.  121. 
Ramanka  see  Dharmagupta. 


So  Ramanuja 

Ramanuja  Kavi  Vivekavijaya  A  2.  p.  137. 
Ramasukavi^ekhara    Srngararasodaya  misrabhana  A   2.   p. 

158. 
Ramavarman  Yuvaraja  or  Ramacandra  (175 5- 1787)  Ruk- 

miniparinaya  A  i.  p.  527  =  2  Mss. 
Idem  Rukminiparinaya.     Edited    by    Sivadatta  and  Parab. 

Bombay,  1894,  pp.  3  +  52.      Kavyamala,  no.  40. 
Idem  Srngarasudhakara  bhana  mentioned  in  Kavyamala,  no. 

40,  p.  I  (A  2.  p.  158). 
Ramayananataka  see  Some^varadeva. 
Rambhamanjarl  see  Nayacandra. 
Ramila,  a  playwright.     Cf.  F.  Hall,  Fragments  of  three  early 

Hindu  dramatists,  in  JASBe.  28  (1859),  pp.  28-30. 
Rammoy  Vidyabhusana  Devadurgati  prahasana.     Calcutta, 

1884,  pp.  14. 
Ramodaya  see  Srivatsalanchana. 

Rangacarya  Pancabanavijaya  bhana  A  i.  p.  315  =  7  Mss. 
Idem  Paficabanavijaya,  or  the  conquest  of  the  love-god,  a 

bhana  or  dramatic  monologue.     Edited  by  V.  R.  Carlu. 

1°  ed.,  Madras,  1882,  pp.  48  ;  2°  ed.,  1886,  pp.  46. 
Rangadatta  mentioned  in  SD.  5  1 2.     Sec  also  Tarangadatta. 
Ranganatha  Srngarasrngataka  bhana  A  2.  p.  158. 
Ranganatha  (?)  A  i.  p.  488. 
Rasasadana  see  Yuvaraja. 
Rasavilasa  see  Cokkanatha. 
Rasikajanarasollasa  see  Venkata. 
Rasikamrta  see  Sankara  Narayana. 
Rasikaranjana  see  Srinivasacarya, 
Rasollasa  see  Srinivasa  Vedantacarya. 
Ratimanmatha  see  Jagannatha  Pandita. 
Ratnaketudaya  A  i.  p.  489  =  2  Mss. 
Ratnakheta  Diksita  Bhaimlparinaya  A  i.  p.  416  =  2  Mss. 
Ratnavali  sec  Harsadeva. 
Ravidasa    Mithyajnanavidambana  or   Mithyajnanakhandana 

A  I.   p.  455  =  3   Mss.  ;  A  2.  p.  105  =  2   Mss.  ;  A  3.  p. 

98  =  2  Mss. ;  10.  7.  4200  (Analyzed). 


Rupa  Gosvamin  8 1 

Idem  Mithyajnanavidambana.      Calcutta,  1885,  pp.  25. 

Revatlhalanta  see  Purusottama. 

Rudracandradeva  or  Rudradeva  Usaragodaya  natika  A  i .  p. 
71  =6  Mss.  and  i  Com.;  lO.  7.  4174.  Analyzed  by 
R.  Mitra,  Notices  of  Sanskrit  Manuscripts,  3,  p.  192. 

Idem  Yayaticarita  A  i.  p.  473  =  2  Mss.  Analyzed  by 
Wilson,  2,  pp.  388-389. 

Rudra^arman  Tripathin  Candivilasa  or  Candicarita  A  i.  p; 
177  =  5  Mss.  (with  Com.  by  the  author). 

RukminI  see  Sarasvatinivasa. 

Rukminlharana  see  Sesacintamani. 

Rukminikalyana  see  Cudamani  Diksita. 

Rukminiparinaya  see  Kavitarkikasimha,  Ramavarman,  and 
Varada  Kavi. 

Rupa  Gosvamin  (end  of  15th  century)  Danakeli  or  Danakeli- 
kaumudi  bhanika  A  i.  p.  249  =  2  Mss.  and  i  Com.  ; 
A  2.  pp.  53,  205  =  2  Mss.  and  Com.  by  Jivagosvamin  i  . 
A  3.  p.  54  =  3  Mss.  and  Com.  by  Raghunathadasa  i. 

Idem  Danakelikaumudi,  a  play  founded  on  Vaisnava  legends, 
with  a  commentary  by  Jiva  Gosvamin,  and  a  Bengali  trans- 
lation by  R.  Vidyaratna.  In  Vaisnavadharmaprakasika, 
parts  1-6,  Murshidabad  (Berhampur),  1881. 

Idem  Lalitamadhava  A  i.  p.  542  =  4  Mss.  ;  A  2.  p.  128  ; 
A  3.  p.  115=2  Mss.  and   Com.  by  Narayana  i  ;  10.  7. 

4179- 

Idem  Vidagdhamadhava  (composed  in  1533)  A  i.  p.  572  = 
9  Mss.  and  i  Com.;  A  2.  pp.  135,  225=  3  Mss.  and 
I  Com.;  A  3.  p.  121=4  Mss.  and  i  Com.;  lO.  7. 
4177,  4178.      Analyzed  by  Wilson,  2,  pp.  393-394. 

Idem  Vidagdhamadhava,  a  Vaisnava  play,  with  a  commen- 
tary by  V.  Cakravarti  and  a  Bengali  prose  translation  by 
R.  Vidyaratna.  In  Vaisnavadharmaprakasika,  parts  7-17, 
Murshidabad  (Berhampur),  1882. 

Idem  Vidagdhamadhava.  Edited  by  Sastrl  and  Parab. 
Bombay,  1903,  pp.  3  H-  219  4-  6.      Kavyamala,  no.  81. 


82  Sabha 

S 

Sabha  see  MaheSvara. 

Sabhapativilasa  see  Dharmaraja. 

Sada^iva  Pracandabhairava  vyayoga  A  i.  p,  348. 

Sakuntala  see  Kalidasa. 

Samaraja  Diksita,  son  of  Narahari  Diksita,   Dhurtanartaka 

A  I.  p.  272  =  2  Mss.     Analyzed  by  Wilson,  2,  p.  407. 
Idem  Sridamacarita  or  Damacarita  (written  in  1681)  A  i.  p. 

250;  A  2.  p.  160;  A3,  p.  54.     Analyzed  by  Wilson,  2, 

pp.  404-406. 
Samavata  see  Ambikadatta. 
Samayasara  see  Amrtacandra. 
Samkalpasuryodaya  A    i.   p.  683  =  33   Mss.  and    i    Com.  ; 

A  2.  p.  163  =  I  Ms.  and  i  Com.  ;  A  3.  p.  142  =  4  Mss. 

and  I  Com. 
Samkalpasuryodaya  see  Venk^tanatha. 
Samrddhamadhava  see  Govinda  Kavibhusana. 
Samudrama(n)thana  samavakara  or  subject  of  a  samavakara 

mentioned  in  SD.  516  and  by  Dhanika  on  DR.  3.  61. 
Samvarana  A  i.  p.  681. 
Sanandagovinda  A  i.  p.  707. 
Sanandagovinda  see  Gopala  Bhatta. 
Sandrakutuhala  see  Krsnadatta. 
Sankara    Saradatilaka  bhana  A  i.  p.  642  =  3   Mss.;    A3. 

p.  133.     Analyzed  by  Wilson,  2,  pp.  384-387. 
Sankaradeva  Vidagdhamadhava  A  2.  p.  135. 
Sankara  Diksita  (latter  half  of  eighteenth  century),  son   of 

Balakrsna,    Pradyumnavijaya    A     i.    p.     352  =  3     Mss. 

Analyzed  by  Wilson,  2,  pp.  402-403. 
Sankara  Mi§ra  Gaurldigambara    A3,  p.  37. 
Sankara  Narayana  Rasikamrta  A  3.  p.  106. 
Sankhadhara    Latakamelaka    prahasana    A  i.    p.    542  =  3 

Mss.  ;  A  2.  pp.  128,  223  =  5  Mss.  ;  A  3.  p.  115. 
Idem  Latakamelaka.      Edited  by  Durgaprasada  and   Parab. 

Bombay,  1889,  pp.  3  +  30.      Kavyamala,  no,  20. 
Sanmata  see  Jayanta. 


Sesakrsna  83 

Santicaritra,  a  Buddhist  play,  cL  L.  app.  p.  81. 

Santirasa  see  Vaikunthapuri. 

Saradananda  bhana  A  2.  p.  152. 

Saradatilaka  see  Sankara. 

Sarasakavikulananda  see  Ramacandra. 

Saras vatadarsa  see  Appa^astrin. 

Sarasvatinivasa  Rukmininataka  A  i.  p.  527. 

Sarministha  see  Maikela. 

Sarmisthavijaya  see  Narayana  Sastrin. 

Sarmisthayayati  utsrstikanka  mentioned  in  SD.  519. 

Sarmisthayayati  see  Bhagavata. 

Sarngadhara  Sarngadhariya  A  i.  p.  643  =  2  Mss. 

Sarvacarita  see  Bana  Bhatta. 

Sathakopacarya  Bhaimiparinaya  A  2.  p.  95. 

Satsangavijaya  see  Vaidyanatha. 

Satyabhamavilasa  see  Krsnakavindra. 

Satyahariscandra  see  Ramacandra. 

Saugandhikaharana  vyayoga    A    i.  p.  737;    mentioned  in 

SD.  514. 
Saugandhikaharana  see  ViSvanatha. 
Saugandhikaparinaya  A  i.  p.  737. 
Saumillaka  see  Somila. 
Saumyasomabhidha  see  Srinivasa. 
Savitrlcarita  see  Mahe^varatmaja. 
Sesacintamani    (wrote     before     1675),     son    of    Nrsirnha, 

Rukminiharana  A  i.  p.  527  =  2  Mss.  ;  CBMMS.  274. 
Icietn  Strijnan  Dipak.     A  metrical  translation  into  Gujarati 

of  the  Rukminiharana.     Bombay,  1873,  pp.  296. 
Sesakrsna,  also  called  Krsna  or  Krsnakavi  (end  of  the  i6th 

century),  son  of  Nrsirnha  or  Narasimha,  Kamsavadha  A  i . 

p.    77=  14    Mss.   and    4   Com.;    A  2.   p.   15;    A  3.  p. 

17=  2  Mss.;  SCBen.  299;   Hz.   3.   2080;    10.  7.  4175, 

4176.     Analyzed  by  Wilson,  2,  pp.  400-402. 
Idem  Kamsavadha.      Edited   by  Durgaprasada  and  Parab. 

Bombay,  1888,  pp.  3  +  80.      Kavyamala,  no.  6. 
Idem  Murarivijaya  A  i.  p.  462  =  3  Mss.;  A  2.  p.  106. 


84  Sevantikaparinaya 

Sevantikaparinaya  A  i.  p.  734  =  3  Mss. 

Shahji,  king  of  Tanjore  (1684-171  ij,    Candrasekharavilasa 

A  I.  p.  182. 
Sitalacandra  Vidyabhusana  Gosayatra.    A  play  in  ten  acts  on 

the  story  of  Duryodhana.      Calcutta,  1885,  pp.  4  +  41. 
Sitananda  see  Tatarya. 
Sitaraghava  A  i.  p.  723. 
Sitarama  Janakiparinaya  A  i .  p.  206. 
Sitasvayamvara  see  Hanuman. 
Sitavivaha  A  I.  p.  723. 
Sivabhaktananda  A  i.  p.  650. 

Sivajyotirvid  Mundita  prahasana  A  i.  p.  461   =2  Mss. 
Sivanarayanabhafijamahodaya  see  Narasimha. 
Sivanarayanadasa  Nandighosavijaya  or  Kamalavilasa  A  i. 

p.  276  ;  A  3.   p.    161  =  10.  7.  4190. 
Sivanatha    Sarman,   a  playwright.     Cf.    A.    W.    Ryder   in 
^  JAOS.  23  (1902),  p.  79. 
Sivasvamin  (second  half  of  the  9th  century)  a  playright  of 

Kashmir  (L.  app.  p.  87). 
Somadeva  Lalitavigraharajanataka.     A  portion  was  edited  by 

Kielhorn  in  lA.  20  (1891),  pp.  201-212. 
Somavalliyogananda  see  Arunagirinatha  and  Dindima. 
Somayajin  see  Mallasomayajin. 

Some^varadeva  Ramayananataka  A  i.  p.  524  =  2  Mss. 
Somila,  a  playwright.      Cf  F.  Hall,  Fragments  of  three  early 

Hindu  dramatists,  in  JASBe.  28  (1859),  pp.  28-30. 
Srldamacarita  see  Samaraja. 
Srikantha    Kandarpadarpana  Hz.  3.  1683. 
Srinivasa  Saumyasomabhidha,  a  modern  drama  in   four  acts. 

Chilambaram,  1887,  pp.  80. 
Srinivasacarya  Sudarsanavijaya  A  i.  p.  724. 
Srinivasacarya  U.saparinaya  A  i .  p.  7 1 . 
Srinivasacarya  Rasikarafijana  bhana.     Mysore,  1885,  pp.  60. 
Srinivasa   Catuskavindradasa,  son  of   Raman ujasarvakratu, 

Lak.smlsvayamvara  A  i.  p.  540;  A  3.  p.  114. 
Srinivasadasa  Maratakavalllparinaya  A  i.  p.  433  =  2   Mss. 


Subhata  85 

Srinivasatiratrayajin  Bhavanapurusottama  A  i.  p.  407  =  2 

Mss. 
Srinivasa  Vedantacarya  Rasollasa  bhana  A  i.  p.  498. 
Srirangaraja  see  Gopalaraya. 
Srivatsalanchana  Ramodaya  A  i.  p.  526. 
Srngarabhusana  sec  Vamana. 
Srngaracandrika  bhana  A  2.  p.  157. 
Srngaradipaka  see  Venkatadhvarin. 
Srngarajlvana  bhana  A  i.  p.  660. 
Srngarakosa  see  Girvanendra  and  Ka^yapa. 
Srngaramanjarl  see  Gopalaraya  and  Vi^vesvara. 
Srngaramanjansaharajiya  sec  Periyappa. 
Srngararasodaya  see  Lingaguntamarama  and  Ramasukavi- 

§ekhara. 
Srngarasarvasva  see  Cudamani,  Kau^ika,  and  Svamimisra. 
Srngarasrngataka  see  Ranganatha. 
Srngarastabaka  see  Nrsimha. 
Srngarasudhakara  sec  Ramavarman. 
Srngaratarangini  sec  Ramabhadra  and  Vehkatacarya. 
Srngaratilaka  prasthana  mentioned  in  SD.  544. 
Srngaratilaka  see  Ramabhadra  Diksita. 
Srngaravapika  see  Vi^vanatha  Bhatta. 
Stambhitarambha  trotaka  mentioned  in  SD.  540. 
Subhadradhanamjaya  see  Gururamakavi. 
Subhadraharana  A  i.  p.  728  =  2  Mss.  and  i  Com. 
Subhadraharana  see  Madhava  Bhatta. 
Subhadraparinaya  A  i.  p.  728. 

Subhadraparinaya  sec  Raghunathacarya  and  Ramadeva. 
Subhadravijaya  A  i.  p.  728. 
Subhagananda  prahasana  A  i.  p.  727. 
Subhata  Dutangada  chayanataka  A  i.  p.  257  =  6  Mss.;  A 

2.  pp.   55,  205  =  5  Mss.;  A  3.  p.    55  ;    CBMMS.   269; 

10.    7.    4188.      Another    recension,    also    attributed    to 

Subhata,  10.  7.  41 89.      Analyzed  by  Wilson,  2,   p.  390, 

and  by  Aufrecht,  Cat.  Codd.  Sanscr.  Bibl.  Bodl.,  Oxford, 

1864,  p.  139. 


86  Subhata 

Idem    Dutangada.       Edited   by    Durgaprasada   and    Parab. 

1°   ed.,    Bombay,    1891,  pp.    3  +  15;   2°  ed.,    1900,  pp. 

3+15-      Kavyamala,  no.  28. 
Subrahmanya  Kavi  Vijayendiraparinaya  A  2.  p.  135. 
Sudarsanavijaya  see  Srinivasacarya. 

Sudraka. 

Mrcchakatika  prakarana.  Mamtscripts.  A  i.  p.  465  =  12  Mss. 
and  2  Com.;  by  Ganapati  i,  by  Prthvidhara  5,  by  Rama- 
mayasarman  i,  by  Lalladiksita  i  (made  for  Wilson) ;  A  2.  p. 
107  =  2  Mss.  and  Com.  by  Prthvidhara  i,  by  Lalladiksita  i  ; 
CS.  252,  253,  254;  10.  7.  4123,  4124;  Com.  by  Lal- 
ladiksita, CS.  251  ;  Com.  by  Prthvidhara,  CS.  255. 

Text  Editions.  Mrcchakatika,  with  a  commentary  explanatory 
of  the  Prakrit  passages.      Calcutta,  1829,  pp.  2  -f  343. 

Mrcchakatika,  id  est,  Curriculum  Figlinum  Sudrakae  regis. 
Fabula  sanskrite  edidit  A.   F.  Stenzler.     Bonn,   1847,  PP- 

8  +  332. 

Mrcchakatika,  edited  with  a  commentary  by  Ramamayasarman 
and  a  preface  in  Bengali  by  V.  Majumdiar.  Calcutta,  1870, 
pp.  386.     In  Majumdar's  Series. 

Mrcchakatika,  edited  with  a  commentary  by  J.  Vidyasagara.  i  ° 
ed.,  Calcutta,  1 88 1,  pp.  425  ;  2°  ed.,  1891,  pp.  35  i  ;  3°  ed., 
1898,  pp.  355. 

Mrcchakatika,  with  the  commentaries  of  Lalladiksita  and  Prthvi- 
dhara and  various  readings.  Edited  by  N.  B.  Godabole. 
Bombay,  1896,  pp.  594. 

Mrcchakatika,  with  the  commentary  of  Prthvidhara.  Edited  by 
JK.  P.  Parab.     Bombay,  1900,  pp.  294. 

Tra7islations.  A.  English.  The  Mrcchakati,  or  the  Toy- 
Cart.     Translated  by  Wilson,  i,  pp.  1-182. 

The  Little  Clay  Cart  [Mrcchakatika],  a  Hindu  drama  attributed 
to  King*  Shudraka,  translated  from  the  original  Sanskrit  and 
Prakrits  into  English  prose  and  verse  by  Arthur  W.  Ryder. 
Cambridge,  Mass.,  1905,  pp.  30 -|-  177.  Harvard  Oriental 
Series,  vol.  9. 


Sudraka  Sy 

B.  French.      Le  Chariot   d' Enfant.      Drauie  en   vers,  en  cinq 

actes  et  sept  tableaux.      Traduction  par  MM.  Mery  et  G.  de 

Nerval.      Paris,  1850. 
Mrcchakatika.      Le  petit  chariot  d'argile,  drame  en  dix  actes,  par 

H.    Fauche.      In   Une  tetrade,  ou   drame,  hymne,  roman  et 

poeme,  traduite  pour  la  premiere  fois  du  Sanscrit  en  franc^ais, 

vol.  I,  Paris,  1861. 
Le   Chariot   de   Terre   Cuite.      Drame    Sanscrit    attribue    au    roi 

Cudraka,  traduit  et  annote  des  scolies   de  Lalla  Dikshita, 

par  Paul  Regnaud.     Paris,  1876- 1877,  4  vols.     Bibl.  Orient. 

Elzevir.,  nos.  6-9. 

C.  German.      Mrkkhakatika,  das  ist,  das  irdene  Wagelchen,  ein 

dem  Konig  (^udraka  zugeschriebenes  Schauspiel.  Ober- 
setzt  von  Otto  Bohtlingk.     St.  Petersburg,  1 877,  pp.  4  +  2 1 3. 

Mrcchakatika,  metrisch  iibersetzt  von  Ludwig  Fritze.  In  his 
Indisches  Theater,  vol.  3,  Schloss-Chemnitz,  1879. 

Vasantasena  ;  Drama,  mit  freier  Benutzung  der  Dichtung  des 
altindischen  Konigs  Sudraka,  von  Emil  Pohl.  Stuttgart, 
1893,  pp.  128. 

Vasantasena,  oder  das  irdene  Wagelchen.  Freie  0bersetzung  von 
Michael  Haberlandt.      Leipzig,  1893,  pp.  20  +  214. 

Vasantasena,  oder  das  irdene  Wagelchen.  Ein  indisches  Schau- 
spiel in  zehn  Aufziagen  von  Konig  ^udraka.  Deutsch  von 
Hermann  Camillo  Kellner.  1°  ed.,  Leipzig,  1893,  pp.  200; 
2°  ed.,  1894,  pp.  199. 

D.  Dutch.      Het  Leemen  Wagentje,  Indisch  Tooneelspel,  uit 

Sanskrt  en  Prakrt  in  het  Nederlandsch  vertaald  door  J.  Ph. 
Vogel.      Amsterdam,  1897,  pp.  15  -f  216. 

E.  Swedish.      Vasantasena.      Indiskt  drama  i  5  akter.      Fritt 

after  Emil  Pohls  tyska  bearbetning.     Stockholm,  1 894,  pp. 
119. 
Mrcchakatika.      Den    lilla     lervagnen.       Ett    indiskt    skadespel 
ofversatt  av  Hilding  Andersson.      Lund,  1899,  pp.  133. 

F.  Danish.      Mrcchakatika.      Lervognen.     Et  indisk  Skuespil. 

Oversat  af  E.  Brandes.      Copenhagen,  1870. 

G.  Italian.      Introduzione     alia    versione     del     Mrcchakatika 


88  Sudraka 

(opera  di  ^udraka)  da  Michele  Kerbaker.      Florence,  1872. 
[With  translation  of  first  act.] 

Mrcchakatika,  versione  italiana  di  Michele  Kerbaker.  Published 
in  part  in  the  Rivista  Europea,  Florence,  Dec.  1869,  and  in 
the  Giornale  Napolitano,  new  series,  9  (1884),  pp.  1-83. 

H.  Russian.  Vasantasena,  drevnaya  indeiskaya  drama.  Pere- 
vod  s  sanskritskago  C.  Kossovica.  In  Moskvityanin,  Mos- 
cow, 1849. 

Criticism.  Boltz,  A.  Vasantasena  und  die  Hetaren  im  indischen 
Drama ;  Das  Vedavolk  in  seinen  Gesamtverhaltnissen  :  Zwei 
Vortrage.  Darmstadt,  1894,  pp.  56  [='/v7iac,  5  (Leiden, 
1894),  pp.  279-305]. 

Cappeller,  C.  Zur  Mrcchakatika.  In  Festgruss  an  O.  von 
Bohtlingk,  Stuttgart,  1888,  pp.  20-22. 

Chattopadhyaya,  N.  Three  Lectures  :  The  Reminiscences  of  the 
German  University  Life,  The  True  Theosophist,  and  The 
Mricchakatikam,  or  the  Toy  Cart.     Bombay,  1895,  pp.  89. 

Chattopadhyaya,  N.  Mrcchakatika,  or  the  Toy-Cart  of  King 
Sudraka.     A  study.      Mysore,  1902,  pp.  10  -|-  82. 

Kellner,  H.  C.  Einleitende  Bemerkungen  zu  dem  indischen 
Drama  Mrcchakatika.  Zwickau,  1872,  pp.  28.  In  Jahresb. 
d.  Gymnasiums  zu  Zwickau. 

Levi,  Sylvain.  Le  theatre  indien  a  Paris.  In  Revue  de  Paris, 
1895,  pp.  818-829.  [On  the  production  of  Barrucand's 
French  version  at  Paris.] 

Nyayaratna,  M.  On  the  Authorship  of  the  Mrcchakatika.  In 
Proc.  of  the  Asiatic  Soc.  of  Bengal,  1887,  pp.  193-200. 

Pavolini,  P.  E.  II  Carretto  d'Argilla.  Conferenza.  In  Rassegna 
Nazionale,  24  (Florence,  1902),  pp.  586-610. 

Ryder,  A.  W.  The  Clay  Cart.  In  Boston  Transcript,  Nov.  2 1 , 
1903.      [Includes  selected  passages  in  translation.] 

Wilson,  H.  H.  Sur  un  drame  indien  ;  extrait  du  Ca  cutta  An- 
nual Register,  et  traduit  par  M.  Dondey-Dupre  fils.  In  JA. 
1°  series,  10  (1827),  pp.  174-188,  193-209. 

Windisch,  E.  i)ber  das  Drama  Mrcchakatika  und  die  Krsna- 
legende.  In  Bericht  der  phil.-hist.  CI.  der  Kon.  Sachs. 
Gesells.  der  Wiss.,  4  (1885),  pp.  439-479. 


Tripuradaha  89 

Sukla  Bhudeva  (i6th  century)  Dharmavijaya  A  i.  p.  269 
=  9  Mss.  and  Com.  by  Bhavanisankara  7  ;  A  2.  pp.  58, 
206=2  Mss.  and  i  Com.;  A  3.  p.  58;  lO.  7.  4182, 
4183  ;   Com.  by  Bhavanisankara,  10.  7.  4183. 

Idem  Dharmavijaya.  Bombay,  1 889.  In  Grantharatna- 
mala  3. 

Sukle^vara  Pramanadarsa  mentioned  in  DR.  intr.  p.  30. 

Sulocanavivaha  (?)  L.  app.  p.  82. 

Sumatijitamitramalladeva,    king  of  Bhatgaon,  Asvamedha 

A  3.  P-  8. 
Sundaradeva,  son  of  Govinda,  Muktiparinaya  A   i.  p.  459 

=  2  Mss. 
Sundaradeva  Vinodaranga  prahasana  A  i.  p.  577. 
Sundara  Kavi  Anahgamangala  bhana  cf  A  i .  p.  12. 
Sundara  Mi§ra  Abhiramamani  (composed  in  1599)  A  i.  p.  26 

=  2  Mss.     Analyzed  by  Wilson,  2,  p.  395. 
Sundara  Raja  Vaidarbhivasudeva,  a  drama  in  five  acts,  on 

the  legend  of  RukminI  and  Krsna.      Kailasapura  (Tinne- 

velli),  1888,  pp.  6-1-  112. 
Suramayura  see  Narayana  Sastrin. 
Svamimi^ra  or  Svami^astrin  Sriigarasarvasva  A    i.  p.  661  ; 

A  2.  p.  158. 
Svanubhutyabhidha  see  Anantarama. 
Svapnadasanana  see  Bhimata. 
Svapnavasavadatta  see  Bhasa. 
Svarnamuktavivada  see  Mahe§a. 

T 

Tapasavatsaraja  see  Matraraja. 

Tarangadatta  prakarana  mentioned  by  Dhanika  on  DR.  3. 
38.      See  also  Raiigadatta. 

Tarkalamkara  Mahamahopadhyaya  Kaumudisudhakara  pra- 
karana.     Calcutta,  1888,  pp.  6  +  217. 

Tatarya  Sitananda  A  i.  p.  723. 

Tripuradaha  dima  or  subject  of  a  dima  mentioned  in  Bharata, 
4.  9,  and  on  Bharata's  authority  in  SD.  517  and  by 
Dhanika  on  DR.  3.  53. 


90  Tripurari 

Tripurari  A  i.  p.  237. 

Trivikrama  Pandita  Pancayudhaprapanca  bhana  A  i.  p.  317 

=  5   Mss.  ;  A  2.  p.  209. 
Tumburunataka  mentioned  in  the  Samgitadamodara  (L.  app. 

p.  76). 

U 

Udattaraghava  mentioned  in  SD.  283,  420,  and  by  Hema- 

candra  (A   i.  p.  65).      Probably  the  same  work  as  the 

Udattaraghava  of  Mayuraja. 
Udattaraghava  see  Mayuraja. 

Udayanacarita  mentioned  in  DR.  2.  53  and  SD.  422. 
Uddandin  (not  earher  than  the  15th  century)  MalHkamaruta 

prakarana  A  i.  p.  434  =  5  Mss. 
Idem  MalHkamaruta.    With  the  commentary  of  Ranganatha- 

carya.      Edited  by  J.  Vidyasagara.     Calcutta,  1878,  pp. 

4+338. 
Ujjivitamadalasa  see  Rama  Bhatta. 

Umapatidhafa  (12th  century)  Parijataharana  A  i.  p.  335. 
Unmatta  see  Venkate^a  Kavi. 

Unmattaraghava  see  Bhaskara  and  Mahadeva  Sastrin. 
Usaharana  see  Harsanatha. 
Usaparinaya  see  Srinivasacarya. 
Usaragodaya  see  Rudracandradeva. 
Uttararamacarita  see  Bhavabhuti. 

V 

Vadicandra  Suri,  a  Jain,  Jiianasuryodaya  A  i.  p.  210. 

Vadhyasila  quoted  in  SD.  482. 

Vaidarbhivasudeva  see  Sundara  Raja. 

Vaidyanatha  Krsnallla  natika  A  i.  p.  123  ;  A  2.  pp.  24,  195  ; 

CS.  221. 
Vaidyanatha  Mithyacara  prahasana  cf  A  i.  p.  455. 
Vaidyanatha  Satsangavijaya  A  i.  p.  690  =2  Mss. 
Vaidyanatha  Vacaspati  Citrayajfia  A  i.  p.  187;  CS.   224. 

Analyzed  by  Wilson,  2,  pp.  412-415. 
Vaikunthapuri  Santirasa  A  2.  p.  152. 


Vasantikaparinaya  9 1 

Vajramukutivilasa  A  i.  p.  548  =  3  Mss. 

Vakratundagananayaka  prakarana  A  i.  p.  547. 

Vakulamaliniparinaya  (?)  L.  app.  p.  80. 

Valliparinaya  sec  Viraraghava. 

Vamana  Bhatta  Bana  Srngarabhusana  bhana  A  i.  p.  661 

=  6  Mss.  ;  A  2.  p.  158  =  3  Mss.  ;  A  3.  p.  137. 
Idem    Srngarabhusana.     Published    in    Granthapradarsani 

(A3,  p.  137). 
Ide^n  Srngarabhusana,  a  dramatic  entertainment  in  one  act. 

Edited  by  Ramakrsna  Acarya.      Madras,  1873,  pp.  30. 
Idem    Srngarabhusana.      Edited    by   Sivadatta    and    Parab. 

Bombay,  1896,  pp.  3  +  19.      Kavyamala,  no.  58. 
Vam^amani,  a  Maithila,  son  of  Ramacandra,  Gitadigambara 

A  3-  ?•  33- 
Vanamali  Mi§ra  Adbhutaraghava  A  3.  p.  2. 
Vanibhusana  see  Damodara  Mi^ra. 
Varada  Anangajivana  or  Anangasarnjivana    bhana  A  i.  p. 

12  =  4  Mss. 
Varadacarya  Ambala  bhana  A  i .  p.  29. 
Varadacarya  Anangabrahmavidyavilasa  bhana  cf.   A  i.   p. 

549- 
Varadacarya  Cola  bhana  A  2.  p.  200. 
Varadacarya  Vasantatilaka  bhana  A  i.  p.  556  =  34  Mss.; 

A  2.  pp.  131,  224  =  4  Mss.;  A  3.  p.  118  ;   Hz.  3.  1577  ; 

10.  7.  4198,  4199. 
Idem  Vasantatilaka.      Edited  by  D.  V.  Sarman.      Calcutta, 

1868,  pp.  63. 
Idem  Vasantatilaka.      Edited  by  J.  Vidyasagara.      Calcutta, 

1872,  pp.  47. 
Varadacarya  Yatirajavijaya  or  Vedantavilasa  A  i .  p.  47 1  =5 

Mss.  and  i  Com. 
Varada  Kavi  Rukminiparinaya  A  i.  p.  527. 
Vasantabhusana  bhana  (?)  L.  app.  p.  80  ;  but  cf.  A  i.  p.  556. 
Vasantatilaka  see  Varadacarya. 
Vasantika  (Vasantika)  see  Ramacandra. 
Vasantikaparinaya  A  i.  p.  566  =  3  Mss.;  A  2.  p.  133. 


92  Vasantikaparinaya 

Vasantikaparinaya  see  Chata  Yati. 
Vasantikasvapna  see  Krsnamacari. 
Vasumangala  see  Peru  Suri. 
Vasumaticitrasenavilasa  A  i.  p.  557  =  2  Mss. 
Vasumaticitrasenavilasa  see  Appayya. 
Vasumatlparinaya  see  Jagannatha  Pandita. 
Vatsaraja  Hasyacudamani  prahasana  A  i.  p.  766, 
Vatucaritra  (?)  L.  app.  p.  80. 

Vedakavisvamin    Vidyaparinaya    A    i.    p.    574  =  4    Mss. 
[This  author  is  said  to  be  the  same  as  Anandaraya  (A  2. 

p.  136).] 
Vedantavagi^a  Bhattacarya  Bhojarajasaccarita  or  Bhojasac- 

carita  A  i.  p.  418  ;  A  3.  p.  90. 
Vedantavilasa  see  Ammal  ajid  Varadacarya. 
Venisamhara  or  Venisamvarana  see  Narayana  Bhatta. 
Venkappa  Kamavilasa  bhana  A  i.  p.  93. 
Venkata,  son  of  Vedantadesika,  Rasikajanarasollasa  bhana 

A  3.  p.  106. 
Venkatacarya  Bhaimiparinaya  A  i.  p.  416. 
Venkatacarya,  of  Surapura,   SrngarataranginI   A  i.   p.   660 

=  2  Mss. 
Venkatacarya  or  Venkatadhvarin  (also  called  Arasanipala) 

Pradyumnananda    bhana   A    i.    p.    352  =  3    Mss.  ;  A  2. 

p.  78. 
Venkatadhvarin  Srngaradipaka  bhana  A  i.  p.  661. 
Venkata  Kavi,  of  Kanclpura,  Kandarpadarpa(na)  bhana  A  i . 

p.  79. 
Venkata  Krsna  Diksita,  son  of  Vefikatadri,  Kusalavavijaya 

A  2.  p.  23. 
Venkatanatha    Sarnkalpasuryodaya  A  i.    p.    683  =  3    Mss. 

and   I  Com.  ;  by  Ahobala  2,  by  Kausikakulatilaka  i,  by 

Narayana  i,by  Ramanuja  i  ;  A  2.  pp.  163,  232  =  3  Mss. 

and  Com.  by  Ahobala  i. 
Idem  Sarnkalpasuryodaya,  with  notes  by  V.  Desikar.     Con- 

jevaram,  18S3,  pp.  372. 
Idem  Sarnkalpasuryodaya.    With  a  commentary  by  Srinivasa 


Vinatananda  93 

Tatayarya  and  Saila  Tatayarya.  The  text  edited  b)' 
Krsna  Tatayacarya.      Conjevaram,    1883,   pp.    17+371. 

Venkate^a  Bhanuprabandha  prahasana  A  i.  p.  405. 

Venkatesa  see  Venkate§vara. 

Venkate^a  Kavi  Unmatta  prahasana  A  i.  p.  66  =  2  Mss. 

Venkate^vara  Raghavabhyudaya  A  i.  p.  500. 

Venkate^vara  Venkatesa  prahasana  A  i.  p.  602. 

Vibhisananirbhartsananka  quoted  in  SD.  477. 

Vidagdhamadhava  SCBen.  795,  978  (both  with  Com.). 

Vidagdhamadhava  see  Rupa  Gosvamin  and  Sankaradeva. 

Viddhasalabhanjika  see  Raja^ekhara. 

Vidyanatha  Upadhyaya  Prataparudrakalyana  cf.  A  i .  p.  349, 
L.  p.  19. 

Vidyanidhi  Atandracandrika  A  i.  p.  6, 

Vidyaparinaya  A  i.  p.  574. 

Vidyaparinaya  see  Anandaraya  and  Vedakavisvamin. 

Vigraharajadeva,  king  of  Sakambhari,  Harakeli  (composed 
in  1 1 53)  cf.  F.  Kielhorn  in  I  A.  19  (1890),  p.  215;  20 
(1891),  pp.  201-212. 

Idem,  cf.  Kielhorn,  F.,  Sanskrit  plays  of  the  King  Vigrahara- 
jadeva of  Sakamfchari,  partly  preserved  as  inscriptions  at 
Ajmere.     In  Triibner's  Record,  2  (1891),  pp.  65-66. 

Idem,  cf.  Kielhorn,  F.,  Bruchstucke  des  Lalita-Vigraharaja 
Nataka.     In  Gott.  Nachr.  13  (1893),  pp.  552-570- 

Vijayaparijata  see  Harijivana. 

Vijayendiraparinaya  see  Subrahmanya. 

Vikhyatavijaya  see  Laksmanamanikyadeva. 

Vikramacandrika  A  i.  p.  569. 

Vikramorvasi  see  Kalidasa. 

Vikrantabhima  mentioned  by  Hemacandra  (A  i.  p.  569). 

VikrantasOdraka  mentioned  in  the  Sarasvatikanthabharana, 

P-  378. 
Vilaksakurupati  cf.  L.  app.  p.  80. 
Vilasavatl  natyarasaka  mentioned  in  SD.  543. 
Vilinatha  Kavi  Madanamanjarl  A  i.  p.  425. 
Vinatananda  sec  Govinda. 


94  VindumatI 

VindumatI  see  Bindumati. 

Vinodaranga  see  Sundaradeva. 

Virabhadravijrmbhana  dima  mentioned  in  RS.  and  in  DR. 

intr.  p.  30. 
Virananda  see  Mahavlrananda. 

Viraraghava,  son  of  Srisailasuri,  Indiraparinaya  Hz.  3.  1749. 
Viraraghava,  son  of  Isvara,  Valliparinaya  A  3.  p.  118. 
Viravijaya  see  Krsnami^ra. 
Virupaksa  (circa   1350),  son  of  Bukta,  Narayanlvilasa  A  3. 

p.  63. 

ViSakhadatta. 

Mudraraksasa  nataka.  Manuscripts.  A  i.  p.  461  =43  Mss.  and  6 
Com.;  by  Dhundhiraja  (composed  in  1714)  8,  by  Mahesvara 
I,  by  Vatesvara  4 ;  A  2.  pp.  106,  218  =  9  ^^s.  and  Com.  by 
Grahesvara  i,  by  Dhundhiraja  2,  Prakrtachaya  by  Kesavopa- 
dhyaya  i  ;  A  3.  p.  99  =  15  Mss.  and  Com.  by  Abhirama  i, 
by  Grahesvara  i,  by  Dhundhiraja  4;  CS.  247,  248,  249; 
Garbe  188;  SCBen.  980;  10.  7.  4165,  4166,  4167,  4168, 
4169;  Com.  by  Dhundhiraja,  SCBen.  980,  Hz.  3.  1666; 
Com.  by  Grahesvara,  lO.  7.  4170.  There  is  also  a  prose 
version  by  Ananta  Pandita,  according  to  A  i.  p.  461. 

Text  Editions.  Mudraraksasa,  a  drama  in  seven  acts.  With  a 
commentary  explanatory  of  the  Prakrit  passages.  Calcutta, 
1831,  pp.  157. 

Mudraraksasa.  Edited  with  notes  by  T.  Tarkavacaspati.  Cal- 
cutta, 1870,  pp.  2  +  231.      In  Majumdar's  Series. 

Mudraraksasa.  With  the  commentary  of  Dhundhiraja,  part  i. 
Edited  by  D.  V.  Panta.     Calcutta,  1873. 

Mudrarak.sasa.  Edited  with  a  commentary  by  J.  Vidyasagara. 
Calcutta,  1 88 1,  pp.  218. 

Mudarark.sasa.  With  a  commentary  by  Dhundhiraja.  Mysore, 
1883,  pp.  183. 

Mudraraksasa.  With  the  commentary  of  Dhundhiraja,  edited  by 
K.  T.  Telang.  1°  ed.,  Bombay,  18S4,  pp.  54  +  283  +  63  ; 
2°  ed.,  1893,  pp.   375  ;   3°  ed.,    1900,  pp.    378.      Bombay 


Vi^akhadatta 


95 


Sanskrit  Series,  no.  27.  [Cf.  also  the  review  by  A.  Hille- 
brandt,  in  ZDMG.  39  (1885),  pp.  107-132.] 

Mudraraksasa.  Edited  by  K.  H.  Dhruva.  Ahmedabad,  1900, 
pp.  340. 

Mudraraksasa.  Edited  with  the  commentary  of  Dhundhiraja  and 
an  English  translation,  critical  notes,  and  various  readings, 
by  M.  R.  Kale.     Bombay,  1900,  pp.  8  +  347. 

Translations.  A.  English.  Mudraraksasa,  or  the  Signet  of 
the  Minister.     Translated  by  Wilson,  2,  pp.  125-254. 

B.  French.      Le  Sceau  de  Rakchasa.     Drame  traduit  sur  la 

derniere  edition  par  V.  Henry.  Paris,  1888,  pp.  16  +  237. 
Collection  Orientale,  no.  2. 

C.  German.      Mudrarakschasa,  oder  des  Kanzlers  Siegelring. 

Aus  dem  Sanskrit  zum  ersten  Male  und  metrisch  ins 
Deutsche    iibersetzt  von    Ludwig    Fritze.      Leipzig,    1886, 

PP-  ^IZ- 

D.  Italian.      Mudraraxasa,  ossia  II  Ministro   Rassaso  vittima 

del  suo  sigillo.  In  Teatro  Scelto  indiano,  tradotto  da  An- 
tonio Marazzi,  vol.  2,  Milan,  1874,  pp.  i-i 87. 

E.  Ma  rat  hi.     Mudraraksasa.     Translated  into  Marathi  by  K. 

S.  Rajvade,  revised  by  K.  S.  Chiplonkar,  edited  by  S.  P. 
Pandit.     Bombay,  1867,  pp.  144. 

F.  Gujarati.      Mudraraksasa.     Translated  into  Gujarati  by  K. 

H.  Dhruva.     Bombay,  1889,  pp.  240. 

Criticism.  Mudraraksasakathasara,  a  poem  in  354  stanzas,  com- 
posed by  Ravikartana  Suri  to  assist  readers  of  the  Mudra- 
raksasa. With  a  brief  commentary  by  Rajagopala  of 
Madura.     Madras,  1882,  pp.  22. 

Mudraraksasakathasara  A  i.  p.  461  =  2  Mss.  ;  A  2.  p.  106. 

Dhruva,  K.  H.  The  Age  of  Visakhadatta.  In  WZKM.  5 
(1891),  pp.  25-35. 

Haag,  Friedrich.  Beitrage  zum  Verstandniss  von  Visakhadatta's 
Mudraraxasa,  mit  besonderer  Beriicksichtigung  des  Codex 
Parisinus,  part  i.      Burgdorf,  1886,  pp.  12-}-  19. 

Jacobi,  Hermann.  On  Visakhadatta.  In  WZKM.  2  (1888),  pp. 
212-216. 


96  Visnukutuhala 

Visnukutuhala  see  Madhusudana  Sarasvati. 

Vi§vanatha,  son  of  Trimaladeva,  Mrgankalekha  natika  A  i. 

p.  465  ;  CS.  256.     Analyzed  by  Wilson,  2,  pp.  391-392. 
Vi^vanatha  Saugandhikaharana.     Edited  by  Durgaprasada 

and    Parab.      Bombay,    1902,   pp.   3  +  37.      Kavyamala, 

no.  74. 
ViSvanatha  Bhatta,  son  of  Mahadeva,  Srngaravapika  natika 

A  I.  p.  661  ;  A  2.  p.  158  ;  10.  7.  4196  (Analyzed). 
Vi§vanatha  Kaviraja,  author  of  the  Sahityadarpana,  Candra- 

kala  natika  quoted  in  SD.  447,  465. 
Idem  Prabhavatiparinaya  quoted  in  SD.  99,  346,  446,  484, 

526,  530. 
Vi^ve^vara,  son  of  Laksmidhara,  Navamalika  mentioned  in 

Kavyamala,  part  8  (1891),  p.  52. 
Idem  Srngaramanjarl  sattaka  A  2.  p.  158. 
Vitthala  Chayanataka  A  i.  p.  193. 
Vivekavijaya  see  Ramanuja. 
Vrsabhanuja  see  Mathuradasa. 
Vrttivallabha  see  Laghuvyasa. 
Vyasa  Moksaditya  see  Moksaditya. 
Vyasa  Sri  Ramadeva  see  Ramadeva. 


Yadavabhyudaya  see  Ramacandra. 

Yadavodaya  kavya  mentioned  in  SD.  546. 

Yadunandana,  son  of  Vasudeva  Cayani,  Natavata  prahasana. 

Edited  in  Sanskrit  and  Prakrit.     Bombay,  1887.    In  Gran- 

tharatnamala,  vol.  2,  nos.  lO-ii. 
Yajnanarayana  Raghunathavilasa  A  i.  p.  486. 
Ya^a^candra,  a  Jain,  Kumudacandra  A  i.  p.  in. 
Idem  Rajimatiprabodha  cf.  L.  app.  p.  79. 
Ya^ahpala  Moharajaparajaya  A  i.  p.  468  =  4  Mss. ;  A  3. 

p.   lOI. 
Ya§odhana  Dhanamjayavijaya  vyayoga  A  i.  p.  266  =  2  Mss. 
Ya^ovarman  (end  of  seventh  century)  Ramabhyudaya  nataka 


Yuvaraja  97 

mentioned  in  SD.  427  and  DR,  i.  42.     Cf.  ZDMG.  36 

(1882),  p.  521. 
Yatirajavijaya  str  Varadacarya. 
Yayaticarita  see  Rudracandradeva. 
Yayativijaya  quoted  in  SD.  440. 
Yogananda  see  Arunagirinatha  and  Dindima. 
Yuvaraja  Prahladana  Parthaparakrama  A  i.  p.  335  =  3  Mss. 
/de7/i    Rasasadana  bhana,  edited  by   Sivadatta   and    Parab. 

Bombay,  1893,  pp.  3  -f  65.      Kavyamala,  no.  37, 


APPENDIX  I 
Some  Dramas  in  the  Modern  Vernaculars. 

Amanat.  Indarsabha,  Neuindisches  Singspiel  in  lithograph- 
ischem  Originaltext,  mit  Ubersetzung  und  Erklarungen. 
sowie  einer  Einleitung  iiber  das  hindustanische  Drama,  von 
F.  Rosen.      Leipzig,  1892,  pp.  102  +64. 

Kegl,  A.  Amanat  es  a  hindusztani  drama.  In  Egyetemes 
philologiai  kozlony,  1894,  pp.  38-51.  [On  the  Indarsabha 
of  Amanat.] 

Aryotkarsaka  vyayoga.  The  regenerator  of  the  Aryas.  i  °  ed., 
Surat,  1873,  pp.  6S;   2"  ed.,  1888,  pp.  68.      [In  Gujarati.] 

Baldeo,  K.  Bhartrhari  Raj  Tyaj  Natak.  The  drama  of  Bhartri- 
hari's  abdication  of  the  throne.  In  English  (?).  Lucknow, 
1898. 

Bhadranjan.     A  Hindu  drama  by  a  native.      No  place  or  date. 

Candrahasa,  or,  the  Lord  of  the  Fair  Forger.  A  Hindu  Drama. 
Mangalore,  1882,  pp.  6  +  80. 

Dalpatram  Dahyabhai.  Kavitavilasa.  Ahmedabad,  1870.  [In 
Gujarati.] 

Gupta,  G.  C.  Kirti  Bilasa.  BengaH  drama  in  five  acts.  Cal- 
cutta, no  date,  pp.  70. 

Hariscandra  natakaya,  edited  by  W.  G.  M.  J.  de  Silva,  Colombo, 
1 90 1,  pp.  104. 

Manamohana.     Sati  nataka.     Benares,  1886,  pp.  182. 

Ramabhadra.  Lalitakuvalayasva  nataka  (composed  in  1665). 
Kat  d.  Bibl.  d.  Deutschen  Morg.  Gesell.  2.  p.  6. 

Ramabhadrasarman.  Hariscandranrtya.  Kat.  d.  Bibl.  d.  Deut- 
schen Morg.  Gesell.  2.  p.  5. 

Ramabhadrasarman.  Das  Hari^candranrityam.  Ein  altnepale- 
sisches  Tanzspiel.  Mit  einer  grammatischen  Einleitung 
herausgegeben  von  August  Conrady.  Leipzig,  1891,  pp. 
12  -f  45 


MODERN  VERNACULAR  DRAMAS  99 

Ramacandra.      The  Satya  Harischandra  Nataka.      Edited  by  B. 

R.  Arte  and  S.  V.  Puranik.      Bombay,  1898,  pp.61. 
Ramakrsna  Varman.      PadmavatI    nataka.      Benares,    1886,   pp. 

107. 
Ramakrsna  Varman.     Krsnakumarl  nataka.     Benares,  1S99,  pp. 

15*6.' 
Srimadgltadarsana,  or,  a  Dramatized  Version  of  the  Bhagvatglta 

(sic).      Edited   by   A.    V.    Barve.      Bombay,  1903,  pp.   48. 

[In    Marathi.  ] 
Tarkalamkar,  R.  C.      Kantuk  Garbasva  Natak.      Bengali  drama. 

Calcutta,  1830. 
Udayran,    R.      Premrayane     Carumati.      Bombay,     1876.       [In 

Gujarati.] 
Umedcand,  C.      Okha  Haran   Natak,  or,  the  drama  of  the  elope- 
ment of  Okha  or  Usha.     Ahmedabad,  1883,  pp.  66.      [In 

Gujarati.] 
Vamsamani  (wrote  in    Nepal  in    1628).      Kuvalayasvamadalasa. 

Kat.  d.  Bibl.  d,  Deutschen  Morg.  Gesell.  2.  p.  7. 

Criticism. 

Chattopadhyaya,  N.     The  Yatras,  or  the  popular  dramas  of  Ben- 
gal.     London,  1882. 
Chattopadhyaya,    N.       Die   Yatras,    oder    die   Volksschauspiele 

Bengalens.     In  his  Indische  Essays,  Zurich,  1883,  pp.  1-56. 
Dennath,    G.      Bengali     Language.      In     Calcutta     Review,    98 

(1893),    pp.    104-131.      [Contains  an  account  of  dramas  in 

Bengali.] 
Dhruva,  H.  H.     The  Rise  of  the  Drama  in  Modern  India.    With 

an  Appendix.      In  Transactions  of  the  9.    Intern.    Congr. 

of  Orientalists,  London,  1893,  vol.  i,  pp.  297-314. 
Estrey,  Count  Meyners  de.     L'Art  dramatique  dans  ITnde.     In 

Annales  de  I'extreme  Orient,  8  (1885-1886),  pp.  289-293. 
Haberlandt,    M.      Das  moderne  indische  Drama.     In  Om,    18, 

pp.  118-121. 
Minayev,   I.      Narodnyya  dramaticeskiya  predstavleniya  v  praz- 

dnik  Kholi  v  Almore.      In   Zapiski  Vostocnago  Otdeleniya 


lOO  MODERN  VERNACULAR  DRAMAS 

Imp.  Russkago  Arkheologiceskago  Obscestva,  5  (1891),  pp. 
290-291. 

Oman,  J.  C.  At  the  Play  :  The  New  Indian  Theatre.  In  his  In- 
dian Life,  London,  1889,  pp.  183-199. 

Roberts,  Sydney.  The  Kama  mystery  ;  a  study  in  comparative 
dramatics.      In  Contemporary  Review,  115  (1902),  pp.  1-9. 

Vallet  de  Viriville,  A.  Etudes  sur  le  theatre  indien  :  Stekiare 
Vassapou.      1845. 


APPENDIX    II 

Classification  of  the  Dramas 

A  complete  classification  of  the  extant  dramas  according  to  the 
divisions  [nlpakas)  and  subdivisions  {iiparupakas)  recognized  in 
Indian  dramaturgical  treatises  cannot  be  made  at  the  present  time, 
because,  as  pointed  out  above  (p.  3,  n.  i),  the  meagre  details  of 
the  manuscript  catalogues  and  the  ambiguous  use  of  the  term 
ndtaka  leave  the  precise  character  of  many  plays  still  in  doubt. 
Those  dramas  whose  character  is  definitely  known,  however,  are 
here  grouped  under  their  respective  classes,  and  plays  known 
only  by  name  have  also  been  included,  but  distinguished  from 
those  actually  in  existence  by  a  prefixed  asterisk  (*).  The 
authorship  of  the  plays  has  not  been  indicated,  even  in  cases 
where  there  is  more  than  one  work  of  the  same  name,  as  this  and 
other  details  can  easily  be  ascertained  from  the  corresponding 
entries  in  the  main  body  of  the  work. 

Owing  to  the  difficulties  of  classification  pointed  out  above, 
very  few  dramas  could  with  certainty  be  defined  as  natakas  in  the 
narrower  sense.  In  the  list  there  have  been  included  certain  others 
(distinguished  by  interrogation-points)  that  seem,  for  one  reason  or 
another,  to  belong  to  this  group,  but  cannot  be  definitely  assigned 
to  it  at  the  present  tim^.  In  spite  of  these  additions,  the  pro- 
portion of  plays  of  this  class  is  much  larger  than  would  seem  to  be 
indicated  by  the  meagre  list  here  given,  and  an  examination  of  the 
large  number  of  dramas  vaguely  designated  as  natakas  would 
unquestionably  disclose  many  additional  productions  of  this 
variety. 

bhana 

Ambala  Anaiigamangala 

Anandatilaka  Anangasarv^asva 

Anangabrahmavidyavilasa  Anangavijaya 

Anangajlvana  Cola 


I02 


CLASSIFICATION    OF    THE    DRAMAS 


Gopalalllarnava 
Harivilasa 
Kamavilasa 
Kandarpadarpana 
Keralabharana 
Kusumabanavilasa 
*  Lilamadhukara 
INIadanabhusana 
Madanagopalavilasa 
Mahisamangala 
Malamafigalabhana 
Misrabhana 
Mukundananda 
Pancabanavijaya 
Pancabanavilasa 
Paficayudhaprapanca 
Pradyumnananda 
Rasasadana 
Rasavilasa 
Rasikajanarasollasa 
Rasikaranjana 

Danakelikaumudi 


Rasollasa 

Saradananda 

Saradatilaka 

Sarasakavikulananda 

Srirangaraja 

Srngarabhusana 

Srngaracandrika 

Srngaradipaka 

Srngarajlvana 

Srngarakosa 

Sriigaramanjari 

Srngarasarvasva 

Srngarasrngataka 

Srngarastabaka 

Srngarasudhakara 

SrngarataranginI 

Srngaratilaka 

Srngararasodaya  {inisrabJidna) 

Vasantabhusana  (?) 

Vasantatilaka 

bhanika 

*  Kamadatta 


Chayanataka 
Dutangada 
Hariduta 
Pandavabhyudaya 

Manmathonmathana 

*  Tripuradaha 

*  BindumatI 

*  Raivatamadanika 


chayanataka 

Ramabhyudaya 

Savitricarita 

Subhadraparinaya 

dima 

*  Virabhadravijrmbhana 

durmallika 
gosthi 


CLASSIFICATION    OF    THE    DRAMAS 


103 


*  Keliraivataka 

*  Kusumasekharavijaya 
"*  Mayakurangika 

*  Yadavodaya 


halll^a 

ihamrga 

Viravijaya 

kavya 


nataka 


Abhijnanasakuntala 

Amrtodaya 

Balaramayana  ijnahanatakd) 

Caitanyacandrodaya 

Candakausika 

Jnanasuryodaya  (?) 

Lalitavigraharajanataka  (?) 

Mahanataka  {inahdndtakd) 

Mahaviracarita 

Mangala 

Manjulanaisadha  (?) 

Mathuranataka  (?) 


Mudraraksasa 
Nagananda 
Pa  r  vatipa  ri  nay  a 
Prasannaraghava 
Ramabhyudaya  (?) 
Ramacandranataka  (?) 
Ramanataka  (?) 
Ramayananataka  (?) 
Rukminlnataka  (?) 
Satyahariscandra 
Tumburunataka  (?) 
Uttararamacarita 


See  the  introductory  remarks  on  p.  10 1, 


natika 


*  Candrakala 
Candraprabha 
Karnasundari 
Krsnalila 
Kuvalayavati 
Mrgankalekha 
Priyadarsika 
Ramanka 


*  Narmavat! 


Rambhamanjari 

Ratnavali 

Srngaravapika 

Usaragodaya 

Vasantika 

Viddhasalabhanjika 

Vrsabhanuja 


natyarasaka 


*  Vilasavat! 


I04 


CLASSIFICATION    OF    THE    DRAMAS 


Adbliutaranga 

*  Anandakosa 

*  Bhagavadajjuka 
Bhanuprabandha 

*  Brhatsabhadraka 
Devadurgat! 

*  Dhurtacarita 
Dhurtasamagama 
D  h  u  rtavidambana 
Hasyacudamani 
Hasyarnava 
Hrdayavinoda 
Kaleyakutuhala 
Kalidasaprahasana 

*  Kalikeliprahasana 

*  Kandarpakeli 
Kasidasaprahasana 
Kautukaratnakara 


prahasana 

Kautukasarvasva 

Lambodara 

Latakamelaka 

Mithyacara 

Mundita 

*  Natakamelaka 
Natavata 
Palandumandana 
Pasandavidambana 

*  Payodhimathana 
Prahasana 
Sandrakutuhala 
Somavalliyogananda 
Subhagananda 
Unmatta 
Vefikatesa 
Vinodaranga 
Yogananda 


prakarana 

*  Kamadattai  {(//ulr/aprakarana)  *  Puspabhusita 
Kaumudlsudhakara 
Malatimadhava 
Mallikamaruta 
Mrcchakatika 


*  Srngaratilaka 
Krsnabhyudaya 

*  Balivadha 

*  Menakahita 


*  Puspadusitaka 

*  Tarangadatta 


Vakratundagananayaka 


prasthana 

preksanaka 

prenkhana 

rasaka 


CLASSIFICATION    OF    THE    DRAMAS 

samavakara 


105 


*  Samudrama(n)thana 

*  Mayakapalika 

Anandasundarl 
Karpu  ramanjari 

*  Kanakavatlmadhava 

*  Kridarasatala 

*  Stambhitarambha 

*  Devimahadeva 

*  Sarmisthayayati 

*  Madhavl 


Bhimavikrama 
Dhanamjayavijaya 
*  Jamadagnyajaya 
Narak  a  s  u  ra  vij  aya 
Nirbhayabhima 


samlapaka 

sattaka 

Srngaramanjarl 

Silpaka 

^rigadita 

Subhadraharana 

trotaka 

VikramorvasI 

ullapya 

utsrstikanka 

vithika 

vyayoga 

Pracandabhairava 
Pracandagaruda 
Saugandhikaharana 
Vinatananda 


SOUTHERN  Sn!:,?!  Cali'omia 


fwililllliilljlj 

'*'*      000  346  048 


lArnny 


